Ordinary Light
By Laura Maher and L.I. Henley
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About this ebook
Born and raised in desert towns hundreds of miles apart, Laura Maher and L.I. Henley found each other through poetry. Ordinary Light traces a correspondence of the growing connections of two strangers, uncovering a shared archeological dig of lost loves, regrets, questions, and other half-buried artifacts of memory. Place, both geological and historical, are at the center of these poems, as are concerns about illness, climate change, gender-based violence, and political unrest.
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Ordinary Light - Laura Maher
On Light and Leaving, July
I like to take long walks at dusk, summer still
rising up from sidewalks, or where there are no sidewalks, dirt,
the street. I like to look into the light of my neighbor’s windows,
not into their windows exactly, but the light from within.
The lights in my neighborhood burn as I like to think
my body does: not a thing in movement exactly, but the edge
of energy, possibility, warmth.
Light can do this.
It can make me think that my body does not
define me, does not
possess me, does not behave like a house I live in.
The light can be turned on or off. Can glow white or yellow, can show
the depth of a space. A room off a room off a room. A place
to throw a voice.
A light like an echo or a memory.
I like long walks, but when I write to you, I have to speak
to my poem to remember.
I say, Poem, don’t leave me. Poem, stay.
Years ago, when I was sick and sure I wouldn’t walk again,
I spoke to my body this way.
I said, Body, don’t leave me. Body, stay.
Does a body know a thing before a mind has taught it?
At dusk tonight, the orange edge of a sunset could be seen
at the tree line, far off,
past the familiar slope of roofs, the angle like praying hands
beginning to come together, or like prayer itself.
The light can do this,
make me think about praying.
A plane left a sharp trail, the light a zipper to the evening sky.
I tried to get a picture for you, but an iPhone at dusk
does not see the light like I do.
Years ago, before I was very sick, before I knew anything
about bodies, my high school boyfriend and I drove
to the top of Campbell Avenue, to look at city lights and kiss. From far off, the lights looked
dangerous. Or it was these risks: the driving, the parking.
We sat on the hood of his parents’ station wagon
and waited to get the nerve.
He had a small notebook
stored in