408 Horror Movies for Beginners: Trends of Terror

By Steve Hutchison

Have you been recently introduced to horror movies or are you hoping to convert someone? You want to explore the genre and don't know where to start? In this edition of Trends of Terror, film critic Steve Hutchison reviews 408 horror movies for beginners and ranks them. How many have you seen?

• Language: English
• Publisher: Steve Hutchison
• Release date: Mar 5, 2023
• ISBN: 9781778871474

Steve Hutchison

Artist, developer and entrepreneur in film, video games and communications Steve Hutchison co-founded Shade.ca Art and Code in 1999, then Terror.ca and its French equivalent Terreur.ca in 2000. With his background as an artist and integrator, Steve worked on such games as Capcom's Street Fighter, PopCap's Bejeweled, Tetris, Bandai/Namco's Pac-Man and Mattel's Skip-Bo & Phase 10 as a localization manager, 2-D artist and usability expert. Having acquired skills in gamification, he invented a unique horror movie review system that is filterable, searchable and sortable by moods, genres, subgenres and antagonists. Horror movie fans love it, and so do horror authors and filmmakers, as it is a great source of inspiration. In March 2013, Steve launched Tales of Terror, with the same goals in mind but with a much finer technology and a complex engine, something that wasn’t possible initially. He has since published countless horror-themed books.

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#1

The Shining

1980

Secluded in a remote hotel for the winter, a family is terrorized by ghosts.

8/8

The Shining is the ultimate ghost movie. It is not only about the dead coming back, but about vice, mental illness and human evil. It is a slow burn that never gets boring because when nothing happens, photography does. It is among Kubrick’s best work and one of the best horror movies ever made. The hotel is a dense psychedelic labyrinth, and the script follows the same theme and logic.

Fans of thrillers get a thick depiction of family violence caused by alcoholism and supernatural lovers get scary ghosts. When mental illness and seclusion are gradually added to the equation, claustrophobia takes a new meaning. This is a long feature that constantly foreshadows, setting a stressful and uncomfortable tone that is as efficient psychologically as it is viscerally.

The set design is right out of a nightmare. The actors are so vigorous and meticulous it is troubling. Family horror, when approached so brilliantly, becomes something we can all relate to. It is never explicit about taboos, but quickly hints at many twisted concepts that make the movie highly rewatchable. Get ready to be immersed and shook up. Prepare for the horror experience of a life time!

#2

Gremlins

1984

A high-maintenance creature gives birth to an army of small devils after being exposed to water.

8/8

Gremlins is a highly superior cinematographic experience in image and sound. It is meant for children and adults alike, but is rather oriented at the former. It’s a horror movie that avoids violence and death using creative detours, and, simply put, instead plays on the fears of ugliness and propagation. This all happens around Christmas time and the odd resulting ambiance is a delight.

The film is virtually flawless and an obvious fruit of effort. With some of the best animatronics, puppetry and creature design to ever hit the screen, it’s a nicely packaged story supported by lovable characters and spiced up by a dream team of performers who are wisely directed and scripted. Everybody on board seems aware of the fact that they have one of the best gimmicks in film history.

Gremlins is about a cute creature whose allergies trigger self-duplicating terror and destruction. In the context of Christmas, under keen lighting, when wrapped in comedy then glitter, and supported by an immersing score, this otherwise sinister film becomes a fantasy of its own before your entertained eyes. It belongs to all genres, yet none, and is unarguably one of the best pictures ever made.

#3

Scream

1996

High schoolers recognize horror movie patterns in the recent deaths of other students.

8/8

Slashers were among the most successful subgenres of horror in the 70’s and 80’s, and then they became predictable, tired, soon before they completely ran out of momentum in the early 90’s. Scream reboots the trend by now fleshing out characters that live in the same world horror movie fans do, with Freddy Krueger, Jason Voorhees, Michael Myers and other horror villains constantly referenced.

This is both a slasher and a whodunit, but it features protagonists who try to overcome a series of murders by what they ironically have in common, as friends: their knowledge and love of horror movies. The actors are a well assorted and written bunch that does an impeccable job of reminiscing the subgenre while juggling with a complex underlying mystery the movie heavily relies on.

The jump scares are deserved; written and directed with ideal pacing, dialogue, acting and a production value rarely matched by similar movies. The intricate script throws you in all directions, and stays away from the red stuff as much as it can. Scream stimulates you mentally, proving that a good movie, disregarding its classification, can only spawn from a good story.

#4

Ghostbusters

1984

Three unemployed supernatural investigators start a ghost hunting business.

8/8

Here’s a perfect mix of comedy, horror and fantasy that will get straight to your heart and guts. In a way, it is also a light superhero story. Because it is perfectly suitable for a child as much as the general audience, Ghostbusters is eerie, makes you jump, shiver, but features virtually no gore. There are monsters, though, and plenty of them. The effects are amazing and one of a kind.

The score and soundtrack play a big role in delivering a fun supernatural aura that penetrates the screen. While some of the creature effects are a little cheap, most of the ghost effects blend well with the picture. This one isn’t all about visuals. The characters and the story are compelling and the dialogue is catchy.

The actors are perfect in their roles and their performances are close to flawless. Ghostbuster isn’t shy on effects, making use of animatronics, rubber suits and an abundance of color keying. Get ready to be entertained all the way through; sucked in a surreal New York that gets increasingly sinister as subplots converge.

#5

Gremlins 2: The New Batch

1990

An innocent allergic creature gives birth to a hoard of morphing monsters inside a commercial skyscraper after being exposed to water.

8/8

Gremlins 2 starts with a short Bugs Bunny gag as if to establish it is now a perked version of itself. It’s slightly more suitable to a younger audience but it’s dark enough to please anyone. It still feels like horror fantasy but it behaves much more like a sadistic cartoon. The previous protagonists aged a bit and their paths all happen to converge to a specific block in New York City.

Most of the plot takes place in a prestigious high-tech high rise used for business, commerce and science, giving Gremlins 2 a prestigious stature. None of it is taken seriously and it’s hilarious. When things go bad; worse than they’ve been so far, the makers’ ambition and skills shine through. The creatures are now fully lit, revealing more and even better animatronics than 1984’s Gremlins’.

The concept of metamorphosis is pushed further and turned into an ongoing joke. The actors are given intricate roles and are a colorful delight. The animation techniques used have evolved. The production quality is higher, too, and the sets are very atmospheric. Perfect gateway to horror for kids, Gremlins 2 chooses to be fun, surrealist and comedic but doesn’t forget its more sinister roots.

#6

The Fly

1986

A scientist in love gradually turns into a fly after experimenting with a teleportation method he discovered.

8/8

The Fly is one of the best body horror movies ever made. As such, it succeeds where most werewolf films failed and features grander effects and make-up. The visuals are astonishingly elaborate and get increasingly disgusting as the story unfolds. The transformation sequence spans over several scenes and the tragedy is deeply felt because the two leads convey a wide range of emotions over time.

Dialogue is meticulously calculated. There is an aura of remorse and regrets that the hook foreshadows. 1986’s The Fly remakes a 1958 film by the same title that can use the update. The plot is roughly the same, but this one is much scarier and more intense. It is a perfect mix of psychological and physical horror; terrifying, gory, and often both at the same time for maximum shock value.

It is arguably David Cronenberg’s best directorial and screenwriting portfolio piece at this point in his career. Despite its extreme premise, the film is never surreal or complicated. The characters are well-written, natural, compelling. Thriller tropes meet lycanthropy in this instant classic that will surely leave its mark. It is unique and close to perfection on all levels.

#7

Evil Dead II

1987

A man fights demons inhabiting a remote cottage from which he cannot escape.

8/8

Evil Dead 2 both follows and remakes 1981’s The Evil Dead, which was inspired by a no-budget short. The Evil Dead was straight horror and this one invests in slapstick humor. The storyline is an expansion of the previous one, but the twists and turns are fresh. The costumes and make-up are refined and more camera-friendly. The practical effects have been enhanced, too.

Ash, the survivor guy and late bloomer from the original film is still played by Bruce Campbell. He is, more than ever, at the center of the story and into his character. Ash’s story arc is more intricate, yet hilarious. He is now both inexhaustible and pissed. This is his descent into madness. The script doesn’t take intellectual detours and delivers well-paced terror, gore and fun.

Evil Dead 2 is the product of its initial creator, Sam Raimi, so character design, imaginative cinematography, dialogue, and pacing meet the highest standards. Evil Dead 2 is the quintessential supernatural horror movie and reinforces the cabin in the woods cliche that it popularized and arguably founded. It has everything the fan can possibly wish for, and then some!

#8

A Nightmare on Elm Street 3: Dream Warriors

1987

Teenagers held in a mental institution become the victims of a mad man who invades nightmares and kills through them.

8/8

Fully established now, the A Nightmare on Elm Street franchise takes full advantage of the mid-80’s way to do things when it comes to supernatural slashers. This time around, we focus on a group of troubled kids held in a psych ward and not taken seriously when the deadly nightmares kick in. The new setting is a great stepping stone. The fact that the victims are confined adds to the threat.

Until now, in Springwood, personalities weren’t clearly defined and character arcs were privileged over character traits. The different protagonists are now full-on stereotypes. They are sympathetic, nonetheless, and, though their situation is sad, they are an entertaining bunch. Their personas become a critical part of the plot when they learn they can shape their own dreams to survive the night.

The movie is dark, magical, gimmicky. Prosthetic and animatronics play a significant role. Heather Langenkamp’s character returns and Krueger is still played by Robert Englund. The initial mythology lost in the previous entry is shunned and resumes. It’s everything the first sequel should have been. It’s is ambitious, looks great, and pushes fantasy even further than the previous films did.

#9

A Nightmare on Elm Street 4: The Dream Master

1988

Haunted by a specter in her nightmares, a teenager discovers she is propagating her death curse among her friends.

8/8

This third sequel in the A Nightmare on Elm Street franchise is a gift to the MTV generation. It walks in the footsteps of the previous film but brings its own immature, bratty flavor. Not as dramatic but still tense, it creates ambiance through music as much as lighting and set design. The soundtrack is mostly composed of pop rock, yet the song selection still serves the eeriness.

Freddy is his threatening self but now seems self-aware, camera-conscious and plays it cool. The movie has memorable mind-fuck moments, atmospheric dream sequences and fun characters you can’t help but care for. The third movie was character-centric and so is this one. It is now established that whatever talent or strength you have or wish you had in real life you can use as weapon in nightmares.

The direction is energetic, methodically paced, the dialogue hip, though slightly awkward at times, and there is always something interesting going on. The script is dense and eventually deals with time loops, location warps, and the groundhog day effect. The new eccentricities are a hazy delight. The murders scenes are imaginative, completely over the top, lengthy and gory.

#10

Pet Sematary

1989

A family moves into a town house located near a cemetery rumored to bring back the buried to life.

8/8

Pet Sematary is a sad and terrifying family story that excels at exploiting one of the deepest and most visceral fears humans have: losing someone they love. We learn about the cursed grounds that bring the dead to life through dialogue and flashbacks during deep discussions between neighbors. The casting is ideal for a sinister supernatural thriller of this intensity.

It feels like a TV movie, but the budget is significant. You get advanced prosthetics and the photography is peculiar. In this Stephen King adaptation, it isn’t the house that is haunted but a vaguely defined area whose reach goes far beyond the cemetery gates. The place is surreal and is the villain. It is as eerie as the score: a recurring sonata sang by a children’s choir.

While most horror movies make contortions in order to stand out and be called memorable, Pet Sematary gives us a simple plot that we can all relate to. It reminds us of familiar events, patterns and struggles of family life, love and friendship, and amplifies common situations of sadness with a strong supernatural element; setting the tone for some of the creepiest scenes in horror movie history!

#11

Misery

1990

An injured author is held captive by a deranged fan of his.

8/8

Here’s the ultimate 1990’s thriller. It is so intense that it can also be considered one of the best horror movies ever made. It is based on a novel by Stephen King; what more can you wish for? Small characters aside, this is a condensed emotional duel between Kathy Bates and James Caan. Misery is the perfect storm: perfect cast, perfect novel, perfect script and one hell of a director!

Bates plays a dangerous nut job and Caan the vulnerable victim; the writer she’s a die hard fan of. If genders were inverted, these would be stereotypes. King explores a writer’s nightmares, as he often does, but this is one of his greatest works. The film is sad, violent and extremely stressful. Some scenes will make you hold your breath and keep you on the edge of your seat.

Every subplot is executed with calculated timing. Nothing feels superfluous and there are no slow moments. The film is somewhat slow-paced but something horrible is at all times developing or getting out of control. This is one of the best Stephen King adaptations out there. Misery is, quite simply, nothing less than a perfect film. You need to see this… now!

#12

Child’s Play 2

1990

An adopted boy once the victim of a possessed doll suspects it found its way to his new foster home.

8/8

Chucky’s no longer an enigma. We’ve seen him walk, talk and stalk already and this means we now get more explicit exposure, fewer chills, but more amusing murders and one-liners. The doll is scary enough on its own but it can no longer rely on our apprehension and imagination. Fortunately, the script avoids most pitfalls of horror sequels.

Two of our three main protagonists from the original are not returning and the story centers on Andy, the kid, instead. Considering he is who Chucky’s after, this isn’t much of an issue. Child’s Play 2 goes all out when it comes to special effects and uses no shortcut to impress us. Most of them are rendered through puppet work and animatronics, with the occasional midget thrown in the mix.

This holds up to the original in terms of writing, directing and acting but it has more ambition. It is arguably a perfect sequel. It brings back most of the elements that worked the first time but the script has fun with them and pushes the concept to the extreme. This is a more prestigious movie than its predecessor was, with a grand finale you will not easily forget.

#13

Child’s Play

1988

A doll possessed by the ghost of a serial killer pursues a young boy in order to trade souls with him.

8/8

Child’s Play isn’t the first instance in which a killer doll terrorizes its owner, but the subject was mostly approached in anthology shorts and with limited animatronics, or in movies that underused the gimmick. This isn’t the case here. While it takes a while for Chucky, the possessed doll, to get its reveal, our imagination fills in the blank as the story unfolds.

There is something creepy about an inanimate object coming to life, especially when it’s after the soul of a young kid. The doll’s design is terrifying and skillfully rendered. The slow pace allows for great suspense and clever jump scares you’ll never forget. There had been Gremlins before, then Critters, but nothing quite like Child’s Play in the miniature department.

Both the writing and the directing come together nicely and give us a virtually perfect product. The actors all give a good, unique performance. Chucky joins Michael Myers, Freddy Krueger and Jason Voorhees in the ranks of famous contemporary horror villains. He’s a strange but highly marketable product of voodoo magic and pop culture. He comes with a set of batteries and a foul-mouth...

#14

A Nightmare on Elm Street

1984

A teenage girl and her friends die one by one after being tricked and tortured by an evil figure that haunts nightmares.

8/8

Ultimate nightmare-themed horror movie, this film turns the only bad thing about sleep; nightmares, into some kind of contagious, spiritual disease that tries to kill you before you wake up. It exploits the idea of sleep deprivation in the most creative way imaginable. Like a werewolf curse triggered under a full moon, carnage is inevitable. It hides inside you, waits, and can hardly be delayed .

Not your average villain, Freddy Krueger, the eccentric antagonist, can bend the laws of physics and lives in a surreal world that he disguises as our own. Thanks to brilliant photography, a rigorous sense of pace and ominous suspense, the transitions between reality and dreams are seamless. The camera doesn’t let us in on the illusion so we are as clueless as the victims are.

A Nightmare on Elm Street is nearly perfect. The effects are visionary, the gore striking, the performances more than satisfying, the concept pure genius and the gimmick extremely catchy. Freddy comes with his sonata, his own lighting and a nice, shocking backstory. He joins Michael Myers and Jason Voorhees as one of the most marketable horror icons showing great potential for sequels.

#15

Dead Alive

1992

A man tries to contain a zombie outbreak originating from his home.

8/8

We mostly owe the masterpiece that is Dead Alive, AKA Brain Dead, to Peter Jackson. He’s grown infinitely more resourceful since 1987’s Bad Taste, which wasn’t bad at all, but this one is full throttle. It is very dynamic and never dull. It all starts with a cute love story that won’t remain cute for very long. See, Lionel’s mother is decaying and slowly turning into a zombie…

Dead Alive contains the kind of gore so extreme it makes you piss your pants; not because you’re frightened but because you’re chortling uncontrollably. It makes you jump, it makes you want to vomit, but you’re never exactly scared. The special effects are, for lack of a better word, orgiac. This is easily one of the best zombie movies ever made, and it looks like nothing else.

The acting is odd, the dialogue is awkward, but those aspects are charming more than they are annoying. The last act is an absolute blast. It is particularly gruesome. It is a non-stop gore fest; easily one of the most memorable moments in horror movie history. It’ll make you scratch your head as to how exactly the practical effects were made. In fact, this whole production is a beautiful enigma!

#16

The Evil Dead

1981

Teenagers partying in a cabin in the woods become possessed by demons.

8/8

The Evil Dead is everything a horror movie fan can wish for. It is also the ideal place to start for the uninitiated. Contrary to most films of its genre, it never relies on filler and barely exposes its protagonists. It makes its way to the trigger event quickly and soon plunges the story into somewhat of an extended third act. It’s frightening, engaging, it’s a little bit funny and very gory.

Some camera shots used have never been seen before and rely on creative rigs that director and writer Sam Raimi pulled out of a hat. His magic doesn’t stop there. He gathered the right crew to produce a combination of claymation, latex, animal viscera and make-up that looks nothing like other films of the early decade. This is a good example of accessible experimental cinema.

Take The Exorcist, inject a generous dose of franticness, crank the violence to a maximum, get rid of the dialogue and you get this superficial gem! The Evil Dead is flawed when it comes to special effects, but they involve such unique cinematographic innovations that they are genuinely disorienting and terrifying, regardless. It is the quintessential horror movie and one of the best ever made.

#17

The Faculty

1998

Six students find out their teachers are from another planet.

8/8

A splendid cast is introduced very early on, including the protagonists who are presented through character cards right after an epic prologue. There are obvious Body Snatchers and Scream influences, here. It’s no coincidence that Kevin Williamson, of Scream fame, is screenwriting. The Faculty is punctuated by an amazing rock soundtrack just when you think the film couldn’t get any cooler.

The students, in The Faculty, are mentally and physically abusive, from the get go, so we’re not sure exactly what they become when they’re possessed, and that’s a grey zone that never gets addressed. Some of the infected become more aggressive and some more passive. All characters are right out of a comic book and the acting is irreproachable. In fact, the film itself is almost perfect.

The Faculty is as mainstream as horror films get, but horror buffs will see it from a particular angle. It’s an alien invasion, a slasher, a whodunit and, well, it’s teen horror. What else is there to like? The actors are amazing: Josh Hartnett, Famke Janssen, Robert Patrick, Laura Harris, Salma Hayek, Piper Laurie, Usher Raymond and Elijah Wood, to name a few.

#18

Psycho

1960

A woman steals a large sum of money and hides in a motel owned by a strange man.

8/8

Psycho revolutionizes horror simply. It presents itself as a mere thriller, but turns into a kind of darkness unlike the science-fiction approach of the last decade; a time when terror was spectacular, monstrous, not so lethal, and more politically correct. Psycho breaks new grounds in regards to taboos, sexuality and deviance, and never resorts to filler despite being based on dialogue.

The camera work is superb. Hitchcock throws himself challenges that he executes perfectly, as an illusionist would. His techniques are mysterious, purposely complicated, and seem to wink at the student, casual and professional filmmaker and hardcore film fans. This is based on a book, but many freedoms are taken into making the content accessible, yet implicitly twisted.

The movie often asks us to reconsider our moral values and our initial judgment. Alfred Hitchcock slowly establishes horror through rigorous suspense, build-up and by structuring dialogue or blocking strategically and with perfect timing. If Psycho feels so familiar, it is probably because it exposes the ills of society, concentrating them on a few characters and questioning their innocence.

#19

Jaws

1975

A police chief, a scientist and a fisherman set out to stop a great white shark.

8/8

Like fishing, Jaws takes time, patience, and may or may not be rewarding when all is said and done. In the hands of Steven Spielberg, though, this movie promises to mark a generation of movie-goers. One of the lead is a loud-mouthed shark specialist; another one a sheriff who inspires confidence while taking danger seriously. The third boat occupant; squeamish, upholds the horror layer.

For a summer blockbuster about a killer shark, Jaws is especially shy on animatronics. The effects are ahead of their time and truly terrifying but are used very sparingly. The movie is shot in deep water and gets around enormous challenges imposed by an unusual script. Legends say the props didn’t take water so well. As a result, we end up with a heavy drama and very little shark mayhem...

The actors give an honest, authentic and subtle performance. Spielberg takes a genre considered learning ground for filmmakers and raised the bar so high that he had to resort to dialogue to craft tension when he met a technical wall. There is a shark, but he won’t show up until we’re fully involved in the characters. With its immersing scenery and intrigue, Jaws takes fear back to its origins.

#20

The Silence of the Lambs

1991

A FBI recruit interviews an incarcerated cannibal in order to investigate a recent wave of murders.

8/8

There is good dialogue to be had when a cannibal psychiatrist and a cop meet with both something to win from sharing extended verbal exchanges. The cop can save a life and, in return, the incarcerated serial killer hopes to negotiate his liberty. The performances are confident, calculated and played for maximum tension. This movie perfectly marries thriller and horror, with little room for humor.

While it is technically a slow burn, it doesn’t actually feel slow because there are two main threats. A large portion of the film happens between the investigator and the cannibal separated by a transparent wall. It sets the tone for deeply felt dialogue. When suspense turns into horror, the gore-goer can expect creative splatter. Nothing here is cheap, but nothing is overdone either.

The writing is smart and stacks many layers on an otherwise simple plot. The true antagonist is the reason behind all its theatrical setup. The second killer, not Hannibal, is kidnapping and skinning victims. Hannibal Lecter is depicted as a genius who can solve riddles and crimes by deduction, and he is the heart of the movie. As a discrete sequel to 1986’s Manhunter, this is a big improvement.

#21

Jurassic Park

1993

The owners of a theme park hosting cloned dinosaurs lose control of their security system.

8/8

Terminator 2 set the bar so high in terms of 3D and compositing effects that nothing