Fairoz
By Moniza Alvi
()
About this ebook
Moniza Alvi
Moniza Alvi was born in Pakistan and grew up in Hertfordshire. After working for many years as a secondary school teacher in London, she is now a freelance writer and tutor, and lives in Wymondham, Norfolk. All her poetry is published by Bloodaxe. Her most recent titles are Fairoz (2022), Blackbird, Bye Bye (2018); her book-length poem, At the Time of Partition (2013); Homesick for the Earth, her versions of the French poet Jules Supervielle (2011); Europa (2008); and Split World: Poems 1990-2005 (2008), which includes poems from her five previous collections, The Country at My Shoulder (1993), A Bowl of Warm Air (1996), Carrying My Wife (2000), Souls (2002) and How the Stone Found Its Voice (2005). The Country at My Shoulder was shortlisted for the T.S. Eliot and Whitbread poetry prizes, and Carrying My Wife was a Poetry Book Society Recommendation. Europa and At the Time of Partition were selected as Poetry Book Society Choices in 2008 and 2013 respectively and both were shortlisted for the T.S. Eliot Prize. Moniza Alvi received a Cholmondeley Award in 2002. A collection of her poems was published in Italy by Donzelli Editore in their Poesia series in 2014, Un mondo diviso, translated by Paola Splendore.
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Fairoz - Moniza Alvi
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MONIZA ALVI
FAIROZ
Fairoz is a book-length poetry sequence in which Moniza Alvi explores an imagined teenage girl’s susceptibility to extremism. The book’s fragmented, collaging narrative draws together fairytale elements, glimpses of Fairoz’s thoughts, and pieces of dialogue. A folkloric representation of God and the devil acts as a wry counterpoint, touching on questions of morality. Fairoz is a powerful portrayal of human vulnerability.
‘She is a skilled storyteller, recounting the extraordinary in the voice of the everyday, so that we accept the miraculous as something we need…the overriding impression is of a deft, restrained language carrying ideas with a metaphysical wit and seriousness.’ – Leonie Rushforth, London Magazine
‘One of the few British poets whose work could currently be described as essential reading, not least as we try to grasp what fractures of cultural difference might have contributed to the July 7 bombings.’ – Tim Robertson, Magma
‘Europa made the most difference to me as a writer. It showed me one way of writing about trauma and violence, how to circle around a central concern and explore it from different angles.’ – Kim Moore, The North
Cover painting: Conflict (1975) by Laila Shahzada (1926-2004) PERMANENT COLLECTION OF THE JORDAN NATIONAL GALLERY OF FINE ARTS2
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MONIZA ALVI
Fairoz
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CONTENTS
title page
Driving the devil away
In the present tense
Indoors
Hair
What do you do with a heap of stones?
‘It was a house of female habitation’
Questions in the wood
The Devil and the gleams
The Devil’s soup
The white cat
Not enchantment
In the morning
Home
Fairoz and Annat
As summer
School lunchtimes
Listening to Fairoz and Tahir
Pilgrims
Does the Devil know what he is?
The notice
When they meet
A story of God and the Devil
Ripe
Wolves-of-the-woods
What runs under her skin
She pictures Jannah
Absent and present6
Her absences
‘where the swarm is thickest’
The dark patch
The plants
It was long ago
A conversation
A punch
Ice age
He’s ‘v v sorry’
The short long story
The loping wolf
A tale reduced to a sliver
God’s eyelids
This woman will speak to you, he says
The bride
Gone
A