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Ten: the new wave
Ten: the new wave
Ten: the new wave
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Ten: the new wave

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Ten: the new wave presents poetry from some of the most exciting new poets in Britain today. These ten poets were selected for The Complete Works 2 mentoring project, a groundbreaking initiative to promote diversity and quality in British poetry, initiated by the writer Bernardine Evaristo. The poets follow on from the first group to take part in this scheme, whose work was published in Bernardine Evaristo and Daljit Nagra's anthology Ten: new poets from Spread the Word (2010). Most of those poets have gone on to win awards and have their poetry collections published. The new poets in this anthology are Mona Arshi, Jay Bernard, Kayo Chingonyi, Rishi Dastidar, Edward Doegar, Inua Ellams, Sarah Howe, Adam Lowe, Eileen Pun and Warsan Shire. These poets have backgrounds in Asia, Europe, the Caribbean and Africa, and their work draws on their multicultural heritage and tapestry. Many of them also work across art forms and have enjoyed success as playwrights, graphic artists and even in the martial arts. Talented, adventurous and culturally rich, these poets will open up new landscapes for the reader. 'These ten exciting poets record with confidence and vigour a tune rarely heard on these shores and this collection of their work is a boost to the body of contemporary British poetry' - Carol Ann Duffy. '...a sampler of work by black minority ethnic poets that includes some of the best new verse to be found anywhere.' - Fiona Sampson, Independent The project is directed by Dr Nathalie Teitler, with thanks to Arts Council England for their generous funding.
LanguageEnglish
Release dateOct 30, 2014
ISBN9781780372129
Ten: the new wave
Author

Karen McCarthy Woolf

Described in The Poetry Review as 'extraordinarily moving and technically flawless', Karen McCarthy Woolf's celebrated début was a Guardian Book of the Year and  PBS  Recommendation. She has presented her poetry in many forms, from collaborative choreography and radio soundscape to audiovisual installation, in venues around the world, from Mexico City and Singapore to the us and the Caribbean.

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    Ten - Karen McCarthy Woolf

    TEN: THE NEW WAVE

    Ten: the new wave presents poetry from some of the most exciting new poets in Britain today. These ten poets were selected for The Complete Works II mentoring project, a groundbreaking initiative to promote diversity and quality in British poetry, initiated by the writer Bernardine Evaristo. The poets follow on from the first group to take part in this scheme, whose work was published in Bernardine Evaristo and Daljit Nagra’s anthology Ten: new poets from Spread the Word (2010). Most of those poets have gone on to win awards and have their poetry collections published.

    The new poets in this anthology are Mona Arshi, Jay Bernard, Kayo Chingonyi, Rishi Dastidar, Edward Doegar, Inua Ellams, Sarah Howe, Adam Lowe, Eileen Pun and Warsan Shire. These poets have backgrounds in Asia, Europe, the Caribbean and Africa, and their work draws on their multicultural heritage and tapestry. Many of them also work across art forms and have enjoyed success as playwrights, graphic artists and even in the martial arts.

    Talented, adventurous and culturally rich, these poets will open up new landscapes for the reader.

    ‘These ten exciting poets record with confidence and vigour a tune rarely heard on these shores and this collection of their work is a boost to the body of contemporary British poetry’ – Carol Ann Duffy.

    ‘…a sampler of work by black minority ethnic poets that includes some of the best new verse to be found anywhere’ – Fiona Sampson, Independent.

    Cover image: Bluray (2013) by Jay Bernard

    TEN

    THE NEW WAVE

    EDITED BY

    KAREN McCARTHY WOOLF

    THE COMPLETE WORKS II

    CONTENTS

    Title Page

    NATHALIE TEITLER:Preface

    KAREN McCARTHY WOOLF: A True Fellowship

    1 WARSAN SHIRE

    Comment:PASCALE PETIT

    Backwards

    Men in Cars

    Sara

    Midnight in the Foreign Food Aisle

    Haram

    The Ugly Daughter

    The House

    2 EILEEN PUN

    Comment:SASHA DUGDALE

    Truffle Hunter

    For Carlo, My Neighbour

    Goodly Gongsun

    Some Common Whitethroat Chit-Chat

    Lesser Whitethroat

    Studio Apartment: Sunday

    3 ADAM LOWE

    Comment:PATIENCE AGBABI

    The Kiss

    Tryst with the Devil

    Afterlife @ Aftershock

    Vada That

    Buzzing Affy

    Tough Look

    4 SARAH HOWE

    Comment:W.N. HERBERT

    FROM

    A Certain Chinese Encyclopedia

    Tame

    Frenzied

    Innumerable

    Others

    Having just broken the water pitcher

    That from a long way off look like flies

    5 INUA ELLAMS

    Comment:W.N. HERBERT

    Of all the boys of Plateau Private School,

    Short Shorted / Odogbolu 1995

    Ghetto van Gogh

    Swallow Twice /

    Swallow twice, and live.

    The National Anthem

    The / Forced

    6 EDWARD DOEGAR

    Comment:SEAN O’BRIEN

    Half-Ghazal

    Consent

    The Waiting Room

    Something Understood

    April

    That Elegiac Tone

    7 RISHI DASTIDAR

    Comment:DALJIT NAGRA

    Licking stamps

    22 March, Working in an Office on Berners Street

    The British genius

    Making a cheese soufflé rise

    Towards a singularity

    Gunmetal

    8 KAYO CHINGONYI

    Comment:ANTHONY JOSEPH

    How to Cry

    The Room

    calling a spade a spade

    The N Word

    Alterity

    The Cricket Test

    On Reading ‘Colloquy in Black Rock’

    Varsity Blues

    Casting

    Callbacks

    Normative Ethics

    9 JAY BERNARD

    Comment:KEI MILLER

    Fake Beach

    Song of the Strike

    Punishment

    Yes, they hate each other

    The Basics

    10 MONA ARSHI

    Comment:MIMI KHALVATI

    Ghazal

    The Daughters

    The Bird

    Phone Call on a Train Journey

    In the Coroner’s Office

    Notes Towards an Elegy

    Editor’s biography

    Mentor biographies

    Acknowledgements

    Previous publications

    Copyright

    PREFACE

    ‘…less than 1% of poetry published by major presses in the UK is by black and Asian poets.’

    Free Verse Report (2005, Arts Council England)

    In 2005, Bernardine Evaristo approached Arts Council England with her concerns about the lack of publishing opportunities for poets of colour. They responded by funding the ‘Free Verse’ report produced by Spread the Word writer development agency, which highlighted the lack of diversity in British poetry. The actual figure of poets published in the report, as quoted above, was so shockingly low that it was clear an urgent response was required. Evaristo then initiated a national development programme for Black and Asian poets: The Complete Works (TCW), taken forward by Spread the Word.

    In 2008, after an extensive national call-out, ten exceptional poets were invited to take part in the scheme In 2010, the first anthology of their work, Ten: New Poets, was published by Bloodaxe, edited by Evaristo and Daljit Nagra. These poets have gone on to significant success. Karen McCarthy Woolf has a collection published by Oxford/Carcanet in 2014; Roger Robinson, Seni Seneviratne and Malika Booker have published very successful collections (Peepal Tree Press) with international tours; Mir Mahfuz Ali has a first collection forthcoming from Seren; Shazea Quraishi had a pamphlet published with flipped eye and her first book-length collection is due from Bloodaxe in 2015. Most of the poets have enjoyed international residencies and publications; two (Nick Makoha and Mir Mahfuz Ali) represented their countries on the international stage of Poetry Parnassus in 2012, as did TCW II poet Kayo Chingonyi.

    As project manager of the first round I felt, however, that there was still significant work to be done. Not only did the publishing figures continue to reflect low numbers but many competitions and audiences also showed the same lack of diversity. Diversity in the wider sense of its meaning to include not just a range of ethnic/cultural backgrounds but also a range of styles and approaches to poetry. In other words, the kind of genuine diversity that goes hand in hand with quality. It was for this reason that I decided it was important to take The Complete Works (TCWII) into a second round.

    This second round carried on many of the distinguishing features of the first. Once again, ten exceptional poets were selected and given established and esteemed UK poets as their mentors, with Arvon residencies, bespoke seminars/salons, as well as a peer mentor or buddy from TCW I. One important difference was that the focus was now on younger poets. Almost all the poets in this anthology are under 30 and all can be considered young in poetry career terms. They demonstrate an extraordinary range of backgrounds, styles and interests. Many work cross art-forms: Inua Ellams is a successful playwright with work produced at the National Theatre, Jay Bernard is a graphic artist, Eileen Pun a highly trained martial artist.

    The name of this anthology, Ten: The New Wave, may surprise some. After all, the last anthology was published only four years ago so it may seem premature to describe it as a new wave. I felt it was important to give it this name to highlight an important point about Black and Asian poetry in the UK; the Complete Works exists as a result of decades of hard work by BME (black minority ethnic) poets building supportive networks, communities and what can be termed a poetry family. In the cover letters the young poets sent in with their applications, it was astonishing how many named previous TCW poets Roger Robinson, Malika Booker, Nick Makoha and Advisory Group member, Jacob Sam-La Rose, not only as inspirations but as the reason they were writing at all. This is a new generation

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