Belongings
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About this ebook
Like the work of the European poets who have nourished him, David Constantine’s poetry is informed by a profoundly humane vision of the world. The title of his eleventh collection, Belongings, signals that these are poems concerned both with our possessions and with what possesses us. Among much else in the word belongings, the poems draw on a sense of our ‘co-ordinates’ – something like the eastings and northings that give a map-reference – how you might triangulate a life. The poems ask: Where do you belong? And have in mind also the hostile: You don’t belong here. Go back where you belong. Many, possibly all, the poems in the collection touch more or less closely on such matters. Perhaps all poetry does, showing a life in its good or bad defining circumstances. In the poem ‘Red’, the defining geography is literal, drawn from an old geological map of Manchester in which Constantine finds ‘the locus itself, a railway cutting / Behind the hospital I was born in’, from which the paths of a life led outward. In other poems the particular becomes universal, a territory holding all our belongings, our memories of the people and the places we hold in our hearts. Behind these explorations another kind of belonging is challenged: our relationship with the planet to which we belong, but which does not belong to us.
David Constantine
When I write I give my mind, soul and my heart to the page...in love with every word on my page. Just the thought of seeing my thoughts on the page, organized on paper and to read it now and read it later is a release for me. To write whenever I get the chance, steady writing deep and intimate on every page! All my feelings, soul and heart, sweat and tears. Writing is my number one thing to do, it's fun.
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Belongings - David Constantine
1
My recent encounter with the Good Angel
1
The Good Angel led me up the ridge of a high mountain and at the summit she halted.
2
It was an ordinary working day she had fetched me out of.
3
See there, she said.
4
For once the view was clear in every direction and I turned as she turned and saw all that she was offering me.
5
I’m not offering you anything, she said.
6
I saw all that with the open palm of her right hand she was showing me as she turned and I turned with her through the degrees of the four quarters of the compass.
7
You see a very small portion of one zone of a smidgen of the whole earth which is itself, from any reasonable perspective, no larger than the smallest imaginable grain of sand, she said.
8
I answered her that to broach even the smallest portion of what she had shown me I should need nine lives not one.
9
That’s true, she said.
10
And of your one, she added, of its three score years and ten, sixty-nine will not come again.
11
West the sea shone.
12
North, east and south were mountains, hills, valleys, rivers, streams and small climbing and winding roads and paths.
13
The terrain was intricately infolded and my vision felt for me in among the curving possibilities.
14
I felt how they pushed in, forked, opened, ramified ever more finely climbing.
15
I saw ways of exploration without paths.
16
For the lie of the land itself, its own suggestions, its bidding and encouragement would suffice.
17
From where we stood, the ridge put out long feelers, outriders of itself which only very gradually declined into the valleys.
18
Yes, said the Angel, long highways.
19
And I can tell you for a fact, she added, that the views would shift significantly step by step, yard by yard, furlong by furlong, as you proceeded.
20
And I suppose you might lie somewhere in the heather or the blonde grass on one or another limb of any of these many visible mountain backs and watch the sky inch peaceably towards nightfall.
21
I might, I said.
22
Indeed I might.
23
Also to be seen were human dwellings, some quite isolated, others gathered together in villages.
24
Or, she continued, when you had steeped yourself enough in solitude, when you felt like it, in your own good time, you might slither down to a pub, drink quickly, eat voraciously and torkel on a little way to some safe hiding place and pass over into sleep listening to the owls.
25
And wake hearing the cuckoo.
26
The sky was very lightly veiled.
27
Everything lay before me as though for my contemplation.
28
And as though in that contemplation I might collect myself into a state of body and soul in which my life would thrive as never before.
29
It would thrive by knowing the good earth better, loving her more thoroughly.
30
But I saw too much, desired too much, and a voice I knew to be the Devil’s said: Too late.
31
Don’t be glum, said the Good Angel, I’m no expert but I shouldn’t think next year would be your last.
32
In these parts at least, life expectancy among humans has increased since the days of the Preacher.
33
And you kept up with me pretty well on the climb.
Red
On my geological map of Manchester
The drift edition of 1949
Most is washed over in a faint blue or a faint pink
For the boulder clay and the glacial sand and gravel
Travelled down from the Lake District. Also
Much faded sepia, for the alluvial terraces
Along our soiled river. I wanted outcrops, faces
Daylight apparitions of the city’s bedrock
And it took a while of poring till I found a small
Dull smear denoting Bunter Sandstone. Then I walked fast
To the locus itself, a railway cutting
Behind the hospital I was born in. Stood looking:
Nothing bright about it. It was soot black. Touched it:
Black on my fingers. Still I believed in it, the red
From the era of the Greatest Extinction. Yes
After my fashion I saw the bright red in there
Waiting. And I believe it was that moment
Of a boy staring for the red stone through the soot
In a railway cutting close to home that drove me
Again and again to the uplands between the conurbations
The White Peak and the Dark
On paths as many as those that criss-cross your palms
Or climb the arbor vitae in your head
Or to all your body’s provinces feed the blood.
Lake
Sole self that day with a working pair of legs
A beating heart, attentive senses, climbed
High enough, far away enough, slowly
Against the river’s hurry, quietly
Against the din of it, keeping close to it
And passing the highest shieling that an ash
Had burst as