Spirits in Bondage: A Cycle of Lyrics
By C. S. Lewis
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C. S. Lewis
Clive Staples Lewis (1898-1963) was one of the intellectual giants of the twentieth century and arguably one of the most influential writers of his day. He was a Fellow and Tutor in English Literature at Oxford University until 1954, when he was unanimously elected to the Chair of Medieval and Renaissance Literature at Cambridge University, a position he held until his retirement. He wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. His most distinguished and popular accomplishments include Out of the Silent Planet, The Great Divorce, The Screwtape Letters, and the universally acknowledged classics The Chronicles of Narnia. To date, the Narnia books have sold over 100 million copies and have been transformed into three major motion pictures. Clive Staples Lewis (1898-1963) fue uno de los intelectuales más importantes del siglo veinte y podría decirse que fue el escritor cristiano más influyente de su tiempo. Fue profesor particular de literatura inglesa y miembro de la junta de gobierno en la Universidad Oxford hasta 1954, cuando fue nombrado profesor de literatura medieval y renacentista en la Universidad Cambridge, cargo que desempeñó hasta que se jubiló. Sus contribuciones a la crítica literaria, literatura infantil, literatura fantástica y teología popular le trajeron fama y aclamación a nivel internacional. C. S. Lewis escribió más de treinta libros, lo cual le permitió alcanzar una enorme audiencia, y sus obras aún atraen a miles de nuevos lectores cada año. Sus más distinguidas y populares obras incluyen Las Crónicas de Narnia, Los Cuatro Amores, Cartas del Diablo a Su Sobrino y Mero Cristianismo.
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Spirits in Bondage - C. S. Lewis
C. S. Lewis
Spirits in Bondage: A Cycle of Lyrics
Published by Good Press, 2019
goodpress@okpublishing.info
EAN 4057664139238
Table of Contents
In Three Parts
Historical Background
Prologue
Part I The Prison House
I. Satan Speaks
II. French Nocturne (Monchy-Le-Preux)
III. The Satyr
IV. Victory
V. Irish Nocturne
VI. Spooks
VII. Apology
VIII. Ode for New Year's Day
IX. Night
X. To Sleep
XI. In Prison
XII. De Profundis
XIII. Satan Speaks
XIV. The Witch
XV. Dungeon Grates
XVI. The Philosopher
XVII. The Ocean Strand
XVIII. Noon
XIX. Milton Read Again (In Surrey)
XXI. The Autumn Morning
Part II. Hesitation
XXIII. Alexandrines
XXIV. In Praise of Solid People
Part III. The Escape
XXVI. Song
XXVII. The Ass
XXVIII. Ballade Mystique
XXIX. Night
XXX. Oxford
XXXI. Hymn (For Boys' Voices)
XXXII. Our Daily Bread
XXXIII. How He Saw Angus the God
XXXIV. The Roads
XXXV. Hesperus
XXXVI. The Star Bath
XXXVII. Tu Ne Quaesieris
XXXVIII. Lullaby
XXXIX. World's Desire
XL. Death in Battle
In Three Parts
Table of Contents
I. The Prison House
II. Hesitation
III. The Escape
"The land where I shall never be
The love that I shall never see"
Historical Background
Table of Contents
Published under the pseudonym, Clive Hamilton, Spirits in Bondage was C. S. Lewis' first book. Released in 1919 by Heinemann, it was reprinted in 1984 by Harcourt Brace Jovanovich and included in Lewis' 1994 Collected Poems. It is the first of Lewis' major published works to enter the public domain in the United States. Readers should be aware that in other countries it may still be under copyright protection.
Most of the poems appear to have been written between 1915 and 1918, a period during which Lewis was a student under W. T. Kirkpatrick, a military trainee at Oxford, and a soldier serving in the trenches of World War I. Their outlook varies from Romantic expressions of love for the beauty and simplicity of nature to cynical statements about the presence of evil in this world. In a September 12, 1918 letter to his friend Arthur Greeves, Lewis said that his book was, mainly strung around the idea that I mentioned to you before—that nature is wholly diabolical & malevolent and that God, if he exists, is outside of and in opposition to the cosmic arrangements.
In his cynical poems, Lewis is dealing with the same questions about evil in nature that Alfred Lord Tennyson explored from a position of troubled faith in In Memoriam A. H.
(Stanzas 54f). In a letter written perhaps to reassure his father, Lewis claimed, You know who the God I blaspheme is and that it is not the God that you or I worship, or any other Christian.
Whatever Lewis believed at that time, the attitude