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Building Chris-Craft: Inside the Factories
Building Chris-Craft: Inside the Factories
Building Chris-Craft: Inside the Factories
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Building Chris-Craft: Inside the Factories

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“Every Chris-Craft owner will want to own this detailed history of Chris-Craft.” —Wooden Boat

For more than half a century, Chris-Craft reigned supreme in the world of motorboating. This market dominance was due in no small part to the design and construction techniques employed in the company’s studios and on its factory floors.

Building Chris-Craft examines the company’s design and production heritage, looking at Chris-Craft’s considerable accomplishments in the context of key competitors and industrial trends in general.

High-quality archival images take readers inside the factories, design studios, and lofts of Chris-Craft factories in Algonac, Holland; Cadillac, Michigan; Salisbury, Maryland; Chattanooga, Tennessee; and Caruthersville, Missouri.
LanguageEnglish
Release dateAug 8, 2010
ISBN9781610601061
Building Chris-Craft: Inside the Factories

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    Book preview

    Building Chris-Craft - Anthony S. Mollica

    BUILDING CHRIS-CRAFT

    INSIDE THE FACTORIES

    ANTHONY S. MOLLICA WITH CHRIS SMITH

    Makings for Mass Production

    1    Loft drawing of boat

    2    Philippine mahogany frames

    3    Chief Engineer E. L. Eckfield

    4    Fishing chair

    5    Engine box covers

    6    Engine box slides

    7    Engine box cleats

    8    Deck hatch framing

    9    Fuse-box cover

    10  Port-light fillers and shims, forepeak locker floors

    11  V-berth bottoms

    12  Fuel tank chocks

    13  Cockpit flooring

    14  Bulkheads, flooring, panels, and insulation for dinette, main cabin, head, and bridge

    15  Mahogany hull planking

    16  Inner bottom planking

    17  Bridge deck framing

    18  White-oak keel (after end), mahogany sister keels, skeg, main stringers

    19  Master Craftsman Victor Intihar, holding straightedge

    20  Interior trim, fuel tank covers

    21  Floor tile for deckhouse

    22  Bulkhead and framing for forward compartment

    23  Plant Manager J. R. Pocklington

    24  Interior paneling and trim for head

    25  Stainless-steel rubrail

    26  Mahogany molding and trim

    27  Forepeak locker door

    28  Berth drawer

    29  Overhead liner for deckhouse

    30  Fuel tank cover

    31  Engine room insulation

    32  Forward deck beams

    33  Outriggers

    34  Metal bindings and hinges

    35  Metal scroll initials

    36  Rudders

    37  Bilge pump and handle

    38  Propellers

    39  Shaft logs

    40  Head and galley pumps

    41  Rudder stuffing boxes

    42  Shaft struts

    43  Electric horns

    44  Engine exhaust

    45  Stanchion bases and miscellaneous deck hardware

    46  Window supports

    47  Bronze propeller shafts

    48  Teak floor molding

    49  Fuel tank sides

    50  Molding

    51  Engine-starting batteries

    52  Hose clamps

    53  Steering connections

    54  Electric fuel pumps

    55  Freshwater rubber hose

    56  Exhaust mufflers

    57  Steering rods

    58  Fire extinguisher and copper tubing for freshwater system

    59  Toolkit

    60  V-8 engines

    61  Clutch-shifting unit

    62  Water tank

    63  Bronze keel bolts

    64  Fuel tanks

    65  Fishing-flying bridge

    66  President H. H. Coll

    67  Pilot chair

    68  Cockpit ladder

    69  Bottom bedding compound

    70  Brass screws for hull fastening

    71  Hull paint

    72  Plate glass for deckhouse

    73  Screws for engine mount

    74  Electric connectors

    75  Copper fuel lines

    76  Steering cables

    77  Outrigger snaps and lines

    78  Boat hook

    79  Rod racks

    80  Side-mount rod holders and gimbals

    81  Flush-mount rod holders

    82  Chain for bilge drainage

    83  Keel, stem, and forefoot assembly

    84  Gin pole bracket

    85  Gin pole block and falls

    86  Gin pole

    87  Electric wiring

    88  Chairman of the Board Harsen Smith

    89  Fighting chair

    90  Steering wheel, steering cables, and turnbuckles

    91  Clutch control

    92  Throttle control

    93  Intake scoops for engine cooling

    94  Rudder control mechanism

    95  Doors for stateroom, head, hanging locker, and rope locker

    96  Forward-deck hatch screen

    97  Sink and head

    98  Port-light assembly

    99  Lighting fixtures

    100 Air vents

    101 Medicine chest

    102 Forward-deck hatch assembly

    103 Danforth anchor and line

    104 Hand rails and belly rail

    105 Swivel base for outriggers

    106 Floor beams for cockpit

    107 Life jackets

    108 Fire extinguishers

    109 Fog bell and range light

    110 Berth and seat cushions

    111 Ensign

    112 Two-burner alcohol stove

    113 Curtains and burgee

    114 Folding canvas top

    115 Galley and icebox assembly

    116 General Sales Manager C. R. Burgess

    117 Divisional Sales Manager E. L. Pickell

    118 Deckhouse windshield and side-shield assembly

    119 Deckhouse roof

    120 Radio direction finder

    121 Compass, automatic pilot controls

    122 Depth sounder and recorder

    123 Radiotelephones

    124 Autopilot gyro compass and drive unit

    125 Radio antenna

    Dedication To three remarkable generations of the family of Christopher Columbus Smith, who successfully turned a backyard duck boat enterprise into the world’s largest manufacturer of mahogany motor boats, a position they held for more than 30 consecutive years of exemplary production.

    Front cover: The Algonac factory in 1927 with 22-foot runabouts being constructed in three efficient production lines. The workman in the foreground is spray-painting the inside of the hull. (Note the fire bucket in the upper right-hand corner.) Courtesy The Mariners’ Museum

    Page 2: This impressive view of the fully planked, unpainted hull shows the planking pattern on the hull sides and the bottom. Note the innovative wave-deflecting chine that significantly improved performance and reduced spray. Courtesy The Mariners’ Museum

    Page 5: This exploded view of an unassembled 33-foot Sports Fisherman appeared in the December 14, 1959, issue of Sports Illustrated under the heading Birth of a Boat. Richard Meek/ Sports Illustrated/Getty Images; text reprinted courtesy of Sports Illustrated

    Back cover: In this 1926 image, workmen finish boat bottoms with canvas between the two layers of wood, a system that Chris-Craft would perfect and continue to use for decades. Courtesy The Mariners’ Museum

    Contents

    Acknowledgments

    Introduction

    Chapter 1      The Early Years: Racers, Hunters & Duck Boats

    Chapter 2      The Terrific 1920s

    Chapter 3      The Great Depression

    Chapter 4      The World War II and Postwar Eras

    Chapter 5      Chris-Craft Quality

    Chapter 6      Production Methods and Sales

    Chapter 7      Creating a Chris-Craft

    Chapter 8      Inside the Factories

    Chapter 9      Inspection and Shipping

    Epilogue       Chris-Craft Pride

    Appendix I   Examples of Chris-Craft General Shop Practices Manual Terms

    Appendix II  Chris-Craft Factory Locations

    Appendix III Moisture Content Range for Major Components

    Appendix IV Requirements for Wood Selection for Structural Members

    Resources

    Index

    Acknowledgments

    MUCH OF THIS BOOK required the dedicated contributions of Christopher J. Smith, grandson of the founder of the family enterprise that became Chris-Craft Corporation. Over the years, Chris and I have become good friends and are devoted to telling the story of Chris-Craft from the inside.

    Chris was involved in 2001 when Jack Savage and I prepared our 192-page book, Chris-Craft Boats. Chris was eager to have this book written and has been a thoughtful contributor of this, the story of an incredibly successful family enterprise that became a major American industry. He has been a tireless proofreader, making sure my words and descriptions are accurate. Chris has always made himself available.

    As we worked, Chris shared stories of his experiences in the factory, from the time he was a youngster until he finally retired from the only company where he ever worked. He would frequently say with great pride, I never received a paycheck from any company other than Chris-Craft. His stories always provided a fascinating glimpse into the Smith family and his memories of growing up in this remarkable family enterprise that for decades was the world’s leading builder of wooden motorboats. You’ll find personal stories directly from Chris throughout the book, in the form of sidebars.

    Long before this book was started, many friends contributed to my interest in Chris-Craft with anecdotes, information, and obscure details that helped develop this story. Although I want to remember everyone, I fear that I have forgotten some sources, though not the knowledge they provided. The information shared in this book is part of a very long journey. Among those to whom I’m especially grateful are: Don Ayars, Don Babcock, Bill Basler, Bruce Bone, Jerry Conrad, Robert Cook, Tom Crew, Anthony Farsaci, George Finkbeiner, Fred Genaw, John Kellogg, Claudia Jew, Ralph Jurgensen, Rich Jury, David Kidd, Hume Laidman, Don MacKerer, Lou Rauh, Ron Riley, Jeffrey Rodengen, Mike Rozniak, Bill Siegenthaler, Jim Wangard, Norm Wangard, and Wilson Wright.

    Christopher Smith, grandson and namesake of the firm’s founder, discusses his lifetime career responsibilities in a variety of engineering capacities at the Chris-Craft factory with author Anthony Mollica at the Antique Boat Museum in Clayton, New York. Chris worked for Chris-Craft his entire life and says that every paycheck he received during his life came from Chris-Craft. He was the primary source of information in the development of this book.

    Introduction

    ALL TOO OFTEN, we recognize the true value of a particular object or craft long after its availability has passed. Growing up in Upstate New York, where there were a number of commercial wooden boatbuilders, it never occurred to me that there might be a time when these important craft shops would no longer be in operation. Like many boating enthusiasts, I rarely took advantage of the opportunity to spend meaningful time visiting and observing these regional boat enterprises during their prime production years, when they turned out large numbers of attractive wooden boats week after week. I never seemed to feel any compelling urgency to visit these facilities because wooden boatbuilding was so deeply imbedded in the culture of the region that I was sure they would always be present.

    It often took months or years to notice that a boat shop had closed. When I learned of a closure, I would think sadly that I should have taken time to see the shop’s operation during its peak production years. However, I was sure that there would always be another boat-building firm close by. The reality was that in what seemed like a very short period of time, the builders of wooden boats in this region of the country either closed or converted to fiberglass construction. Thankfully, local boatyards where skilled craftsmen repaired wooden boats still existed, and small shops continued to build one or two wooden boats at a time for contract customers.

    Gone, though, were the lengthy production lines where teams of skilled carpenters attached carefully shaped planks to frames, creating beautifully contoured wooden hulls that were strong and graceful. From there, the hulls moved to the finishing rooms, and then to the fitting and detailing departments. This wonderful decades-old progression from simple frames moving through a series of stages to a structure of imposing character virtually disappeared before my eyes. In some cases, all that remained was a handful of photographs of the former production lines, and even these were certain to be lost or discarded in the years that followed.

    Gone, too, from transformed boat factories was the aroma of freshly cut tropical hardwoods, replaced by pungent fumes of chemical resins. Now pressurized devices delivered liquid resins into giant molds, saturating sheets of woven fibers that cured into a single piece of heavy fiberglass. Masked workmen in protective clothing applied chemical mixtures. The gracefully shaped frames that gave form and strength to the contoured wooden hulls were gone. Commercial production boatbuilding had changed forever.

    Chris Smith is all dressed up and in a very happy mood at the Gold Cup races. His sons, Jay W. and Bernard, on the other hand, are a bit tired after working all night to fine-tune the race boat engines so they would be ready to perform superbly.

    One of the great ironies of these changes was that it cost more to build new boats with fiberglass materials than it did to build a similar boat with wood. The change was influenced by boat owners who desired the apparent absence of regular maintenance that fiberglass promised to provide. Most boat owners did not have the advantage of a boathouse to protect their boat from the harmful effects of constant exposure to the sun and weather. Although wooden boats have advantages preferred by traditional boaters, there is no question that proper maintenance is a never-ending, nagging burden for the owners. The absence of regular care and maintenance is not a viable option for the owners of wooden boats, while fiberglass hulls require far less upkeep and will last indefinitely with reasonable care.

    Despite any drawbacks, wooden boats have characteristics that appeal to many, and there is no better wooden boatbuilder than Chris-Craft. For certain, the success Christopher Columbus Smith and his family achieved is unparalleled in the boating industry.

    Brothers Henry and Christopher Columbus Smith built their first boat around 1874. Local hunters who recognized the brothers’ skills had the Smiths build boats for them. The two Smiths soon formed a modest business and tooled up a small shop to build their boats with a degree of efficiency. From this modest beginning, boatbuilding remained a Smith family–owned operation for 86 years. The brothers rarely made misjudgments, but when they did, they usually turned the error into a learning experience. In fact, much of Chris-Craft’s success was earned by applying lessons the company learned along the way to perfect its boatbuilding technique.

    As the family grew, Chris-Craft became a true family enterprise. Quality work by family members was the expected norm—a valuable family tradition. Virtually all major decisions were made thoughtfully and always with the full participation of the family. As a pure family enterprise, it was grounded with years of shared involvement and experience. As a result, succeeding generations of Smiths were always prepared to assume greater responsibility and move the business to the next level of success.

    Another reason for

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