Building Chris-Craft: Inside the Factories
By Anthony S. Mollica and Chris Smith
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About this ebook
For more than half a century, Chris-Craft reigned supreme in the world of motorboating. This market dominance was due in no small part to the design and construction techniques employed in the company’s studios and on its factory floors.
Building Chris-Craft examines the company’s design and production heritage, looking at Chris-Craft’s considerable accomplishments in the context of key competitors and industrial trends in general.
High-quality archival images take readers inside the factories, design studios, and lofts of Chris-Craft factories in Algonac, Holland; Cadillac, Michigan; Salisbury, Maryland; Chattanooga, Tennessee; and Caruthersville, Missouri.
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Book preview
Building Chris-Craft - Anthony S. Mollica
BUILDING CHRIS-CRAFT
INSIDE THE FACTORIES
ANTHONY S. MOLLICA WITH CHRIS SMITH
Makings for Mass Production
1 Loft drawing of boat
2 Philippine mahogany frames
3 Chief Engineer E. L. Eckfield
4 Fishing chair
5 Engine box covers
6 Engine box slides
7 Engine box cleats
8 Deck hatch framing
9 Fuse-box cover
10 Port-light fillers and shims, forepeak locker floors
11 V-berth bottoms
12 Fuel tank chocks
13 Cockpit flooring
14 Bulkheads, flooring, panels, and insulation for dinette, main cabin, head, and bridge
15 Mahogany hull planking
16 Inner bottom planking
17 Bridge deck framing
18 White-oak keel (after end), mahogany sister keels, skeg, main stringers
19 Master Craftsman Victor Intihar, holding straightedge
20 Interior trim, fuel tank covers
21 Floor tile for deckhouse
22 Bulkhead and framing for forward compartment
23 Plant Manager J. R. Pocklington
24 Interior paneling and trim for head
25 Stainless-steel rubrail
26 Mahogany molding and trim
27 Forepeak locker door
28 Berth drawer
29 Overhead liner for deckhouse
30 Fuel tank cover
31 Engine room insulation
32 Forward deck beams
33 Outriggers
34 Metal bindings and hinges
35 Metal scroll initials
36 Rudders
37 Bilge pump and handle
38 Propellers
39 Shaft logs
40 Head and galley pumps
41 Rudder stuffing boxes
42 Shaft struts
43 Electric horns
44 Engine exhaust
45 Stanchion bases and miscellaneous deck hardware
46 Window supports
47 Bronze propeller shafts
48 Teak floor molding
49 Fuel tank sides
50 Molding
51 Engine-starting batteries
52 Hose clamps
53 Steering connections
54 Electric fuel pumps
55 Freshwater rubber hose
56 Exhaust mufflers
57 Steering rods
58 Fire extinguisher and copper tubing for freshwater system
59 Toolkit
60 V-8 engines
61 Clutch-shifting unit
62 Water tank
63 Bronze keel bolts
64 Fuel tanks
65 Fishing-flying bridge
66 President H. H. Coll
67 Pilot chair
68 Cockpit ladder
69 Bottom bedding compound
70 Brass screws for hull fastening
71 Hull paint
72 Plate glass for deckhouse
73 Screws for engine mount
74 Electric connectors
75 Copper fuel lines
76 Steering cables
77 Outrigger snaps and lines
78 Boat hook
79 Rod racks
80 Side-mount rod holders and gimbals
81 Flush-mount rod holders
82 Chain for bilge drainage
83 Keel, stem, and forefoot assembly
84 Gin pole bracket
85 Gin pole block and falls
86 Gin pole
87 Electric wiring
88 Chairman of the Board Harsen Smith
89 Fighting chair
90 Steering wheel, steering cables, and turnbuckles
91 Clutch control
92 Throttle control
93 Intake scoops for engine cooling
94 Rudder control mechanism
95 Doors for stateroom, head, hanging locker, and rope locker
96 Forward-deck hatch screen
97 Sink and head
98 Port-light assembly
99 Lighting fixtures
100 Air vents
101 Medicine chest
102 Forward-deck hatch assembly
103 Danforth anchor and line
104 Hand rails and belly rail
105 Swivel base for outriggers
106 Floor beams for cockpit
107 Life jackets
108 Fire extinguishers
109 Fog bell and range light
110 Berth and seat cushions
111 Ensign
112 Two-burner alcohol stove
113 Curtains and burgee
114 Folding canvas top
115 Galley and icebox assembly
116 General Sales Manager C. R. Burgess
117 Divisional Sales Manager E. L. Pickell
118 Deckhouse windshield and side-shield assembly
119 Deckhouse roof
120 Radio direction finder
121 Compass, automatic pilot controls
122 Depth sounder and recorder
123 Radiotelephones
124 Autopilot gyro compass and drive unit
125 Radio antenna
Dedication To three remarkable generations of the family of Christopher Columbus Smith, who successfully turned a backyard duck boat enterprise into the world’s largest manufacturer of mahogany motor boats, a position they held for more than 30 consecutive years of exemplary production.
Front cover: The Algonac factory in 1927 with 22-foot runabouts being constructed in three efficient production lines. The workman in the foreground is spray-painting the inside of the hull. (Note the fire bucket in the upper right-hand corner.) Courtesy The Mariners’ Museum
Page 2: This impressive view of the fully planked, unpainted hull shows the planking pattern on the hull sides and the bottom. Note the innovative wave-deflecting chine that significantly improved performance and reduced spray. Courtesy The Mariners’ Museum
Page 5: This exploded
view of an unassembled 33-foot Sports Fisherman appeared in the December 14, 1959, issue of Sports Illustrated under the heading Birth of a Boat.
Richard Meek/ Sports Illustrated/Getty Images; text reprinted courtesy of Sports Illustrated
Back cover: In this 1926 image, workmen finish boat bottoms with canvas between the two layers of wood, a system that Chris-Craft would perfect and continue to use for decades. Courtesy The Mariners’ Museum
Contents
Acknowledgments
Introduction
Chapter 1 The Early Years: Racers, Hunters & Duck Boats
Chapter 2 The Terrific 1920s
Chapter 3 The Great Depression
Chapter 4 The World War II and Postwar Eras
Chapter 5 Chris-Craft Quality
Chapter 6 Production Methods and Sales
Chapter 7 Creating a Chris-Craft
Chapter 8 Inside the Factories
Chapter 9 Inspection and Shipping
Epilogue Chris-Craft Pride
Appendix I Examples of Chris-Craft General Shop Practices Manual Terms
Appendix II Chris-Craft Factory Locations
Appendix III Moisture Content Range for Major Components
Appendix IV Requirements for Wood Selection for Structural Members
Resources
Index
Acknowledgments
MUCH OF THIS BOOK required the dedicated contributions of Christopher J. Smith, grandson of the founder of the family enterprise that became Chris-Craft Corporation. Over the years, Chris and I have become good friends and are devoted to telling the story of Chris-Craft from the inside.
Chris was involved in 2001 when Jack Savage and I prepared our 192-page book, Chris-Craft Boats. Chris was eager to have this book written and has been a thoughtful contributor of this, the story of an incredibly successful family enterprise that became a major American industry. He has been a tireless proofreader, making sure my words and descriptions are accurate. Chris has always made himself available.
As we worked, Chris shared stories of his experiences in the factory, from the time he was a youngster until he finally retired from the only company where he ever worked. He would frequently say with great pride, I never received a paycheck from any company other than Chris-Craft.
His stories always provided a fascinating glimpse into the Smith family and his memories of growing up in this remarkable family enterprise that for decades was the world’s leading builder of wooden motorboats. You’ll find personal stories directly from Chris throughout the book, in the form of sidebars.
Long before this book was started, many friends contributed to my interest in Chris-Craft with anecdotes, information, and obscure details that helped develop this story. Although I want to remember everyone, I fear that I have forgotten some sources, though not the knowledge they provided. The information shared in this book is part of a very long journey. Among those to whom I’m especially grateful are: Don Ayars, Don Babcock, Bill Basler, Bruce Bone, Jerry Conrad, Robert Cook, Tom Crew, Anthony Farsaci, George Finkbeiner, Fred Genaw, John Kellogg, Claudia Jew, Ralph Jurgensen, Rich Jury, David Kidd, Hume Laidman, Don MacKerer, Lou Rauh, Ron Riley, Jeffrey Rodengen, Mike Rozniak, Bill Siegenthaler, Jim Wangard, Norm Wangard, and Wilson Wright.
Christopher Smith, grandson and namesake of the firm’s founder, discusses his lifetime career responsibilities in a variety of engineering capacities at the Chris-Craft factory with author Anthony Mollica at the Antique Boat Museum in Clayton, New York. Chris worked for Chris-Craft his entire life and says that every paycheck he received during his life came from Chris-Craft. He was the primary source of information in the development of this book.
Introduction
ALL TOO OFTEN, we recognize the true value of a particular object or craft long after its availability has passed. Growing up in Upstate New York, where there were a number of commercial wooden boatbuilders, it never occurred to me that there might be a time when these important craft shops would no longer be in operation. Like many boating enthusiasts, I rarely took advantage of the opportunity to spend meaningful time visiting and observing these regional boat enterprises during their prime production years, when they turned out large numbers of attractive wooden boats week after week. I never seemed to feel any compelling urgency to visit these facilities because wooden boatbuilding was so deeply imbedded in the culture of the region that I was sure they would always be present.
It often took months or years to notice that a boat shop had closed. When I learned of a closure, I would think sadly that I should have taken time to see the shop’s operation during its peak production years. However, I was sure that there would always be another boat-building firm close by. The reality was that in what seemed like a very short period of time, the builders of wooden boats in this region of the country either closed or converted to fiberglass construction. Thankfully, local boatyards where skilled craftsmen repaired wooden boats still existed, and small shops continued to build one or two wooden boats at a time for contract customers.
Gone, though, were the lengthy production lines where teams of skilled carpenters attached carefully shaped planks to frames, creating beautifully contoured wooden hulls that were strong and graceful. From there, the hulls moved to the finishing rooms, and then to the fitting and detailing departments. This wonderful decades-old progression from simple frames moving through a series of stages to a structure of imposing character virtually disappeared before my eyes. In some cases, all that remained was a handful of photographs of the former production lines, and even these were certain to be lost or discarded in the years that followed.
Gone, too, from transformed boat factories was the aroma of freshly cut tropical hardwoods, replaced by pungent fumes of chemical resins. Now pressurized devices delivered liquid resins into giant molds, saturating sheets of woven fibers that cured into a single piece of heavy fiberglass. Masked workmen in protective clothing applied chemical mixtures. The gracefully shaped frames that gave form and strength to the contoured wooden hulls were gone. Commercial production boatbuilding had changed forever.
Chris Smith is all dressed up and in a very happy mood at the Gold Cup races. His sons, Jay W. and Bernard, on the other hand, are a bit tired after working all night to fine-tune the race boat engines so they would be ready to perform superbly.
One of the great ironies of these changes was that it cost more to build new boats with fiberglass materials than it did to build a similar boat with wood. The change was influenced by boat owners who desired the apparent absence of regular maintenance that fiberglass promised to provide. Most boat owners did not have the advantage of a boathouse to protect their boat from the harmful effects of constant exposure to the sun and weather. Although wooden boats have advantages preferred by traditional boaters, there is no question that proper maintenance is a never-ending, nagging burden for the owners. The absence of regular care and maintenance is not a viable option for the owners of wooden boats, while fiberglass hulls require far less upkeep and will last indefinitely with reasonable care.
Despite any drawbacks, wooden boats have characteristics that appeal to many, and there is no better wooden boatbuilder than Chris-Craft. For certain, the success Christopher Columbus Smith and his family achieved is unparalleled in the boating industry.
Brothers Henry and Christopher Columbus Smith built their first boat around 1874. Local hunters who recognized the brothers’ skills had the Smiths build boats for them. The two Smiths soon formed a modest business and tooled up a small shop to build their boats with a degree of efficiency. From this modest beginning, boatbuilding remained a Smith family–owned operation for 86 years. The brothers rarely made misjudgments, but when they did, they usually turned the error into a learning experience. In fact, much of Chris-Craft’s success was earned by applying lessons the company learned along the way to perfect its boatbuilding technique.
As the family grew, Chris-Craft became a true family enterprise. Quality work by family members was the expected norm—a valuable family tradition. Virtually all major decisions were made thoughtfully and always with the full participation of the family. As a pure family enterprise, it was grounded with years of shared involvement and experience. As a result, succeeding generations of Smiths were always prepared to assume greater responsibility and move the business to the next level of success.
Another reason for