Dien Cai Dau

By Yusef Komunyakaa

This collection by the Pulitzer Prize-winning poet is “a major contribution to the body of literature grappling with Vietnam” (Poetry).

Yusef Komunyakaa is renowned for his ability to blend memory and history with strikingly evocative poetic imagery. Born in the rural community of Bogalusa, Louisiana, Komunyakaa served in Vietnam as a correspondent and editor of The Southern Cross and received a Bronze Star for his service as a journalist. In Dien Cai Dau, he applies this unique sensibility to his experience of the Vietnam War. The resulting poems have been called some of the finest Vietnam testimony ever documented in verse or prose. 

“So finely tuned are Komunyakaa’s images, so faultless his vision, that the reader sees precisely what the poet recalls . . . A powerful must-read for those who have forgotten those days.” ―Booklist

• Language: English
• Publisher: Open Road Integrated Media
• Release date: Sep 1, 1988
• ISBN: 9780819573780

Yusef Komunyakaa

Yusef Komunyakaa is a professor and senior distinguished poet in the graduate Creative Writing Program at New York University. He is the author of twenty collections of poetry, including Dien Cai Dau, Neon Vernacular and Testimony: A Tribute to Charlie Parker, With New and Selected Jazz Poetry. Komunyakaa won the Pulitzer Prize and the Kingsley Tufts Prize for Neon Vernacular.

Book preview

Camouflaging the Chimera

We tied branches to our helmets.

We painted our faces & rifles

with mud from a riverbank,

blades of grass hung from the pockets

of our tiger suits. We wove

ourselves into the terrain,

content to be a hummingbird’s target.

We hugged bamboo & leaned

against a breeze off the river,

slow-dragging with ghosts

from Saigon to Bangkok,

with women left in doorways

reaching in from America.

We aimed at dark-hearted songbirds.

In our way station of shadows

rock apes tried to blow our cover,

throwing stones at the sunset. Chameleons

crawled our spines, changing from day

to night: green to gold,

gold to black. But we waited

till the moon touched metal,

till something almost broke

inside us. VC struggled

with the hillside, like black silk

wrestling iron through grass.

We weren’t there. The river ran

through our bones. Small animals took refuge

against our bodies; we held our breath,

ready to spring the L-shaped

ambush, as a world revolved

under each man’s eyelid.

Tunnels

Crawling down headfirst into the hole,

he kicks the air & disappears.

I feel like I’m down there

with him, moving ahead, pushed

by a river of darkness, feeling

blessed for each inch of the unknown.

Our tunnel rat is the smallest man

in the platoon, in an echo chamber

that makes his ears bleed

when he pulls the trigger.

He moves as if trying to outdo

blind fish easing toward imagined blue,

pulled by something greater than life’s

ambitions. He can’t think about

spiders & scorpions mending the air,

or care about bats upside down

like gods in the mole’s blackness.

The damp smell goes deeper

than the stench of honey buckets.

A web of booby traps waits, ready

to spring into broken stars.

Forced onward by some need,

some urge, he knows the pulse

of mysteries & diversions

like thoughts trapped in the ground.

He questions each root.

Every cornered shadow has a life

to bargain with. Like an angel

pushed up against what hurts,

his globe-shaped helmet

follows the gold ring his flashlight

casts into the void. Through silver

lice, shit, maggots, & vapor of pestilence,

he goes, the good soldier,

on hands & knees, tunneling past

death sacked into a blind corner,

loving the weight of the shotgun

that will someday dig his grave.

Somewhere Near Phu Bai

The moon cuts through

night trees like a circular saw

white hot. In the guard

Reviews for Dien Cai Dau

[sheworeredshoes · Rating: 5 out of 5 stars]

Dien Cai Dau is the best collection of war poetry I have ever read. I don't know if the relative immediacy of the Vietnam War, and the unquestionable importance that war had for the generation just ahead of me, predisposes me to be drawn to this collection, or not. I do know the collection as a collection is truly beautiful and haunting. Overall, I really like and respect Komunyakaa's body of work, and believe this collection to be his absolute finest. And Komunyakaa's "Facing It" (a poem in this collection) has few rivals among the staggering number of free verse English poems ever written.

[aravis77 · Rating: 5 out of 5 stars]

Fantastic war poetry, mostly dealing with the author's experience in Vietnam.