tsunami vs. the fukushima 50: poems
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About this ebook
In tsunami vs. the fukushima 50, Lee Ann Roripaugh takes a piercing, witty, and ferocious look into the heart of the disaster. Here we meet its survivors and victims, from a pearl-catcher to a mild-mannered father to a drove of mindless pink robots. And then there is Roripaugh’s unforgettable Tsunami: a force of nature, femme fatale, and “annihilatrix.” Tsunami is part hero and part supervillain—angry, loud, forcefully defending her rights as a living being in contemporary industrialized society. As humanity rebuilds in disaster’s wake, Tsunami continues to wreak her own havoc, battling humans’ self-appointed role as colonizer of Earth and its life-forms.
“She’s an unsubtle thief / a giver of gifts,” Roripaugh writes of Tsunami, who spits garbage from the Pacific back into now-pulverized Fukushima. As Tsunami makes visible her suffering, the wrath of nature scorned, humanity has the opportunity to reconsider the trauma they cause Earth and each other. But will they look?
Lee Ann Roripaugh
Lee Ann Roripaugh is the author of four previous collections of poems, including Dandarians. Her first collection, Beyond Heart Mountain, was selected by Ishmael Reed as a National Poetry Series winner, and her second collection, Year of the Snake, was named winner of the Association of Asian American Studies Book Award, and her third, On the Cusp of a Dangerous Year, was lauded as “masterful” and a “gorgeous canticle.” Roripaugh has received an Archibald Bush Foundation Artist Fellowship, the Frederick Manfred Award from the Western Literature Association, the Randall Jarrell International Poetry Prize, and an Academy of American Poets prize. She serves as Editor-in-Chief of South Dakota Review and directs the creative writing program at the University of South Dakota, as well as being the state’s Poet Laureate. She resides in Vermillion.
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Book preview
tsunami vs. the fukushima 50 - Lee Ann Roripaugh
ontology of tsunami
awoken venom
cobra come uncharmed
glittering rush
of fanged lightning
that strikes
and strikes again
tsunami has no name
call her the scalded splash
of tea jarred from
a broken cup’s cracked glaze
call her the blood-soaked shirt
and cutaway pants
pooled ruby on the floor / rising biohazard
ill-omened oil that stills
the wings of birds
she spills
and spills
and spills over
a sloshed bucket
tipped-over pitcher
the bent tin cup’s
cool sluice of rinse
poured over skin’s
delicious prickle
ginger’s cleansing sting
erasing the soft flesh of fish
from the tongue
she goes by no name
call her annihilatrix
call her tabula rasa
she’s the magic slate’s
crackling cellophane page
shellacked wings un-clung
from staticky black elytra
the liminal torn-open, turning
words into invisible birds lifting
unruly as catastrophe
yes, but / and …
(if only, if only—
meticulous swift precision
of disaster’s Swiss watch)
she remains unnamed
call her the meme
infecting your screen
call her the malware
gone viral
dreaming tsunami
maybe she was sleeping:
a dream of fishes helixed
in spiraling schools
anemone’s veronicas
ouroboros of sea snakes
the chambered nautilus’s
slow-whorled tornadoes
(hypnosis of dust motes)
girl in the grass face down
soiled focus, brain’s green blur
lens wheezing in and out
of tiny myopias: ant, gnat,
midge, aphid, no-see-um
Nanking cherry petals’
sickened swirl / snapdragons’
red mouths pinched open
to the waking dream
from which she can’t awaken
(hypnosis of dust motes)
mosquito stuck in her ear
too scared to tell / can’t hear
above the buzzing
ambered seal of earwax
fevering one side of her face
she drowns at night
in deep cold sweat / dreams
she’s a sea monster
(hypnosis of dust motes / dead