Render
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About this ebook
• In Sachiko’s own words: “In the past I never would have thought of these subjects as worthy of poetry, but I have been emboldened by the younger generation of poets … I got clean and sober in 2010, and was for many years an active member of AA. The past three years I have stepped back from ‘the program,’ which has created enough psychic space to trouble the idea of recovery beyond its straightforward, happily-ever-after narrative.”
• The poems are immersive and dream-like; Sachiko works through the aftermath of her addiction, and the work necessary for recovery. The collection ends on a positive note, with Sachiko pregnant (she is about to give birth as of this writing).
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Book preview
Render - Sachiko Murakami
WHAT FIST IS THIS
regarding the end of here
MILK NIGHTMARE
Night training: a babe becomes accustomed
to the soothing taste of absence.
That same child grows up
and chooses a safe word: milk.
—
I say, We need milk. Everyone agrees
to my duplicity. I pantomime mouthfuls
of emptiness, one hand on the doorknob.
—
Need seems like the only memory
when it is present. First driving need,
then flat-out more. Hauled
to the brink of nightmare
conclusion, counting seconds.
Need. Need. Need.
Need. Need.
—
Need more.
—
Claw the dream dictionary
looking for citations
of original thirst.
Scrub the carpet’s traces
of spilled milk.
Count every Tuesday you wake up,
thirsty, needful, sore.
DINNER TABLE
In the dream, the set table signals a romantic meal,
some fruitful beginning to some other dinner.
In the memory, it’s the usual set-up, the weekday deal:
my place to the right of the father,
overcooked salmon, buttered rice, pitcher of
iced water. Mother missing. Didn’t