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Adventures of Two Captains; Postmodernism Dialectic in: Literature and International Relations
Adventures of Two Captains; Postmodernism Dialectic in: Literature and International Relations
Adventures of Two Captains; Postmodernism Dialectic in: Literature and International Relations
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Adventures of Two Captains; Postmodernism Dialectic in: Literature and International Relations

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The current book is an academic study of the Adventures of Two Captains Trilogy; different scintific dimensions have been linked in a precise way so the readers might get some glances of the deeper structures behind this work.
LanguageEnglish
Publishertredition
Release dateJun 21, 2022
ISBN9783347671560
Adventures of Two Captains; Postmodernism Dialectic in: Literature and International Relations
Author

Ellias Aghili Dehnavi

Born on the 28th of January, 1996 in a family who love art, literature and history. Ellias soon found his taste in literature and especially poetry. He wrote his first limerick when was 12 years old. Later on when he was 14, books like “the peace book by Todd Parr”, “let there be peace on earth: and let it begin with me by Jill Jackson and Sy Miller” , “What does peace feel like? By Vladimir Radunsky “helped him to get familiar with the essence of peace. Reading poems by Calude Mckay , Wendell Berry and Robert Frost in that age inspired him to start writing poems in a more serious way, sonnets of Shakespeare were also good sources of inspiration for him. So when he was 16, Ellias wrote the book called: “International Poems Collection” the book got the first provincial place in the most famous competition of inventions in Iran , “Kharazmi ” and the fifth place in the country competition, yet to be the only project of its kind. This book received confirmations from the University of Isfahan and now is being preserved in the ministry of science and research and technology. Next year, Ellias with the cooperation of two hardworking and creative friends, (Hosein Heidari and Hooman Danesh) wrote another poetry booked called: A Path to Salvation. This book also won Kharazmi awards. His Excellency, Dr. Zarif, wrote a thanks letter for Ellias for the book since it includes some nice and extraordinary elements of literature, humanity, peace and international relations. Other literary academicals project he’s worked on are: “Death of Sarah Black, Explosion of apartheid and the footstep of Apartheid in Vietnam”. Ellias is going to publish another poetry collection named “Peace Poems” in the close future. He’s currently the Director manager of M.O.P academy

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    Adventures of Two Captains; Postmodernism Dialectic in - Ellias Aghili Dehnavi

    What Is Science Fiction Literature?

    Science fiction is a genre of speculative fiction that contains imagined elements that don’t exist in the real world. Science fiction spans a wide range of themes that often explore time travel, space travel, are set in the future, and deal with the consequences of technological and scientific advances.

    The History of Science Fiction Literature

    The science fiction genre dates back to the second century. A True Story, written by the Syrian satirist Lucian, is thought to be the first sci-fi story, which explored other universes and extraterrestrial life forms. Modern science developed during the Age of Enlightenment, and writers reacted to scientific and technological advancements with a wave of sci-fi stories like New Atlantis by Francis Bacon (1627), Somnium by Johannes Kepler (1634), and Comical History of the States and Empires of the Moon by Cyrano de Bergerac (1657).

    Hard Science Fiction versus Soft Science Fiction: What’s the Difference?

    Science fiction is divided into two broad categories: Hard sci-fi and soft sci-fi.

    Hard sci-fi novels are based on scientific fact. They’re inspired by hard natural sciences like physics, chemistry, and astronomy.

    Soft sci-fi novels can be two things: Either they are not scientifically accurate or they’re inspired by soft social sciences like psychology, anthropology, and sociology.

    The terms are somewhat flexible, but they help readers quickly understand the foundation of a novel and what to expect from it.

    8 Sub-genres and Related Genres of Science Fiction

    Fantasy fiction: Sci-fi stories inspired by mythology and folklore that often include elements of magic.

    Supernatural fiction: Sci-fi stories about secret knowledge or hidden abilities that include witchcraft, spiritualism, and psychic abilities.

    Utopian fiction: Sci-fi stories about civilizations the authors deem to be perfect, ideal societies. Utopian fiction is often satirical.

    Dystopian fiction: Sci-fi stories about societies the authors deem to be problematic for things like government rules, poverty, or oppression.

    Space opera: A play on the term soap opera, sci-fi stories that take place in outer space and center around conflict, romance, and adventure.

    Space western: Sci-fi stories that blend elements of science fiction with elements of the western genre.

    Cyberpunk: Sci-fi stories that juxtapose advanced technology with less advanced, broken down society.

    Steampunk: Sci-fi stories that blend technology with steam-powered machinery.

    What Are the Common Characteristics of Science Fiction?

    Science fiction is often called the literature of ideas. Sci-fi novels include a wide variety of futuristic concepts. Since they’re so imaginative, anything is possible, especially in soft sci-fi novels. A sci-fi novel can be about space, time travel, aliens, or time-traveling aliens in space.

    Regardless of the setting and characters, all sci-fi stories are complex, contain nuanced detail, and explore larger themes and commentary—sometimes satirically—about society beneath the surface.

    The classic elements of a science fiction novel include:

    1. Time travel

    2. Teleportation

    3. Mind control, telepathy, and telekinesis

    4. Aliens, extraterrestrial life forms, and mutants

    5. Space travel and exploration

    6. Interplanetary warfare

    7. Parallel universes

    8. Fictional worlds

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