Into the Genre: Sci-Fi
By Scot Morgan
()
About this ebook
Welcome to the gateway of imagination, where the boundless realms of science fiction unfold before you. In this comprehensive guide, we embark on a journey that transcends the boundaries of reality and explores the vast cosmos of speculative storytelling. This book serves as both an homage to the illustrious heritage of science fiction and a guiding light for aspiring writers navigating the uncharted territories of the genre.
Our odyssey begins with a profound discussion on the essence of science fiction itself—an exploration of its origins, evolution, and the distinctive characteristics that have shaped it into a genre of boundless possibilities. Aspiring writers will find invaluable insights into the art of crafting compelling science fiction narratives, delving into the nuances of world-building, character development, and the delicate balance between scientific rigor and creative invention.
Dive deeper into the genre's kaleidoscopic landscape with an illuminating essay on the distinctions between scientifically grounded science fiction and the more fantastical realms of speculative storytelling. Uncover the threads that weave through the tapestry of sci-fi, from hard science fiction to space opera, exploring the rich spectrum of possibilities that captivate readers and writers alike.
In contemplating the future of science fiction, we peer ahead into the next century, forecasting the trajectory of a genre that has continually reinvented itself.
What tales will unfold, and what imaginative landscapes will capture the minds of readers in the years to come? Join us in pondering these questions and envisioning the future of speculative storytelling.
Navigate the well-trodden paths and uncharted territories of science fiction tropes and themes, discovering the narrative elements that have become the building blocks of countless memorable tales. Our curated list of 102 influential science fiction novels spans the decades, showcasing the literary giants who have shaped the genre and left an indelible mark on its legacy.
For those seeking inspiration, we offer a treasury of science fiction story ideas, places, spaceships, and alien species, along with a catalog of possible sci-fi items to invigorate your narratives. Venture into linguistic innovation with a collection of made-up words tailor-made for sci-fi contexts, and let your imagination take flight with sample story beginnings designed to spark creativity and ignite the storytelling engines of future science fiction masters.
Embark on this odyssey through the cosmos of imagination—a guide, an exploration, and an invitation to forge your own path among the stars of science fiction storytelling.
Get Into the Genre: Sci-FI, A Guide for Readers and Writers today!
Here's what you'll find in the book:
- The History
- The Genre
- A Guide for Aspiring Writers
- How Much Science?
- The Future
- Tropes and Themes
- Synopses of 105 Influential Science Fiction Novels (1818-2021)
- Sci-Fi Story Ideas — for you to use
- Alien Species — for you to use
- Spaceships— for you to use
- Sci-Fi Items— for you to use
- Sci-Fi Places— for you to use
- Sci-Fi Words— for you to use
- Story Beginnings— to fuel your creativity
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Into the Genre - Scot Morgan
105 Influential Science Fiction Novels
This collection is not by any means exhaustive. No doubt some of your favorites might be left out. If a book you feel should be included here is not in this list, it doesn't mean that book isn't great or worthy. The scope is limited to keep the collection more digestible.
Note, when an author’s works are listed contiguously, due to publication date, only a single biographical entry for that author will appear among those entries. Whenever an author’s work is listed non-contiguously, due to publication dates, a duplicate entry for the author’s bio will be included in each instance, for convenience of the reader.
The list of novels is below. The summaries of those novels, along with brief biographies for each author, follow this list.
Part 1 : 1818 - 1979
Frankenstein
by Mary Shelley (1818)
Twenty Thousand Leagues Under the Sea
by Jules Verne (1870 )
Flatland
by Edwin A. Abbott (1884)
The Time Machine
by H.G. Wells (1895)
The Island of Doctor Moreau
by H.G. Wells (1896)
The Invisible Man
by H.G. Wells (1897)
The War of the Worlds
by H.G. Wells (1898)
Brave New World
by Aldous Huxley (1932)
The Space Trilogy
by C.S. Lewis (1938-1945)
1984
by George Orwell (1949)
The Martian Chronicles
by Ray Bradbury (1950)
I, Robot
by Isaac Asimov (1950)
Foundation
by Isaac Asimov (1951)
The Day of the Triffids
by John Wyndham (1951)
Childhood's End
by Arthur C. Clarke (1953)
Fahrenheit 451
by Ray Bradbury (1953)
The Demolished Man
by Alfred Bester (1953)
The Stars My Destination
by Alfred Bester (1956)
Starship Troopers
by Robert A. Heinlein (1959)
'Alas, Babylon" by Pat Frank (1959)
Stranger in a Strange Land
by Robert A. Heinlein (1961)
A Wrinkle in Time
by Madeleine L'Engle (1962)
A Clockwork Orange
by Anthony Burgess (1962)
Dune
by Frank Herbert (1965)
The Moon is a Harsh Mistress
by Robert A. Heinlein (1966)
"Do Androids Dream of Electric Sheep by Philip K. Dick (1968)
2001: A Space Odyssey
by Arthur C. Clarke (1968)
The Left Hand of Darkness
by Ursula K. Le Guin (1969)
The Andromeda Strain
by Michael Crichton (1969)
The Lathe of Heaven
by Ursula K. Le Guin (1971)
The Roadside Picnic
by Arkady and Boris Strugatsky (1972)
The Fifth Head of Cerberus
by Gene Wolfe (1972)
The Forever War
by Joe Haldeman (1974)
The Dispossessed
by Ursula K. Le Guin (1974)
The Mote in God's Eye
by Larry Niven and Jerry Pournelle (1974)
The Wind's Twelve Quarters
by Ursula K. Le Guin (1975)
Gateway
by Frederik Pohl (1977)
The Stand
by Stephen King (1978)
The Hitchhiker's Guide to the Galaxy
by Douglas Adams (1979)
Kindred
by Octavia E. Butler (1979)
Part 2 : 1980 - 2005
The Snow Queen
by Joan D. Vinge (1980)
The Uplift Trilogy
by David Brin (1980-1983)
Neuromancer
by William Gibson (1984)
Ender's Game
by Orson Scott Card (1985)
The Handmaid's Tale
by Margaret Atwood (1985)
Contact
by Carl Sagan (1985)
Speaker for the Dead
by Orson Scott Card (1986)
Consider Phlebas
by Iain M. Banks (1987)
The Player of Games
by Iain M. Banks (1988)
Hyperion
by Dan Simmons (1989)
Use of Weapons
by Iain M. Banks (1990)
Snow Crash
by Neal Stephenson (1992)
A Fire Upon the Deep
by Vernor Vinge (1992)
Red Mars
by Kim Stanley Robinson (1992)
China Mountain Zhang
by Maureen F. McHugh (1992)
Doomsday Book
by Connie Willis (1992)
Permutation City
by Greg Egan (1994)
The Windup Bird Chronicle
by Haruki Murakami (1994)
The Diamond Age
by Neal Stephenson (1995)
The Terminal Experiment
by Robert J. Sawyer (1995)
The Reality Dysfunction
by Peter F. Hamilton (1996)
The Sparrow
by Mary Doria Russell (1996)
The Forever Peace
by Joe Haldeman (1997)
Diaspora
by Greg Egan (1997)
Cryptonomicon
by Neal Stephenson (1999)
Perdido Street Station
by China Miéville (2000)
Altered Carbon
by Richard K. Morgan (2002)
Neanderthal Parallax
trilogy by Robert J. Sawyer (2002-2003)
The Time Traveler's Wife
by Audrey Niffenegger (2003)
Old Man's War
by John Scalzi (2005)
Accelerando
by Charles Stross (2005)
Never Let Me Go
by Kazuo Ishiguro (2005)
Part 3 : 2006 - 2021
The Road
by Cormac McCarthy (2006)
Blindsight
by Peter Watts (2006)
The Three-Body Problem
by Liu Cixin (2008)
The Hunger Games
by Suzanne Collins (2008)
The Windup Girl
by Paolo Bacigalupi (2009)
The Quantum Thief
by Hannu Rajaniemi (2010)
Embassytown
by China Miéville (2011)
The Expanse
series by James S.A. Corey (2011-2022)
Neptune's Brood
by Charles Stross (2013)
Annihilation
by Jeff VanderMeer (2014)
The Long Way to a Small, Angry Planet
by Becky Chambers (2014)
Binti
by Nnedi Okorafor (2015)
The Fifth Season
by N.K. Jemisin (2015)
The Water Knife
by Paolo Bacigalupi (2015)
Children of Time
by Adrian Tchaikovsky (2015)
Dark Orbit
by Carolyn Ives Gilman (2015)
Aurora
by Kim Stanley Robinson (2015)
The Power
by Naomi Alderman (2016)
Dark Matter
by Blake Crouch (2016)
The Obelisk Gate
by N.K. Jemisin (2016)
A Closed and Common Orbit
by Becky Chambers (2016)
The Collapsing Empire
by John Scalzi (2017)
All Systems Red
by Martha Wells (2017)
The Water Will Come
by Jeff Goodell (2017)
Autonomous
by Annalee Newitz (2017)
The Calculating Stars
by Mary Robinette Kowal (2018)
The Quantum Magician
by Derek Künsken (2018)
The Quantum Garden
by Derek Künsken (2019)
The Light Brigade
by Kameron Hurley (2019)
The City in the Middle of the Night
by Charlie Jane Anders (2019)
The Space Between Worlds
by Micaiah Johnson (2020)
The Ministry for the Future
by Kim Stanley Robinson (2020)
Project Hail Mary
by Andy Weir (2021)
Part 1: 1818-1979
Frankenstein by Mary Shelley (1818)
Frankenstein,
written by Mary Shelley and first published in 1818, is a seminal work that stands at the crossroads of gothic horror and science fiction. The novel revolves around Victor Frankenstein, a young scientist with a fervent desire to unlock the secrets of life. Driven by an insatiable thirst for knowledge and the quest for immortality, Victor embarks on a daring experiment: the creation of a living being from lifeless matter. Through a series of scientific pursuits and unholy experiments, Victor succeeds in bringing his creature to life.
However, the consequences of Victor's actions are profound and tragic. The creature, shunned by its creator and society at large, grapples with its existence and seeks solace and understanding. The novel delves into themes of ambition, responsibility, and the ethical implications of scientific discovery. As the creature confronts its own alienation and the rejection it faces from humanity, it becomes a symbol of the monstrous consequences of unchecked scientific ambition.
The narrative unfolds through a series of letters and recounts from multiple perspectives, providing a nuanced exploration of the moral and existential dilemmas faced by both Victor and his creature. The novel's gothic elements, including atmospheric settings and a sense of impending doom, contribute to its enduring status as a classic in the horror genre. It is also widely considered to be one of the earliest examples of science fiction literature.
Mary Shelley, born Mary Wollstonecraft Godwin on August 30, 1797, in London, England, was the daughter of political writer and philosopher William Godwin and feminist thinker Mary Wollstonecraft. Tragedy struck early in Shelley's life when her mother died shortly after giving birth to her. Her father remarried, introducing Mary to the literary circles of the time. In 1814, at the age of 16, Mary met the poet Percy Bysshe Shelley, and the two fell in love.
The couple faced scandal and hardship, including Percy's abandonment of his wife and child to be with Mary. In 1816, during a summer spent with Lord Byron and others in Switzerland, Mary conceived the idea for Frankenstein
in response to a challenge to write a ghost story. The novel was published anonymously in 1818 but was later revealed to be Mary's work.
Tragedy continued to shadow Mary's life. Percy Shelley drowned in 1822, leaving Mary a widow with their young son. Throughout her life, Mary wrote novels, short stories, and essays, but Frankenstein
remains her most enduring and influential work. She navigated the challenges of being a woman in the male-dominated literary world, contributing to the development of science fiction and gothic literature. Mary Shelley passed away on February 1, 1851, leaving behind a legacy that has profoundly shaped the literary landscape.
Twenty Thousand Leagues Under the Sea by Jules Verne (1870)
Twenty Thousand Leagues Under the Sea
is a classic adventure novel written by Jules Verne and first published in 1870. The story follows the protagonist, Professor Pierre Aronnax, his servant Conseil, and a Canadian whaler named Ned Land, as they embark on a harrowing journey aboard the submarine Nautilus, commanded by the mysterious and enigmatic Captain Nemo. The Nautilus, an advanced and technologically groundbreaking vessel, is capable of navigating the ocean depths, providing the crew with unparalleled access to the wonders and mysteries hidden beneath the waves.
The narrative unfolds as the characters find themselves in the clutches of the Nautilus after their ship is sunk by the submarine. As prisoners aboard this underwater vessel, they witness incredible marine life, explore the wonders of the deep, and discover the dark and mysterious nature of Captain Nemo. The novel is known for its meticulous attention to marine biology, presenting readers with detailed and accurate descriptions of the diverse creatures encountered during the journey.
Throughout the voyage, the characters face various challenges and adventures, including encounters with giant squids, exploration of lost civilizations, and the dangers of the undersea world. As the narrative unfolds, the true identity and motivations of Captain Nemo become central to the plot, adding layers of complexity to the story. The novel explores themes of discovery, isolation, and the consequences of unchecked technological advancement.
Jules Verne, born on February 8, 1828, in Nantes, France, was a pioneering French author known for his contributions to the adventure and science fiction genres. Inspired by his love of travel, science, and exploration, Verne's works often blended scientific knowledge with imaginative storytelling. Besides Twenty Thousand Leagues Under the Sea,
Verne's notable novels include Journey to the Center of the Earth
(1864) and Around the World in Eighty Days
(1873).
Verne's writing captured the spirit of the 19th-century fascination with scientific progress and exploration. He had an uncanny ability to envision technological advancements, and many of his predictions, such as submarines and space travel, later became reality. Despite facing initial skepticism from the literary establishment, Verne's works gained widespread popularity and have since become timeless classics.
Jules Verne passed away on March 24, 1905, in Amiens, France. His legacy endures, and his contributions to literature continue to influence generations of readers and writers. Verne's imaginative storytelling and exploration of the possibilities of science fiction laid the groundwork for the genre's future development and solidified his place as one of the most significant literary figures of the 19th century.
Flatland by Edwin A. Abbott (1884)
Flatland: A Romance of Many Dimensions
by Edwin A. Abbott is a satirical novella published in 1884. The story is set in a two-dimensional world inhabited by geometric shapes, where the protagonist, A Square, recounts his peculiar experiences and encounters. As a resident of Flatland, A Square represents the highest order in a strictly hierarchical society based on the number of sides each shape possesses. Circles are the social elite, followed by triangles, squares, and so on.
The narrative takes a fantastical turn when A Square is visited by a Sphere from the third dimension. Initially skeptical of the existence of a dimension beyond Flatland, A Square is gradually enlightened about the concept of height and depth. The Sphere's attempts to convey the notion of three-dimensional space to the two-dimensional inhabitants of Flatland lead to various challenges and misconceptions.
As A Square's understanding expands, he discovers the limitations and prejudices inherent in Flatland's social structure. The narrative serves as a commentary on societal hierarchy, class distinctions, and the resistance to unconventional ideas. Abbott uses this imaginative allegory to criticize rigid social norms and promote open-mindedness to alternative perspectives.
Flatland
is not only a mathematical satire but also a philosophical exploration of perception, knowledge, and the resistance to change. The novella remains a classic in literature, appreciated for its unique blend of mathematical concepts, social commentary, and imaginative storytelling. Abbott's work challenges readers to question their own perspectives and consider the limitations imposed by societal structures.
Edwin Abbott Abbott was born on December 20, 1838, in Marylebone, London, England. He was the eldest son of Edwin Abbott, a barrister, and his wife, Jane Abbott. Abbott received his education at the City of London School and later attended St John's College, Cambridge, where he excelled in mathematics and classics. He graduated with honors in 1861 and continued his studies, eventually becoming a fellow at his alma mater.
Abbott's career in education and literature took shape as he served as a teacher and later as the headmaster of the City of London School. His passion for mathematics and logic influenced much of his writing. In addition to Flatland,
Abbott wrote numerous works, including textbooks on geometry, theology, and philosophy. He also contributed to various periodicals, showcasing his diverse intellectual interests.
Published pseudonymously as A Square,
Flatland: A Romance of Many Dimensions
was Abbott's most well-known work. The novella, published in 1884, is a satirical exploration of higher dimensions, but it also serves as a social commentary on the rigid Victorian society of Abbott's time. The book gained recognition for its unique blend of mathematical concepts, humor, and social critique.
Edwin Abbott Abbott's legacy extends beyond Flatland.
He continued to write and publish throughout his life, delving into topics such as theology and philosophy. Abbott passed away on October 12, 1926, leaving a lasting impact on literature and mathematics with his imaginative and thought-provoking contributions.
The Time Machine by H.G. Wells (1895)
The Time Machine
by H.G. Wells, published in 1895, is a classic work of science fiction that explores the concept of time travel and its societal implications. The narrative begins with the Time Traveller, an unnamed protagonist, presenting his invention, a time machine, to a group of friends. Eager to demonstrate its functionality, the Time Traveller embarks on a journey into the distant future.
As the Time Traveller hurtles through time, he witnesses the gradual transformation of Earth. The world evolves from the Victorian era into a distant period where the landscape is dominated by two distinct races: the Eloi and the Morlocks. The Eloi are a gentle and childlike species living above ground, while the Morlocks, dwelling below, are a more sinister, subterranean race. The Time Traveller discovers that these two species are the eventual descendants of humanity, and their stark differences represent a social and evolutionary divide.
The Eloi, though physically frail, live a carefree existence, lacking intellectual curiosity. In contrast, the Morlocks have become adept at survival in the subterranean darkness, but they have also evolved into a predatory and more sinister form. The Time Traveller realizes that the future Earth is a dystopian landscape marked by social decay and the loss of technological knowledge.
Amidst these discoveries, the Time Traveller encounters challenges and dangers, and he grapples with the ethical implications of tampering with the course of time. Wells uses The Time Machine
not only as a vehicle for speculative fiction but also as a platform to explore social and philosophical themes, including the consequences of unchecked technological progress, the potential future trajectory of human society, and the dangers of class division.
The Time Machine
remains a seminal work in the science fiction genre, appreciated for its imaginative storytelling and its exploration of complex ideas about time, society, and the human condition.
The Island of Doctor Moreau by H.G. Wells (1896)
The Island of Doctor Moreau
by H.G. Wells, published in 1896, is a science fiction novel that delves into themes of ethics, morality, and the consequences of unchecked scientific experimentation. The story begins with Edward Prendick, the protagonist, who survives a shipwreck and finds himself stranded on a mysterious island. There, he encounters Doctor Moreau, a disgraced scientist who fled England due to the controversial nature of his experiments.
As Prendick explores the island, he discovers that Doctor Moreau is engaged in gruesome and ethically dubious experiments, attempting to transform animals into human-like beings through vivisection and other surgical procedures. The island is populated by these Beast Folk,
creatures that exhibit a grotesque combination of human and animal characteristics. The novel follows Prendick's horrified and increasingly desperate attempts to make sense of the island's bizarre inhabitants and to escape the nightmarish consequences of Moreau's scientific