Italophobia: From the Dolce Vita to a Sour Life in USA
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Italophobia - Catherine Dumont
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1. Introduction
A study carried out by the Italic Institute of America¹ about the presence of Italians in Hollywood films reveals how entrenched the stereotypes of the Italian gangster are in the movies: from a total of 1512 films related to Italian, filmed between 1914 and 2014, 68 % (more than a thousand films) showed a negative image of Italian, being the figure of the Italian gangster by far the most widespread (528 films). Only 69 of these 528 films were based on real cases, while the remaining 469 films (almost 87%) alluded to invented characters. Since the release of The Godfather in 1972, almost three hundred films about Italian mafias were released in the United States, an average of 9 a year. The same seems to be replicated in TV serials, video games and commercials, and in recent years also in reality shows. The successful Jersey Shore, premiered on MTV in 2009, promised from its announcements to follow the lives of eight of the hottest, most explosive and crazy guidos
, using a discriminatory word and appealing, since the casting, to the exploitation of all of the Italian-Americans stereotypes.
It seems that we are so used to seeing these stereotypes of Italians linked to frivolity, violence or organized crime, that many times we lose sight of a much broader and more complex situation. From the first waves of migration from Italy to the United States in the 19th century, when the demand for cheap labor was generated by the end of slavery and many impoverished Italians arrived to accept those jobs, going through lynchings, executions and discrimination, until the current presence of new neo-Nazi groups that revisit, between others, the contempt for the Italians as an inferior race, bigotry against Italians has undergone different stages.