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Purcell Ode, and Other Poems
Purcell Ode, and Other Poems
Purcell Ode, and Other Poems
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Purcell Ode, and Other Poems

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DigiCat Publishing presents to you this special edition of "Purcell Ode, and Other Poems" by Robert Bridges. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
LanguageEnglish
PublisherDigiCat
Release dateAug 15, 2022
ISBN8596547171041
Purcell Ode, and Other Poems

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    Purcell Ode, and Other Poems - Robert Bridges

    Robert Bridges

    Purcell Ode, and Other Poems

    EAN 8596547171041

    DigiCat, 2022

    Contact: DigiCat@okpublishing.info

    Table of Contents

    PREFACE

    ANALYSIS OF ODE.

    ODE TO MUSIC Written for the Bicentenary Commemoration of HENRY PURCELL

    ODE TO MUSIC Written for the Bicentenary Commemoration of Henry Purcell.

    I.

    II.

    III.

    IV.

    V.

    VI.

    VII.

    VIII.

    IX.

    X.

    THE FAIR BRASS.

    NOVEMBER.

    I.

    II.

    THE SOUTH WIND.

    I.

    II.

    III.

    WINTER NIGHTFALL.

    PREFACE

    Table of Contents

    The

    words of the Ode as here given differ slightly from those which appeared with Dr. Parry’s Cantata, sung at the Leeds Festival and at the Purcell Commemoration in London last year.

    Since the poem was never perfected as a musical ode—and I was not in every particular responsible for it—I have tried to make it more presentable to readers, and in so doing have disregarded somewhat its original intention. But it must still ask indulgence, because it still betrays the liberties and restrictions which seemed to me proper in an attempt to meet the requirements of modern music.

    It is a current idea that, by adopting a sort of declamatory treatment, it is possible to give to almost any poem a satisfactory musical setting;[1] whence it would follow that a non-literary form is a needless extravagance. From this general condemnation I wish to defend my poem, or rather my judgment, for I do not intend to discuss or defend my poem in detail, nor

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