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Purcell Ode, and Other Poems
Purcell Ode, and Other Poems
Purcell Ode, and Other Poems
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Purcell Ode, and Other Poems

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"Purcell Ode, and Other Poems" by Robert Bridges. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
LanguageEnglish
PublisherGood Press
Release dateDec 18, 2019
ISBN4064066151201
Purcell Ode, and Other Poems

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    Purcell Ode, and Other Poems - Robert Bridges

    Robert Bridges

    Purcell Ode, and Other Poems

    Published by Good Press, 2019

    goodpress@okpublishing.info

    EAN 4064066151201

    Table of Contents

    PREFACE

    ANALYSIS OF ODE.

    ODE TO MUSIC Written for the Bicentenary Commemoration of HENRY PURCELL

    ODE TO MUSIC Written for the Bicentenary Commemoration of Henry Purcell.

    I.

    II.

    III.

    IV.

    V.

    VI.

    VII.

    VIII.

    IX.

    X.

    THE FAIR BRASS.

    NOVEMBER.

    I.

    II.

    THE SOUTH WIND.

    I.

    II.

    III.

    WINTER NIGHTFALL.

    PREFACE

    Table of Contents

    The

    words of the Ode as here given differ slightly from those which appeared with Dr. Parry’s Cantata, sung at the Leeds Festival and at the Purcell Commemoration in London last year.

    Since the poem was never perfected as a musical ode—and I was not in every particular responsible for it—I have tried to make it more presentable to readers, and in so doing have disregarded somewhat its original intention. But it must still ask indulgence, because it still betrays the liberties and restrictions which seemed to me proper in an attempt to meet the requirements of modern music.

    It is a current idea that, by adopting a sort of declamatory treatment, it is possible to give to almost any poem a satisfactory musical setting;[1] whence it would follow that a non-literary form is a needless extravagance. From this general condemnation I wish to defend my poem, or rather my judgment, for I do not intend to discuss or defend my poem in

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