The First Anthology

By Dianna Diverno

''The First Anthology'' is the first anthology of screenplays based on Dianna Diverno's novels. There are three anthologies of screenplays, a total of 60 screenplays for movies and animated movies for children.

 

Screenplays : Samba To Death, King Of The Mermaids, Last Wedding, Mirror Of The Night, Fang...

• Language: English
• Publisher: Dianna Diverno
• Release date: Aug 11, 2022
• ISBN: 9798201506124

Book preview

THE FIRST ANTHOLOGY ADAPTATION OF LITERARY OF DIANNA DIVERNO

Author: Dianna Diverno

Published: Dianna Diverno 

Years: April/May, 2019

Translators (screenplays): Ivana Rashic, Marija Matic, Ana Ferluga, Dianna Diverno, Miodrag Radojchin, Jasmina Tasic, Goran Rapaic...

Translators (novels)  in anthology: Ivana Rashic, Marija Matic, Ana Ferluga, Dianna Diverno, Tijana Minic, Miodrag Radojchin, Jasmina Tasic, Goran Rapaic, Ana Patarchic, Andrea Vojnic Tunic, Ibolya Vitaszovics, dipl.ing.chem and Dr.rer.nat.Martha Pfeipfer, Branka Oparushic, Katarina Milosavljevic, Marija Kovachevic, Marina Veljkovic, Maja Spasic, Anika Rhem

Proofreader (14 screenplays) : Tijana Minic

Proofreader (2 screenplays) : Miodrag Radojchin

Drawings – ''Princess Gloria in magical forest'' – A. B.

THE FIRST ANTHOLOGY

DIANNA DIVERNO

‘’THE FIRST ANTHOLOGY'' – DIANNA DIVERNO

Table of contents:

LAST WEDDING  

SECRET OF MARQUISE DE CHAMPAGNE

WILHELM GUSTLOFF

KING OF THE MERMAIDS

MIDNIGHT WITH BARONESS BOTH-MORRA

CASINO L’ MIRACLE

TOPAZ IN FLINT

LE BAISER FRANCAISE

SECRET PASSION’S OF COUNTESS RAZASZKY

FORBIDDEN LOVE

SAMBA TO DEATH

FANG

KISSES OF THE BIRDGE SIGH

LONGING ORCHID

GARRETT’S CENT

COMMODO – GODFATHERS OF THE ITALIAN MAFIA

PRINCESS GLORIA IN THE MAGICAL FOREST

THE STORY OF BLUE MUMMY

I AM LOVED THE PRESIDENT

MIRROR OF THE NIGHT

SCREENPLAY ‘’THE LAST WEDDING’’ BY NOVEL DIANNA DIVERNO

Continuation of the screenplay

Translation / Ana Ferluga & Dianna Diverno

Proofreader: Tijana Minic

The novel ‘'Last wedding'' was written – spring 2009. years. Published 2013. Translated into English ( translator - Goran Rapaich) and published 2018 years.

Translation – German – Maja Spasich – 2013 and French language Marija Kovachevich (2017-2018)

SCRIPT '' LAST WEDDING '' ACCORDING THE NOVEL BY DIANNA DIVERNO

The script The Last Wedding written by Dianna Diverno is about Wendy Brown, a wealthy woman from Beverly Hills who, with a series of tragically ended marriages (not her fault), is falling into very funny and comical situations.

She has four marriages and three burials; she buried three husbands in a very short period. With Casey Klein, her best friend and mother Elizabeth Brown, a fervent fan of well-groomed puddles, because she has two, Mimi and Lora, we get a good look into the world of jet set.

She first marries a wealthy man, Jason Adamsville, who died during the honeymoon and left her a lot of money. Then, after a year, she gets married to an Aussie rich man, Peter Perl, who has a nagging mother Gabrielle. Peter died in a car accident, but she was left with a nagging mother-in-law. Wendy's marriages are also widespread topic in society, so she is followed by American journalist Dolores and yellow pages.

Her third marriage was in Paris with Arnaud Batri, the man who created all the wedding gowns she ever wore. His ex-fiancé Tiffany is killed him, at the airport.

Wanting to escape the marital scandals that followed her, Wendy goes on a journey around the world, where, in a casino in Morocco, she meets a Greek rich man from Crete with whom she starts a relationship and eventually marries him.

Characters:

WENDY BROWN - The main heroine, an American girl from Beverly Hills, who through a series of unfortunate circumstances goes from marriage to marriage.

CASEY KLEIN - Wendy's best friend, maid of honour

ELIZABETH BROWN - Wendy's mother, a fan of puddles Mimi and Lora, she has been dragging them on all the weddings

JASON ADAMSVILLE - the first husband, a playboy, who dies on the honeymoon, in comical circumstances

PETER PEARL - The second husband, a philatelist, a wealthy man from Australia, close to his mother, one foot still in the childhood

ARNAUD BATRI - The third husband, French creator of top wedding dresses Charees that Wendy wears on her weddings

PAPALOPULOS MARC NACHIOS - a Greek rich man who loses large sums of money in the casinos, a well-behaved dawdler, a fourth husband.

JOURNALIST DOLORES - A reporter that follows Wendy like a black shadow, and informs the public about all the weddings and funerals.

SCREENPLAY THE LAST WEDDING

––––––––

SCENE 1 – ELIZABETH BROWN’S CONVERSATION OVER THE PHONE

(Elizabeth Brown is in a beauty salon with a mask on her face, holding a puddle in her hand and talking on her phone)

ELIZABETH:

Yes, my dear... My daughter Wendy is getting married soon... Yes, her first marriage... To Jason Adamsville, isn’t that wonderful? Certainly she will take the wedding dress from the boutique of that Frenchman Arnaud Batri.. Yes, although the wedding dresses are sewn on the same pattern, we all know, lace and two blossoms more or less, it's all the same today... Pattern is one, and then creators just split it among themselves; oh, but how are you? And my puddles are wonderful...

SCENE 2 – WENDY IS BUYING A WEDDING DRESS AT THE BOUTIQUE OF ARNAUD BATRI

(Wendy Brown is walking through the avenues of Beverly Hills and is looking for a wedding dress boutique; this is the best time for the movie intro, preferably Wedding march. Wendy enters the boutique of Jean Paul Batri, the man approaches her, and the conversation starts)

ARNAUD:

Good afternoon, mademoiselle. What can boutique Charees do for you?

WENDY:

(Looks around) I’m just looking around.

ARNAUD:

Here we have some of the latest models on which my acquaintance from Paris was working. I do not know if you know that the boutique Charees is branching through a few countries, even in France, that is in Paris? (He sees something behind her, and slowly goes further. His father Jean Paul, who listened to the conversation, approached her)

WENDY: It's wonderful to have you also in Paris (looking at wedding dresses)

She approaches one wedding dress and points to her.

WENDY:

I would like to try this.

(Jean Paul takes the wedding dress for her and she goes into the cabin and tries it on. She leaves the cabin. Jean Paul and a girl were waiting in front of the mirror)

JEAN:

Wonderful mademoiselle. And what else to say than ravissant, bien, I have the same wedding dress in the salon in Paris. That is supervised by my son Arnaud, you've just met him...

(She stood in front of the mirror and watched how she looks)

JEAN:

Yes, mademoiselle, this wedding dress looks as if it was tailored just for you. (Giving a sign to the girl who approaches them, he addresses the girl) Layla, you will have to look at these measures if this mademoiselle decides for this wedding dress (and then he goes to the new visitor of the boutique)

LAYLA:

Do you like this wedding dress?

WENDY:

(Satisfied Face) Naturally.

LAYLA:

I suggest you try some other models. Like maybe...

WENDY:

I don’t want the second model. I think I just found the right wedding dress.

LAYLA:

That's Miss Kelly. Mr Jean Paul has the custom to give every wedding dress a feminine name. So we have Miss Rebecca and Miss Brittany and Aisha...

WENDY:

I'm buying this wedding dress...

(A scene where she comes out from that boutique with bags in her hand)

SCENE 3 – CONVERSATION BETWEEN WENDY AND CASEY

(They are sitting in Wendy's room and chatting)

CASEY:

White as Mont Everest, like clouds...

WENDY:

Clouds are not always white...

CASEY:

It does not matter, in any case you know what I mean...

WENDY:

In any case, I will wear that Miss Kelly, and look exquisite...

CASEY:

(Looking some catalogue with wedding dresses) In any case, you should maybe put your hat on. Maybe the day will be windy, and hats are always nice on you.

WENDY:

I doubt that the hat can go well with Miss Kelly.

CASEY:

I do not even know how this wedding dress will look.

WENDY:

(Sitting on the bed, taking the newspaper and showing it to her) Anyway, it's something between this on the page number 7 and this on page 22. The waist of the dress is something in the style of this on page 32.

CASEY:

Yes, I understand everything.

WENDY:

I'm still thinking about the bouquet. Elizabeth said that she would come with me to choose one, and you know my mom, what kind of...

CASEY:

Yes, your mother is not bad. Many girls would like to have such a mother.

WENDY:

They would love it until they get it and then they realize that the choice is completely, completely wrong. For my mother, it's best to have those two puddles. Puddles cannot complain too much or tell on her, and that works perfectly for my mother. I do not want to talk about her. I want to talk about Jason and me.

(Casey raises her eyebrows)

CASEY:

Yes, you and Jason are a true example of love.

WENDY:

I cannot believe that tomorrow will be seven months since we’re together. It's a long .

CASEY:

Absolutely, too long.

WENDY:

And it's good that we are planning wedding. My mom doesn’t like long relationships that don’t lead to anything serious.

CASEY:

Does the breakup of a relationship mean something?

WENDY:

No, in the eyes of my mother breakup means repeating the year without a correctional exam.

CASEY:

All in all, it's important that it’ll be ok.

WENDY:

And it will be white. Everything must be white as Mont Everest, mountain peaks, even candlesticks, knives and forks will be white.

CASEY:

I think your mother's puddles will fit perfectly into the wedding

WENDY:

She will not be able to resist and not bring them. And while I say fateful YES her two pups will interrupt with ''wuf wuf wuf ''. But, enough about my mom. She's an ultimate snob.

(Looking through the catalogue)

CASEY:

These gloves are a dream of dreams.

WENDY:

They reach the elbows?

CASEY:

So what?

WENDY:

I do not want gloves to reach the elbows, I do not want them even to my wrists.

CASEY:

It's best to put them on one thump.

WENDY:

Or two.

CASEY:

Or buy ten different pairs of gloves, so you can change them during the ceremony, whenever you need to, and every time the puddles start with wuf wuf...

(They laugh.)

SCENE 4 – CONVERSATION BETWEEN ELIZABETH AND GERARD BROWN

They are located in a beautiful living room and they are talking. He sits with the newspaper in his hand, and she holds a puddle in one hand and in the other the chain with second poodle that is walking around the room.

ELIZABETH:

Of course, it's wonderful that in terms of wedding, the meaning of colours is emphasized. This is the highlighted rule of the weddings.

GERARD:

Classic wedding is enough; this way with all these themes of the white is a bit exaggerated.

ELIZABETH:

You know that our daughter always gets her way.

GERARD:

I know.

ELIZABETH:

All the journalists will be there. I think this wedding has every chance to be labelled as a wedding of a century.

GERARD:

Yes, but it still surprised me that she did not order that all the guests are also dressed in white.

SCENE 5 – WEDDING OF WENDY BROWN AND JASON ADAMSVILLE

In front of Brown's house at Beverly Hills. A lot of cars and everything. Elizabeth looks at the guests while holding her two puddles in her hands. She's talking to Gerard.

ELIZABETH:

My lawn is ruined (dogs are barking). You see, even my puddles agree with that.

(Musicians, guests and decorations are shown. Elizabeth is talking to her niece Barbara)

BARBARA:

You look like you are thirty years old Elizabeth! Is she not, Gerard? (She turns to Gerard)

GERARD:

Of course (as he is saying that you can see how he looks at Ingrid, his secretary, with a lusty gaze)

BECKY:

Your eyelids are as if they were born again (She says to Elizabeth. In her hand, she keeps her Pekingese, the dogs begin to bark loudly at each other)

ELIZABETH:

It's good that we do not sit in the same row. It seems to me that all my cousins ​​brought their dogs.

GERARD:

If they let you in the church in that zoo manner of yours.

SCENE 6 – WENDY IS IN A ROOM TALKING WITH HER FRIENDS

(Wendy is dressed in a wedding dress and her friends are around her. She is in her room, sitting on a bed, standing up and looking up at a large mirror, looking out at the guests who are arriving)

WENDY:

Everyone will come, no doubt about that.

SYBIL:

Of course they will come, this is the wedding of the century.

CASEY:

Not a century, but an era.

WENDY:

I feel like I'm becoming nervous.

SYBIL:

Like before the test?

CASEY:

Or like when we were performing in school plays?

WENDY:

Worse. This is now and once (looks at the clock and sighs) I think it's time to go

(They are heading towards the door, and then Wendy turns and looks at her teddy bears) I will miss you.

(She closes the door behind)

SCENE 7 –

Brief presentation of the civic wedding and how they come out and sit in the car. A long line of cars goes to the dock where the church wedding is held on the yacht (Adamsville & Sons). The priest is fidgeting while waiting on the deck.

PRIEST:

Will they finally climb here?

GAULICIUS, ASSISTANT:

Any moment now.

(Guests climb up to the boat; you can see the dogs running on the leashes, like a dog party. They are sitting on the bench, and then Aunt Becky's Pekingese started to bark, after him also all the other dogs. The wedding march starts. While Wendy slowly approaches Jason, he took one-two steps toward her, slipping on the dog's faeces and lands in the middle of the deck. He quickly rose up and the guests started rising to see what had happened to him. The sounds subdued and everyone sat down)

PRIEST:

(A few minutes later) Do you, Jason Gordon Adamsville fifth, take as your legal wife Wendy Frontman Brown?

JASON:

(very loud) Yes.

PRIEST:

Do you Wendy Frontman Brown take as your legal husband, Jason Gordon Adamsville fifth?

WENDY:

Yes.

(Then the dogs start to bark again)

PRIEST:

You can kiss your bride.

(The part where they congratulate the young couple)

BECKY:

The bride is beautiful

JOAN:

I've seen such a dress on a woman, it's Charees, is it not? Maybe the dress is rented?

BECKY:

It's definitely good if the wedding dress is rented.

JOAN:

All in all, the best thing about this wedding is the dogs. I'll definitely order them when I decide to marry my daughter, as a suitable acoustics on the deck.

(Jason Adamsville fourth approaches the couple and gives them an envelope)

JASON IV:

This is for you, my darlings. I wish you a lot, a lot of happiness in your common life, that you have at least two children.. For you, (turns to Wendy) to give birth to the successor, the young Jason Adamsville the sixth.

WENDY:

But...

JASON IV:

Believe me, it is nothing terrible about the name. And my wife Emma got used to it and it will be good if you have three or four children.

(He slowly went on, Peter Pearl approaches them and presents a collection of stamps, said goodbye and goes away, finally her mother Elizabeth approaches)

ELIZABETH:

You were fantastic.

WENDY:

(Looks at restrained puddles) Thank you, mother.

ELIZABETH:

Your father and I were proud of your composture and the whole ceremony. Jason's fall absolutely ruined the entire picture of the wedding.

WENDY:

No wedding is ideal.

ELIZABETH:

So now we'll get a grandson soon.

(The newlyweds remain alone on the deck and wave to the last guests. The boat sails onto the open sea)

SCENE 8

(Pacific Ocean. Luxury Yachts. Short Stages of the Ideal Honeymoon.  Wendy and Jason - a brief illustration of their sex)

SCENE 9

(After making love, they lie lying next to each other on the bed, they look at the ceiling)

JASON:

But how do you think you can’t make love every morning early in the morning? Well, that's every woman can.

WENDY:

But, my dear, really asleep at half past five in the morning.

JASON:

You can always sleep after breakfast.

(they are silent and look at the ceiling)

WENDY:

Are you imagined?

JASON :

I have noticed that you have not talked to me about your current boys. Now that you are the new Ms. Adamsville, the order would be to put your old cards on the table.

WENDY:

(She smiles) Old cards?

JASON:

Let's call that a former name. There were three boys, the first one ...

WENDY:

Gregory, he was a ragby-boy who liked to make love, but only when he was dead drunk. The reasons for this lie in his sudden youthful impotence.

JASON:

That's crazy. And who's the other anecdotal boy?

WENDY:

It was a link in the long run. His name was Wilmer. He is from Norway. For him, I also thought I’ll married, but he never asked me anything about it. I left him because the relationship was a monotone with sex twice a week.

JASON:

Terrible. And who is under the number of three?

WENDY:

Patrick. He was really dear. But I got rid of him because he loved his ex-girlfriend more than me. And I'm not exactly the best shoulder to cry.

(they looked at each other and smiled at each other)

WENDY:

And you?

JASON:

So my list is very long. I had 74 girls. And if you're ready to listen to confess like every priest about all the events with my former harem, I will definitely tell you about them ...

(  Public see Wendy's shocked face only)

SCENE 10

(Marilyn, Jane, Vilma, Kerin, Kelly, Gretta, Konchita, Trayce, Ani Stuart, Ani Miller, Ani Lemon ..), a short overview of several names. Jason and Wendy talk,

(Wendy is totally tired, lying on her belly in bed, he sits next to her and tells. Wendy raised her head)

WENDY:

Where did you say that Gretta lives?

JASON:

In San Diego. She was not really the best in bed, but she liked to wear short skirts

(Wendy stabbed her head in the pillow. She picked up her head a little later and asked again).

WENDY:

What did you say?

JASON:

I told you about Konchita before ten minutes. She liked to play basketball.

WENDY:

From the basketball team?

JASON:

No, no. You see you're not listening to me. I told you she was the first companion of Miss Mexico.

WENDY:

Wonderful. It's nice to talk about all your girls in parallel, from the beginning and slowly

JASON:

Yes, we stopped at number 23.

WENDY:

Where's Tracy?

JASON:

No, Tracy was number three. My big crush love in high school. We're talking about the Konchita.

WENDY:

Yes, from basketball federation

(she puts the face in the pillow again)

––––––––

JASON:

(He speaking and while the story slowly. She raised her head) And then I was thinking about calling her for a meeting?

WENDY:

Tracy?

JASON:

No, I'm telling you about Jane. I longed about this issue. She was number 47 and she loved swans.

WENDY:

Wonderful. Inspirational feathered animal.

JASON:

Be happy to share your loving life with you. Still, you are my wife now and you know all my intimacy. There are not many, yet twenty-seven girls on the list.

WENDY:

And what about that Jane? (she swinging)

JASON:

I thought I could fall in love with her. She looked like Marilyn, she felt like Maria, she had her legs like Evelyn, a dressing style like Clementine from Paris, but she worked in a business escort. That's what turned me down from Jane (he look towards Wendy lying on the pillow, she's asleep and starts to snore)

SCENE 11

(Wendy and Kayce are talking on the phone. Wendy is on deck and sunshine, and Casey in her room)

WENDY:

Imagine how I feel. I did not dream that he would want to be so sincere, to tell me everything about these boring women. Maria was like Lucy, Lucy was like Ivon, and Clementina was in the basketball league, or she was a miss, or was a business escort. I do not even remember.

CASEY:

I think you should look at it from a brighter side.

WENDY:

What bright sides? By midnight he talks to all these women, and then he awakens at half past five in the morning for morning sex.

CASEY:

There is nothing wrong with the morning vaginal gymnastics. But I think you should look at it on a brighter side. He's not Casanova's. He had seventy-two women.

WENDY:

74

CASEY:

Eh, Casanova had about 1000. Imagine that Casanova always tells you stories about him love achievements, and then he wakes up at half past due to vaginal gymnastics ... and so the whole life ...

WENDY:

Yes, with Jason is premium. Although I think he is very cramped in bed, despite that number of women

CASEY:

I do not know perhaps because he has so many women.

WENDY:

What do you mean?

CASEY:

So you say he's crammed in bed. When a man boasts that he had many women, then there is obviously the reason why they left him all ...

WENDY:

It's not all in bed today.

CASEY:

Yes, you are right. No. Something's in the armchair. But you do not need to despair. From now on, you will continue to be the ideal woman under the number 75 of Jason Adamsville's fifth, and you will know his entire history of bedpan(potty).

SCENE

(They're back in bed, Jason and Wendy, lying next to each other. Jason talking)

JASON:

Rita was part of my life in the way I would compare her with my mother. Simply, she touched me. I met her at a club. She played a fantastic tango.

WENDY :

(With boredom on her face)

She was a dancer?

JASON:

And a waitress. Ah, how she could serve a drink on the table. She was really exciting, she had long, curly hair, wearing tight clothes. I spent two months with her.

WENDY:

Whether?

JASON:

Yes, I enjoyed two wonderful months with her. We broke up because we no longer had common topics. And I heard recently married a cowboy.

WENDY:

Who knows if she's serving a cot in bed now?

SCENE 12:

(Wendy talks over the phone with his mother, Wendy sits in the cabin, and Elizabeth holds a dog in her hands and sits in a hairdresser's salon)

WENDY:

But Mom can’t break vacation now?

ELIZABET:

How you can’t?

WENDY:

I can’t. Now we're in the middle of the Pacific. I have no idea where exactly we are. Everything is blue, sunny and hot ...

ELIZABET:

I get it, I get it. But how could you go on vacation and do not unpack all these wonderful gifts? I'm really upset by the curiosity to see what's all interesting for a wedding. And you're on a yacht all the time, who knows where. I know, I know how to say that all that you got is white, but I wonder if there are some newer things that I have not seen in a new catalog yet?

WENDY:

Maybe you could, Mummy, to change to pick up postage stamps like Jason or you're collect carnivorous plants!

ELIZABET:

Please, honey, I did not hear you very well.

WENDY:

Nothing. I said when we get back from the cruise, we'll definitely open the presents. And you've already seen some of the gifts.

ELIZABET:

Yes.

WENDY:

Let's say a fridge that has donated Foxes. They did not try to pack it, they even removed it from the box.

ELIZABET:

Yes, completely original.

WENDY:

Or  freezer  from Roths. He was in the box.

ELIZABET:

The box broke apart as they were taken out of the truck

WENDY:

That's because we did not hire a forklift.

ELIZABET:

OK.

WENDY:

Or it is a vase from the Egyptian epoch.

ELIZABET:

She's lovely.

WENDY:

Completely. I'm afraid of her. Maybe he's carrying some spell with him. I'm seriously thinking she's giving it to you, Mom. At least the spells can collapse at Lora and Mimi.

ELIZABET:

Spells do not seem to work on my pets. And gift the Australian men, what's his name?

WENDY:

Peter or Diter?

ELIZABET:

He brought the badges.

WENDY:

Jason will be thrilled with the gift. That's a long friendship. He's a philatelist from high school. Even his ex-girlfriend under the number 28 of high school was a philatelist

ELIZABET:

What girl?

WENDY:

I do not know. And I forgot her name.

ELIZABET:

I do not know what you're talking about, dear

(the barking of the Lora dog in the background at Elizabeth is heard)

WENDY:

Is it Lora?

ELIZABET:

Of course. (a dog persistently barks, Wendy removes the earpiece slightly)

WENDY:

Mom, I think I'll have to break up soon.

ELIZABET:

And why, dear?

(Elizabeth removes the earphones from her ear, hears the dog's barking, releases the phone, looks around, in the cabin, the ship's captain and a sailor)

SAILOR:

Would you like something special for snacks?

WENDY:

No, I think I only need a nice: cake dinner and a French salad

(sailor is inclined)

SAILOR:

It will definitely be what you say, madam. What time?

WENDY:

About nine in the evening

(Wendy looks out of the window toward the shore and sighs deeply)

SCENE 13

(For dinner on the deck, Wendy and Jason talk, they are drunk a little bit, the sailor is indoors from the other part and in the cabin, Jason and Wendy laugh)

WENDY:

I was amazed this evening. Crabs in ... hik ... French way .. and what ... hik ... this deck is so bright...hik...?

JASON:

I ordered the sailors to smear it with some sticky and slippery layer. I promised you a show.

WENDY:

Show?

JASON:

Yes, I plan to play like Yagudin

(They both laugh. A little later - Wendy almost slept on the table, drinks a drink, and then rests her head on the table, and Jason tells her)

JASON:

A girl with number 55 was a real cunt ..

WENDY:

Whether?

JASON:

And she was 26 years old and she was shy. Her name was Deril. She was the only shy girl in my harem

(a few moments later)

JASON:

Wendy, you did not tell me who girls is the best?

(Wendy wakes up, looks around her)

WENDY:

I think I liked the cunt. (Jason puts himself another glass of a full beverage)

JASON:

Great, honey, great. And I remember it. I think we should finally celebrate a bit.

WENDY:

Celebrate? Do not we celebrate the whole evening?

JASON:

It's time for us to celebrate our love, while I tell you about who I've whom I put in bed and who put me in position 69.

(he begins to climb on the deck, then falls to the floor. Then he somehow gets up and raises himself to the fence. Wendy all the time laughing at his clumsiness)

JASON:

You see Wendy, now I'm Alexey Yagudin. I can do this too.

(he skate and the table while clinging to one leg, he falls on a slippery floor.. She laughs)

And now you'll see a real slip movement. I'll make a salto mortal

(Wendy laughs even more)

(Jason attempts to make a salto, and begins to climb, comes to the fence, but has not managed to maintain a balance. He fell abruptly over the fence into the water)

WENDY:

(She stops laughing.)

Jason!

(She screamed. She jumped to her feet and ran to the fence. She saw his body in the water, he moved a little)

WENDY:

Jason! Jason! Help! Help! Come quickly to help! Jason fell into the water

(she waved a handful of sailors who ran fast, another sailor and captain came)

CAPTAIN:

Quickly, call the helicopter quickly. Ambulance. I'll save him!

(he jumped into the water, and Wendy stands on the deck, she is serious and holds his hand over his lips)

WENDY:

Save him. He only wanted to make a salto-mortal!

SAILOR:

Do not worry, Mrs. Adamsville. We'll find him. Probably fainted. Everything will be fine.

WENDY:

Is he alive?

SAILOR:

Be carefree. He must have drunk a little more. Here the captain managed to catch him. They'll let a boat down now.

(the captain found Jason down in the water and held him. They wrapped the boat on the deck and lowered the boat down. The captain puts Jason in a boat that is unconscious, his head is bloody and she can not see his face, and the captain slowly climbs onto the boat and raises them up. See Wendy's shocked face when she sees bloody Jason)

(A brief glimpse of the scene where the helicopter arrives and puts Jason on the stretcher and went off)

SCENE 14

(Hospital Wendy sits in the corridor waiting for two sailors sitting with her, she is sad, crumpled and her makeup is completely daub - as in a horror movie, the doctor leaves the surgery-hall)

DOCTOR:

Are you Mrs. Adamsville?

WENDY:

(She stood up from the chair)Yes, I am his wife.

DOCTOR:

(He looks sad( I'm sorry to say this to you this way, but your husband died.

WENDY: (Her face is a little shaky with shock)

Excuse me, but I did not understand what you said now!

DOCTOR:

The fact is, you are a widow in the honeymoon, Mrs. Adamsvill

(We see her sad face)

SCENE 15

(A diary and a television screen are displayed.) The yachts of Jason Adamsville, the hospital, Wendy’s and Jason's wedding in the paintings, as well as the images of his parents,  are shown while the announcer  Dolores Parker speaks)

DOLORES:

This way, we express our sincere condolences to the Adamsville family. Namely giant Jason Gordon Adamsville has lost his life in an accident on a yacht. When he hit his head with the propeller, Jason lost consciousness. Propeller broke his face. Jason died on the way to the hospital. To remind you, Jason and Wendy Adamsville were on the honeymoon, this is a one of marriages who can enter the short marriages that ended with death. However, Adamsville's inheritance will remain in the family of 80%, and the rest - or only 20% of the inheritance - follows his widow Wendy Brown Adamsville. Their wedding was in white

(Wendy and Jason's presentation from the wedding, both in white)

DOLORES: In this case, it is clear that white color is a true display of eternity.

SCENE 16

(In the house on the shore, Wendy sits in the room and watches the diary where Dolores Parker speaks. Wendy takes the remote and turns off the TV. Around her is a pile of various handkerchiefs scattered all over the room. She looks at the lawyer who is in front of her)

A LAWYER:

I understand that you have been sadness Mrs. Adamsville, but now we should still solve some of the things about your husband's death.

WENDY:

Did you hear what she was saying about me? I entered the history of a short marriage that tragically ended

(she starts to cry again)

A LAWYER:

You still need to know some facts.

WENDY:

What facts?

A LAWYER:

Your father-in-law want your husband will be buried in a family tomb. And the rest of the money will be directed to the rest of Jason's brothers.

WENDY:

Do I act like someone who is interested in money?

A LAWYER:

No, but that's your pre-contract.

WENDY:

Can you leave me alone a little. Will I wait for you tomorrow, the afternoon after the funeral in line?

(The lawyer looked at it, picked up a couple of documents and put them in a briefcase, and then he left the room, leaving Wendy sitting on the bed and staring at her and Jason's picture on the table. She began to cry again)

SCENE 16

(Wendy and Casey talk in that room, Wendy still sits in her dress. Wendy cry. Casey sitting on the armchair)

CASEY:

I do not know what I'd say.

WENDY:

I am guilty!

CASEY:

What's wrong with you? He fell down!

WENDY:

I'm guilty because I usually slept while he telling me about his harem, I listened to the story of the cunt, clumsy and harpy, because we were on the ship's deck and ate crabs from France. If we were in bed, I would have fallen asleep, when he was told about clumsy.

CASEY:

My dear does not know what kind of connection is there with the clumsy and cunt with its fall?

WENDY:

There is always some sort of guess for the death of such an extraordinary man. So many men have already died because of cunts, that it is already terrible.

CASEY:

I think this incident has badly affected you. Your mother told me you were so tired that you did