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Summary of Silvia Pettem's Someone's Daughter
Summary of Silvia Pettem's Someone's Daughter
Summary of Silvia Pettem's Someone's Daughter
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Summary of Silvia Pettem's Someone's Daughter

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#1 I had come to present the story of Mary Rippon, the first woman professor at the University of Colorado, and I was dressed for the part, wearing a high-necked, ivory-colored blouse made by a friend. Around my shoulders I had draped a chocolate brown beaver fur wrap.

#2 The cemetery was bustling with activity as volunteers dressed in black played the part of mourners. The land had been occupied by roaming bands of Arapaho Indians in October 1858, when scattered settlements of Arapahos were encamped at the base of the Rocky Mountains.

#3 The cemetery was the setting for a Victorian-era reenactment. I was nervous about portraying the Victorian woman professor, but I knew my character well. I had researched her life for a biography.

#4 I was talking about Mary Rippon, who had chosen her career over motherhood, when I noticed a woman’s small gray stone next to Jane Doe’s grave. It was engraved with some stylized leaves and a flower with five distinct petals, a cinquefoil.

LanguageEnglish
PublisherIRB Media
Release dateAug 6, 2022
ISBN9798822582132
Summary of Silvia Pettem's Someone's Daughter
Author

IRB Media

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    Summary of Silvia Pettem's Someone's Daughter - IRB Media

    Insights on Silvia Pettem's Someones Daughter

    Contents

    Insights from Chapter 1

    Insights from Chapter 2

    Insights from Chapter 3

    Insights from Chapter 4

    Insights from Chapter 5

    Insights from Chapter 6

    Insights from Chapter 7

    Insights from Chapter 8

    Insights from Chapter 9

    Insights from Chapter 10

    Insights from Chapter 11

    Insights from Chapter 12

    Insights from Chapter 13

    Insights from Chapter 14

    Insights from Chapter 15

    Insights from Chapter 16

    Insights from Chapter 17

    Insights from Chapter 18

    Insights from Chapter 19

    Insights from Chapter 1

    #1

    I had come to present the story of Mary Rippon, the first woman professor at the University of Colorado, and I was dressed for the part, wearing a high-necked, ivory-colored blouse made by a friend. Around my shoulders I had draped a chocolate brown beaver fur wrap.

    #2

    The cemetery was bustling with activity as volunteers dressed in black played the part of mourners. The land had been occupied by roaming bands of Arapaho Indians in October 1858, when scattered settlements of Arapahos were encamped at the base of the Rocky Mountains.

    #3

    The cemetery was the setting for a Victorian-era reenactment. I was nervous about portraying the Victorian woman professor, but I knew my character well. I had researched her life for a biography.

    #4

    I was talking about Mary Rippon, who had chosen her career over motherhood, when I noticed a woman’s small gray stone next to Jane Doe’s grave. It was engraved with some stylized leaves and a flower with five distinct petals, a cinquefoil.

    #5

    I visited Jane Doe’s grave many times, and I found myself thinking about her more and more. I decided to research her life and find out what had happened to her.

    Insights from Chapter 2

    #1

    I had written a column for the Boulder Daily Camera in 1998, and I was researching the city’s past. I was able to find a manila folder with clippings about the murder of an unidentified girl, which led me to believe that her attacker had struck her on the head with a blunt, broad weapon.

    #2

    The murder of Jane Doe took place in the narrow mountain canyon west of Boulder, which was later accessed by a paved road. The attacker either drove up the canyon from Boulder or down the canyon from

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