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Summary of Jason Felch & Ralph Frammolino's Chasing Aphrodite
Summary of Jason Felch & Ralph Frammolino's Chasing Aphrodite
Summary of Jason Felch & Ralph Frammolino's Chasing Aphrodite
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Summary of Jason Felch & Ralph Frammolino's Chasing Aphrodite

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#1 In 1964, the fishing trawler Ferrucio Ferri was trawling the waters off Italy's east coast when it caught a patch of gold-colored metal. The crew decided to sell it and split the profits.

#2 The crew brought the statue ashore on a handcart and took it to the house of Pirani's cousin, who owned the boat. The statue began to smell of rotting fish, and the cousin moved it to a covered garden patio. Several local antique dealers came to look at it, but they wanted more money.

#3 In 1966, the statue was found in a church in Gubbio and hidden by Father Giovanni Nagni. It was seized by the Carabinieri in 1968, but the conviction was overturned in 1968. In 1966, it was sold to a Luxembourg-based art consortium called Artemis.

#4 When the bronze athlete came his way, Getty was a shrunken, decrepit man. He hardly filled out the suit and tie he had worn since his teens. His heavily lidded eyes, framed by jowly cheeks, gave him a perpetual scowl. He kept his thoughts hidden behind a stony exterior.

LanguageEnglish
PublisherIRB Media
Release dateMay 12, 2022
ISBN9798822513976
Summary of Jason Felch & Ralph Frammolino's Chasing Aphrodite
Author

IRB Media

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    Summary of Jason Felch & Ralph Frammolino's Chasing Aphrodite - IRB Media

    Insights on Jason Felch & Ralph Frammolino's Chasing Aphrodite

    Contents

    Insights from Chapter 1

    Insights from Chapter 2

    Insights from Chapter 3

    Insights from Chapter 4

    Insights from Chapter 5

    Insights from Chapter 6

    Insights from Chapter 7

    Insights from Chapter 8

    Insights from Chapter 9

    Insights from Chapter 10

    Insights from Chapter 11

    Insights from Chapter 12

    Insights from Chapter 13

    Insights from Chapter 14

    Insights from Chapter 15

    Insights from Chapter 16

    Insights from Chapter 17

    Insights from Chapter 18

    Insights from Chapter 19

    Insights from Chapter 20

    Insights from Chapter 21

    Insights from Chapter 22

    Insights from Chapter 1

    #1

    In 1964, the fishing trawler Ferrucio Ferri was trawling the waters off Italy's east coast when it caught a patch of gold-colored metal. The crew decided to sell it and split the profits.

    #2

    The crew brought the statue ashore on a handcart and took it to the house of Pirani's cousin, who owned the boat. The statue began to smell of rotting fish, and the cousin moved it to a covered garden patio. Several local antique dealers came to look at it, but they wanted more money.

    #3

    In 1966, the statue was found in a church in Gubbio and hidden by Father Giovanni Nagni. It was seized by the Carabinieri in 1968, but the conviction was overturned in 1968. In 1966, it was sold to a Luxembourg-based art consortium called Artemis.

    #4

    When the bronze athlete came his way, Getty was a shrunken, decrepit man. He hardly filled out the suit and tie he had worn since his teens. His heavily lidded eyes, framed by jowly cheeks, gave him a perpetual scowl. He kept his thoughts hidden behind a stony exterior.

    #5

    Getty was a bargain hunter, more interested in discovering undervalued or overlooked pieces than paying full price for established masterpieces. He had begun collecting art in the wake of the Great Depression, when many of the world's finest collections had been lost or weakened.

    #6

    Getty was a huge fan of ancient Greek and Roman art, and he often visited archaeological sites on his travels. He was also a student of ancient history and conversant in Greek and Latin. He quietly believed himself to be the reincarnation of the second-century A. D. Roman emperor Hadrian.

    #7

    The Metropolitan Museum of Art in New York heard about the statue and wanted it. They sent Dietrich von Bothmer, their antiquities curator, to see it. He was convinced it was a great Greek work of art.

    #8

    In 1951,

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