A Woman Under the Surface: Poems and Prose Poems
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From A Woman Under the Surface:
MOON AND EARTH
Alicia Ostriker
Of one substance, of one
Matter, they have cruelly
Broken apart. They never will touch
Each other again. The shining
Lovelier and younger
Turns away, a pitiful girl.
She is completely naked
And it hurts. The larger
Motherly one, breathlessly luminous
Emerald, and blue, and white
Traveling mists, suffers
Birth and death, birth
and death, and the shock
Of internal heat killed by external cold.
They are dancing through that blackness.
They press as if
To come closer.
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A Woman Under the Surface - Alicia Ostriker
I
The Waiting Room
We ladies in the Waiting Room of the Atchley Pavilion
Of the Columbia Presbyterian Medical Center
Range in age from the early thirties to the sixties.
We are wearing our tweeds, our rings. The carpet is beige.
Beige walls, beige soundproofed ceilings, beige sofas surround us.
Geometric design of a room divider, wrought iron, to separate
The reception area from the waiting area,
To suggest, gently, that sterility means peace.
Outside, the day is brilliant, windy, and bittercold.
We have come through this weather, but now it does not exist.
We think of our breasts and cervixes.
We glance, shading our eyelids, at each other.
I am wondering what would be a fully human
Way to express our fears, these fears of the betrayal
Of our bodies. How we rely on this machine of flesh:
Dearer than friends, than lovers, than our own thoughts
Can be, it is loyal to us. That without notice it may
Grow subversive seems intolerable, an uprising of house-slaves
Who have always belonged to the family and accomplished
Their tasks discreetly, ever since we were born.
Perhaps we should dress less expensively
And not so well disguise the skeleton. Perhaps
We should sit more closely, ladies, to each other,
On couches arranged to form a circle, upholstered
Some vivid color. Perhaps we should sit on the floor.
They might have music for us. A woman dancer
Might perform, in the center of the circle. What would she do?
Would she pretend to rip the breasts from her body?
From behind a wall, we hear a woman’s voice
Screaming. It simply screams. One person
In the waiting room has turned around. Her false
Sooty eyelashes have opened wide.
A few minutes later the screaming has stopped
And the woman in false eyelashes (I see she is very
Pretty, with black long hair, white blouse with bright
Tropical design on sleeves) has lit a cigarette.
After the Shipwreck
Lost, drifting, on the current, as the sun pours down
Like syrup, drifting into afternoon,
The raft endlessly rocks, tips, and we say to each other:
Here is where we will store the rope, the dried meat, the knife,
The medical kit, the biscuits, and the cup.
We will divide the water fairly and honestly.
Black flecks in the air produce dizziness.
Somebody raises a voice and says: Listen, we know there is land
Somewhere, in some direction. We must know it.
And there is the landfall, cerulean mountain-range
On the horizon: there in our minds. Then nothing
But the beauty of ocean,
Numberless waves like living, hysterical heads,
The sun increasingly magnificent,
A sunset wind hitting us. As the spray begins
To coat us with salt, we stop talking. We try to remember.
The Crazy Lady Speaking
I was the one in the IRT tunnel
Rummaging in my patent-leather pocketbook
While deep blue lights flew by the subway window.
You hated my stockings, rolled to the knee.
I was the one in the cafeteria at 2 a.m.
My eyes were flat pennies and stared at your plate.
To you it was worse than India.
You were afraid I might urinate on the floor.
I was the one in the faded sweater
Missing three buttons, my hair dyed pumpkin,
At the baseball game in August,
Yelling behind you, getting spit in your