Radioactive Starlings: Poems
By Myronn Hardy
()
About this ebook
From an award-winning poet, a collection that explores the complexities of transformation, cultures, and politics
In Radioactive Starlings, award-winning poet Myronn Hardy explores the divergences between the natural world and technology, asking what progress means when it destroys the places that sustain us. Primarily set in North Africa and the Middle East, but making frequent reference to the poet’s native United States, these poems reflect on loss, beauty, and dissent, as well as memory and the contemporary world’s relationship to the collective past.
Hardy imagines the Portuguese writer Fernando Pessoa as various starlings dwelling in New York City, Lisbon, Tunis, and Johannesburg, flying above these cities, resting in ficus and sycamores and on church steeples and minarets. Inhabiting the invented voices of Gwendolyn Brooks, Bob Kaufman, and Henry Ossawa Tanner, the poems make references to Miles Davis, Mahmoud Darwish, Tamir Rice, Ahmed Mohamed, and Albert Camus, and use forms such as ghazal, villanelle, pantoum, and sonnet, in addition to free lyricism. Through all these voices and forms, the questing starlings persist, moving and observing—and being observed by we who are planted on a crumbling ground.
A meditation on the complexities of transformation, cultures, and politics, Radioactive Starlings is an important collection from a highly accomplished young poet.
Read more from Myronn Hardy
Princeton Series of Contemporary Poets
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Book preview
Radioactive Starlings - Myronn Hardy
PESSOA AS STARLING: NEW YORK CITY
Everything up climbing up granite steel.
A poet cries chrysanthemums. A vase
breaks in Harlem on Lenox before meals
are served to nuns opal beads quick as lace
through conical fingers. A black feather falls
in black hair. His father has black hair sunned
brown in groves where I flew. Poems in groves walled
in loose stones but the poet needed the gun.
The father to send his sighing son to
the city’s sighing streets where black women
saunter sing carry vases of water
sometimes salty sometimes fresh. This given
to the poet unconsciously conscious
of riots the street the body conscious.
FAILURE
Leaves burn above our heads
yet our hair remains unsinged black
as jackdaw.
This crispness this air more
like quince. I have failed miserably.
I have failed you in this
season of colorful death.
How it falls in streets
pounded smooth.
In piles where I played as a boy.
Auburn joy now like
the burning of skin.
Who could have known me this way?
This failed man wandering after
the act after the explosion.
The parachute wide as wilderness dragging.
This wilderness where
I reach for you.
REFUGEES
Read of refugees wound in acrylic blankets.
Wandering on a hill without walls walls
to claim the blast of walls regulatory
in that place those places returning to loose
mineral crimson oyster clouds.
Train stations cloistered but they aren’t there.
No acrylic blankets in circles tubes stuffed
with the fat of echoes undissolvable despite
the vastness of cerulean.
The graves they have will
exchange for others.
They are not here. You are told they are not here
but you read this several times saw the photographs.
Not here.
Not here now.
Wandering always wandering.
In Amman a train to Damascus you almost take
but are asked Why? Asked of family.
It is gone the man who might be
something else says. Something
of pearl something of dust returned.
Turn from this train.
No dust yet.
Not now.
Sandstone where rivers rubbed red smooth red.
See this wanderer.
See this.
ORPHEUS ESCAPES WITH TURTLE
Turtle is the audience.
Chords reverberate in the dome a pattern
of hexagons. How the luthier
stopped breathing after laying
strings the Alhambra behind him.
But Orpheus doesn’t know this
in that shambolic room neither
the girls who left lace on the floor.
But turtle knows.
Had been there cold on symmetric tiles.
Felt the thump. Knew the cooling would be quick.