This Is How We Got Here
By Keith Barker
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About this ebook
Simultaneously heartbreaking and heartwarming, This is How We Got Here follows a close-knit family as they deal with an unexpected loss. A mother, father, aunt, and uncle must learn how to move forward after the trauma and re-learn how to interact with one another with forgiveness, humour, and love.
It’s been a year since Paul and Lucille’s son Craig died by suicide, and their once-solid family bonds are starting to break down. While the now-separated couple tries to honour their son, Lucille’s sister Liset and her husband Jim refuse to discuss their nephew. The ties that keep the four together as sisters, best friends, and spouses are strained by grief and guilt… until a visit from a fox changes everything.
Keith Barker
Keith Barker is a member of the Métis Nation of Ontario. He is a playwright, actor, and director from Northwestern Ontario, and the current artistic director at Native Earth Performing Arts in Toronto. Winner of the Dora Mavor Moore Award and the Playwrights Guild of Canada's Carol Bolt Award for best new play, Keith was a finalist for the Governor General’s Literary Award for English Drama in 2018 for his play This Is How We Got Here. He received a Saskatchewan and Area Theatre Award for Excellence in Playwriting for his play The Hours That Remain as well as a Yukon Arts Award for Best Art for Social Change. His audio play, Every Minute of Every Day,will premiere as part of Factory Theatre’s You Can’t Get There From Here podcast play series in March 2021.
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This Is How We Got Here - Keith Barker
This Is How We Got Here
Scene 1 — One-Year Anniversary
Jim walks in dressed up for the cold. He carries a flashlight. He stops and looks around. Paul enters dressed much the same.
Jim: So? Where should we start?
Paul: Depends. Which way did she go?
Jim: That way or was it? No. No, she went that way.
Jim starts to walk in the direction he indicated.
Paul: Where you going?
Jim: She went that way.
Paul: Yeah, but the creek runs that way. Which means she probably followed it down past George’s and over —
Jim: — to Harland’s. Good thinking.
Jim starts to walk towards Harland’s.
Paul: Now where you going?
Jim: You just said Harland’s.
Paul: Yeah, but there’s nothing past Harland’s except the lake. Which means she probably headed north along the hydro lines to Carol’s Creek.
Jim: You really think she’d go that far?
Paul: Only one way to find out.
Both men exit in opposite directions.
This way.
Jim immediately adjusts his mistake and follows Paul.
Jim: Right, this way.
Scene 2 — Fox Story Part 1
Paul: Once there was a fox who lived in the forest and he had a magical gift for storytelling. Animals would come from all around and from far away just to hear his stories. And the fox would spend all of his days making up story after story and telling them to anyone who would listen. But one day, as sometimes happens, things changed, and the fox — when asked by the badger to tell his own story — could not remember it. In fact, he could not remember any of his own stories. It seems he had told so many stories to so many people that he had, in fact, lost his own. This worried the fox. He had never lost his own story before. It had always been there to tell him which way to go and what to do next. But now it was gone and he felt very alone. Luckily he still had the story of today, and today, like all the days before it, had been good. But today was quickly coming to an end. And if today ended before he could find his story again, what would that mean for tomorrow? With no story there would be no tomorrow. What was he going to do?
Scene 3 — One-Year Anniversary
Liset and Jim’s house. Paul is waiting at the door. He knocks and waits the appropriate amount of time one does when waiting for someone to answer. Then he starts to leave. Liset opens the door.
Liset: Paul? Is that you?
Paul: Oh hey, Liz, how’s it going?
Liset: Good, and you?
Paul: Oh you know, it goes.
Liset: Yeah.
Beat.
I’m sorry but we have to make this quick — I’m in the middle of making dinner.
Paul: I don’t mean to interrupt —
Liset: You didn’t. What’s up?
Beat.
Paul: Liz, I know things haven’t been good between us lately.
Liset: Uh huh.
Paul: But I was just wondering if maybe we could put our differences aside for one night so I could see Lucille.
Liset: Seriously, that’s what you’re here for?
Paul: Listen —
Liset: No, you listen to me. She made it very clear she doesn’t want to see you.
Paul: A couple of minutes is all I’m asking for.
Liset: I’m sorry.
Paul: If she says no I’ll go away, I promise.
Liset: She doesn’t want to see you.
Paul: Just go in there and ask her, would ya?
Liset: I’m not doing that!
Paul: why not? Am I that terrible of a person that you won’t even let me see my wife on the anniversary?
She holds her ground.
You are unbelievable; you really are.
Paul walks away.
Liset: wait . . . She’s been . . . struggling. With you two and the divorce it’s only made things worse. She spends most of her days outside in the backyard. She doesn’t talk; she doesn’t want to talk; she barely eats; and I know she’s not sleeping. Mostly she wants to