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How Tony Award-Winning Broadway Producer Ken Davenport Writes

How Tony Award-Winning Broadway Producer Ken Davenport Writes

FromThe Writer Files: Writing, Productivity, Creativity, and Neuroscience


How Tony Award-Winning Broadway Producer Ken Davenport Writes

FromThe Writer Files: Writing, Productivity, Creativity, and Neuroscience

ratings:
Length:
39 minutes
Released:
Dec 18, 2019
Format:
Podcast episode

Description

Tony Award-winning Broadway producer, writer, and artrepreneur, Ken Davenport, stopped by this week to talk with me about what it takes to consistently create hit musical theatre, his passion for storytelling, and lessons on today's business of Broadway. “I'm on a mission to help 5000 shows get produced by 2025.” – Ken Davenport Over his storied career Mr. Davenport has had multiple Tony Award wins and nominations for his productions including 2018's Best Revival of a Musical for Once on This Island. His lengthy list of credits also includes The Play That Goes Wrong, Groundhog Day (Tony nomination), Awakening (Tony nomination), Macbeth starring Alan Cumming, Godspell, Kinky Boots (Broadway – Tony Award, National Tour, Toronto and West End), The Visit (Tony nomination), Mothers and Sons (Tony nomination), The Bridges of Madison County, Chinglish, Oleanna starring Bill Pullman and Julia Stiles, and Will Ferrell’s You’re Welcome America, to name only a few. Ken is a co-founder of TEDxBroadway whose productions have been produced internationally in over 25 countries and his one-of-a-kind production and marketing savvy have been featured in the New York Times, MSNBC, Fox News, BBC and even Jay Leno's "Tonight Show" monologue. His blog and podcast about the business of Broadway – TheProducersPerspective.com – have also been featured in Vanity Fair, New York Magazine, and The Gothamist and he's written several books including How to Succeed in the Arts . . . or in Anything, and How to Write a Script in 30 Days. NOTE: This episode is marked explicit because we say a word that means "poop" a few times, as my daughter pointed out. Please help us learn more about you by completing this short 7-question survey This episode of The Writer Files is brought to you by the team at Author Accelerator. Author Accelerator book coaches give writers feedback, accountability, and support while you write, so you can get that your idea out of your head and onto the page. If you’re a fan of The Writer Files, please click subscribe to automatically see new interviews. In this file Ken Davenport and I discussed: Why theatre is the original storytelling medium Secrets behind the intensely collaborative, NASCAR-like process to making a hit How creating a musical is like getting 17 people to recreate the Mona Lisa The power of deadlines and the greatest challenge of capturing an audience's attention Why ideas are worth nothing without a sh*tty first draft And advice and free resources for writers who want to break into Broadway Show Notes: Author Accelerator TheProducersPerspective.com 30 Day Script Challenge Davenport Theatrical Ken Davenport on Instagram Ken Davenport on Facebook Ken Davenport on Twitter Kelton Reid on Twitter
Released:
Dec 18, 2019
Format:
Podcast episode

Titles in the series (100)

Kelton Reid studies the habits, habitats, and brains of a wide spectrum of renowned writers to learn their secrets of productivity and creativity. Tune in each week to learn how great writers keep the ink flowing, the cursor moving, and avoid block. Explore our archives at writerfiles.fm to find interviews with notable guests that include bestselling authors John Scalzi (Old Mans War), Greg Iles (Natchez Burning), Jay McInerney (Bright Lights, Big City), Kevin Kelly (founder of WIRED magazine), Emma Donoghue (Oscar Nominee for Room), Maria Konnikova (The Confidence Game), Andy Weir (The Martian), Dan Buettner (The Blue Zones), Austin Kleon (Steal Like an Artist), Daniel Pink (When), and serial guest hosts: neuroscientist Michael Grybko, journalist Adam Skolnick, and short story writer Robert Bruce.