Pop -- Poetries on Purpose
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POP [A] POP
‘Apo’kstrophes’- POET
Michael D. O'Kelly
MICHAEL D. O’KELLY’S degreed pursuits of theater, Unitarian Universalist ministry( Emeritus ) and psychology are all still “bit-parts” de?ning his “retirement.” The pursuit of writing does the directing now. “Poet” persists as the de?ning title. His 2010 publication – Glistenings: Till Death Do Us Part – is a poetry/song memorial to Marilyn, his wife of forty-nine years: a true love story past the ends of death and dying. Glistenings became a “prelude” to ALTARPIECES. Planned for the coming year are the follow-up book(s) to ALTARPIECES and a children’s story. He has three children, three grandchildren, and lives on a hill in West Virginia.
Read more from Michael D. O'kelly
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Pop -- Poetries on Purpose - Michael D. O'Kelly
POP
—
POETRIES ON PURPOSE
Michael D. O’Kelly
Copyright © 2020 by Michael D. O’Kelly.
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.
Any people depicted in stock imagery provided by Getty Images are models, and such images are being used for illustrative purposes only.
Certain stock imagery © Getty Images.
Rev. date: 08/29/2020
Xlibris
844-714-8691
www.Xlibris.com
814991
CONTENTS
POEMS
Breaking into the Clearing
Breakaway
Some Break
Jawbreakers
Waking The Unicorn
Breaking Away
Break Ground
Epiphany
Workhorses
A Horsefly
Paradiso
Our Wakefast
I’ll Find You Again
The Shadow One
Sleuther
Hymnsongsung
This Just In
Vestigia
Who Goes There?
Some Tales Along the Trail
Timing
Ginger
Questern’s Miracle
Of Tweetie – A Parakeet
Of Wandlessness
Philosophy 101
O Little Flower
The Penguin Passes By
The Fisherman
They Still A-Talkin’ ‘Bout Jenny
Last Entry, Two Years Ago, In Tyke Floyd’S Journal
My Last Magic Hat
Clamor
Selections From Backyard Haiku In Sympathies
The Way Home
Fledgling
Aliens
Somewhere In Indiana
Time’s Trialectical Players
Sometimes to Rhyme
Guest With Me
A Craft To Haunt
Patient’s Glory
I Read Poets Adrift In Poetries
In Times To Come
Poet’s Lament
My Veryfine Storyline
We Must Free Beauty – Now!
Our Justice Lives Alive!
Someday Our Truth Will Come!
Come, My Child
Without Is So Within
Daily Grammar
Simply Me, Today
At The Little Brook’s Waterfall
Stopping Neath Snowy Sky On A Starry Night
Sometimes To Rhyme
Catch And Release
Passages on Purpose
The Consumistion
The Next Level
That Glory As Yet Unsung
The Octogenarian Blues
Communion Service
Agonistes
Daughter Talk
To Tell A Truth
Query
Survivor
Seven Pillar Villanelles From The Temple Of Life
Prescience of Presence
Where You Are Not I Have Not Been
I Wake To Miracles
The Longer One Lives The More One Returns…
O Come Annunciatory Angel —
It’s Not Easy
Dads Are Not Perfect, But
POSTLUDE
A Poet Perhaps
[Coda]
You Can Hear It
YOU
DEDICATION
‘Apo’kstrophes’ – MOM-ZIE-KAI
This collection, in duet with MOM, is dedicated to that special perceiver
– with a Prescience of Passage/Presence – who structures the sounding voice revelations
of experience into forms we call poetry.
Such structures/sounds
our experience. I’ve detailed this in "Altarpieces," and website, and briefly in the MOM. The three apostrophes,
are reflections of time-place-action– subject-object-verb-past-present-future,
– plus many other triunities
in the make-up of our existence. The Prologue poem reveals the ever-present trinity of MOM – ZIE – KAI, which any-and-all-poems-by-anybody-anywhere-anytime,
must possess if they be poetry. So say I. There’s a theory of poetry/creativity in my writings. A touch of the metaphysical/metahuman/metaphrastic, too, so say I. Existence may have its own Eternal Epistemics, but we’ve our own Exegesis of Earthrian Epiphanies to express. Another mmmeeeeeee-try is here.
Both MOM[A]MOM & POP[A]POP are filled with structures of MOM-ZIE-KAI. The form of the Prologue poem on the next page is an Ode/Apostrophe, as some linguistic-whim
– functioning it’s-perhaps.
– In any case, an all at once becoming of a unique epexegesis structure
formed on location by AN
[A] ‘Apo’kstrophes’. This Prologue Perhaps…,
to the Postlude of A Poet Perhaps
(the concluding poem of this collection) – are, as most poems of these two collections, are from being embedded in essays, philosophical and otherwise, in my iUniverse Trilogy and website. THE TRIPLE/TRILECTICS, before Sometimes to Rhyme,
gives a deeper look here at ‘Apo’kstrophes’. (The shamrock/butterflies symbols are my creation.)
And, so it is, this collection is also dedicated to our composed
passages of purpose and guidance in a time of passage out of a normal life to some
new composure
of normal.
[Perhaps not my – or your – first time in such a conundrum. Yet! – there has never been such an internet-global humanism-eco-Eartharian-health-time as this.] Here are poetries with a feel for daily storylines and stories that hark the dawn of tomorrow. I’ve arranged then in categories, while it seems each could go into every category. Many precede this era. I conceive this MOM&POP/2020 duet, held firm in hand and mind, to be as steady stones on the passageway within/across the floodings of this time. – Indeed, a time of Matters of Meaning: Climate Change–COVID-19–Black Lives—Globalization–Economics—Justice–Scientific Truth. OUR SHARED EXISTENCE MATTERS! Onward! – O! ‘Apo’kstrophes’ – everywhere!!! – Do Poetry On Purpose! Express that prescience of what’s going on and longs to belong! Our plate is so very full. Alas, the point of all the points pointing the way can – perhaps
– be sound/summed as MOMZIEKAI. To comprehend this, I offer its
poem, from AUGURIES, to boost-jump-start the matters of this collection – this MOM[A]MOM//POP[A]POP duet – at such a difficult and definitive time in history. (SOS[A]SOS – coming later will make it a Trio.) This era’s grasp of poetry’s mandate in MOM-ZIE-KAI will have a life beyond prologues-postludes
– to manifest revelations of meaning-stones of passage through the flow
: passages marking our passage in the clearing.
Michael D. O’Kelly, POET – Passage Owl of Epiphanic Tang – As An ‘Apo’kstrophes’
[All images from my photos/creation/life: except from Sympathies Caribou Antlers by Heacox and Three Dancers by Morgan/Graham. Daughter, Kirsten, once again, assisted in book’s construction. Back cover symbols from my card: AFIRADAPO & SYNTANGTION.– Welcome to my world.]
PROLOGUE
PERHAPS IT’S JUST A WHIM POEM
Perhaps it’s just a whim poem
At this point in time –
Le moment as the French say,
(with a touch of omen).
Zietgeist say the Deutsche
(grabbed by Spirit’s clime) –