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Pop -- Poetries on Purpose
Pop -- Poetries on Purpose
Pop -- Poetries on Purpose
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Pop -- Poetries on Purpose

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POETRIES ON PURPOSE – PRESCIENCE OF PASSAGE
POP [A] POP
‘Apo’kstrophes’- POET
LanguageEnglish
PublisherXlibris US
Release dateAug 4, 2020
ISBN9781984588920
Pop -- Poetries on Purpose
Author

Michael D. O'Kelly

MICHAEL D. O’KELLY’S degreed pursuits of theater, Unitarian Universalist ministry( Emeritus ) and psychology are all still “bit-parts” de?ning his “retirement.” The pursuit of writing does the directing now. “Poet” persists as the de?ning title. His 2010 publication – Glistenings: Till Death Do Us Part – is a poetry/song memorial to Marilyn, his wife of forty-nine years: a true love story past the ends of death and dying. Glistenings became a “prelude” to ALTARPIECES. Planned for the coming year are the follow-up book(s) to ALTARPIECES and a children’s story. He has three children, three grandchildren, and lives on a hill in West Virginia.

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    Pop -- Poetries on Purpose - Michael D. O'Kelly

    POP

    POETRIES ON PURPOSE

    Michael D. O’Kelly

    Copyright © 2020 by Michael D. O’Kelly.

    All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.

    Any people depicted in stock imagery provided by Getty Images are models, and such images are being used for illustrative purposes only.

    Certain stock imagery © Getty Images.

    Rev. date: 08/29/2020

    Xlibris

    844-714-8691

    www.Xlibris.com

    814991

    CONTENTS

    POEMS

    Breaking into the Clearing

    Breakaway

    Some Break

    Jawbreakers

    Waking The Unicorn

    Breaking Away

    Break Ground

    Epiphany

    Workhorses

    A Horsefly

    Paradiso

    Our Wakefast

    I’ll Find You Again

    The Shadow One

    Sleuther

    Hymnsongsung

    This Just In

    Vestigia

    Who Goes There?

    Some Tales Along the Trail

    Timing

    Ginger

    Questern’s Miracle

    Of Tweetie – A Parakeet

    Of Wandlessness

    Philosophy 101

    O Little Flower

    The Penguin Passes By

    The Fisherman

    They Still A-Talkin’ ‘Bout Jenny

    Last Entry, Two Years Ago, In Tyke Floyd’S Journal

    My Last Magic Hat

    Clamor

    Selections From Backyard Haiku In Sympathies

    The Way Home

    Fledgling

    Aliens

    Somewhere In Indiana

    Time’s Trialectical Players

    Sometimes to Rhyme

    Guest With Me

    A Craft To Haunt

    Patient’s Glory

    I Read Poets Adrift In Poetries

    In Times To Come

    Poet’s Lament

    My Veryfine Storyline

    We Must Free Beauty – Now!

    Our Justice Lives Alive!

    Someday Our Truth Will Come!

    Come, My Child

    Without Is So Within

    Daily Grammar

    Simply Me, Today

    At The Little Brook’s Waterfall

    Stopping Neath Snowy Sky On A Starry Night

    Sometimes To Rhyme

    Catch And Release

    Passages on Purpose

    The Consumistion

    The Next Level

    That Glory As Yet Unsung

    The Octogenarian Blues

    Communion Service

    Agonistes

    Daughter Talk

    To Tell A Truth

    Query

    Survivor

    Seven Pillar Villanelles From The Temple Of Life

    Prescience of Presence

    Where You Are Not I Have Not Been

    I Wake To Miracles

    The Longer One Lives The More One Returns…

    O Come Annunciatory Angel —

    It’s Not Easy

    Dads Are Not Perfect, But

    POSTLUDE

    A Poet Perhaps

    [Coda]

    You Can Hear It

    YOU

    DEDICATION

    ‘Apo’kstrophes’ – MOM-ZIE-KAI

    This collection, in duet with MOM, is dedicated to that special perceiver – with a Prescience of Passage/Presence – who structures the sounding voice revelations of experience into forms we call poetry. Such structures/sounds our experience. I’ve detailed this in "Altarpieces," and website, and briefly in the MOM. The three apostrophes, are reflections of time-place-action– subject-object-verb-past-present-future, – plus many other triunities in the make-up of our existence. The Prologue poem reveals the ever-present trinity of MOM – ZIE – KAI, which any-and-all-poems-by-anybody-anywhere-anytime, must possess if they be poetry. So say I. There’s a theory of poetry/creativity in my writings. A touch of the metaphysical/metahuman/metaphrastic, too, so say I. Existence may have its own Eternal Epistemics, but we’ve our own Exegesis of Earthrian Epiphanies to express. Another mmmeeeeeee-try is here.

    Both MOM[A]MOM & POP[A]POP are filled with structures of MOM-ZIE-KAI. The form of the Prologue poem on the next page is an Ode/Apostrophe, as some linguistic-whimfunctioning it’s-perhaps. – In any case, an all at once becoming of a unique epexegesis structure formed on location by AN [A] ‘Apo’kstrophes’. This Prologue Perhaps…, to the Postlude of A Poet Perhaps (the concluding poem of this collection) – are, as most poems of these two collections, are from being embedded in essays, philosophical and otherwise, in my iUniverse Trilogy and website. THE TRIPLE/TRILECTICS, before Sometimes to Rhyme, gives a deeper look here at ‘Apo’kstrophes’. (The shamrock/butterflies symbols are my creation.)

    And, so it is, this collection is also dedicated to our composed passages of purpose and guidance in a time of passage out of a normal life to some new composure of normal. [Perhaps not my – or your – first time in such a conundrum. Yet! – there has never been such an internet-global humanism-eco-Eartharian-health-time as this.] Here are poetries with a feel for daily storylines and stories that hark the dawn of tomorrow. I’ve arranged then in categories, while it seems each could go into every category. Many precede this era. I conceive this MOM&POP/2020 duet, held firm in hand and mind, to be as steady stones on the passageway within/across the floodings of this time. – Indeed, a time of Matters of Meaning: Climate Change–COVID-19–Black Lives—Globalization–Economics—Justice–Scientific Truth. OUR SHARED EXISTENCE MATTERS! Onward! – O! ‘Apo’kstrophes’ – everywhere!!! – Do Poetry On Purpose! Express that prescience of what’s going on and longs to belong! Our plate is so very full. Alas, the point of all the points pointing the way can – perhaps – be sound/summed as MOMZIEKAI. To comprehend this, I offer its poem, from AUGURIES, to boost-jump-start the matters of this collection – this MOM[A]MOM//POP[A]POP duet – at such a difficult and definitive time in history. (SOS[A]SOS – coming later will make it a Trio.) This era’s grasp of poetry’s mandate in MOM-ZIE-KAI will have a life beyond prologues-postludes – to manifest revelations of meaning-stones of passage through the flow: passages marking our passage in the clearing.

    Michael D. O’Kelly, POET – Passage Owl of Epiphanic Tang – As An ‘Apo’kstrophes’

    [All images from my photos/creation/life: except from Sympathies Caribou Antlers by Heacox and Three Dancers by Morgan/Graham. Daughter, Kirsten, once again, assisted in book’s construction. Back cover symbols from my card: AFIRADAPO & SYNTANGTION.– Welcome to my world.]

    PROLOGUE

    PERHAPS IT’S JUST A WHIM POEM

    Perhaps it’s just a whim poem

    At this point in time –

    Le moment as the French say,

    (with a touch of omen).

    Zietgeist say the Deutsche

    (grabbed by Spirit’s clime) –

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