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Absence of Mermaids
Absence of Mermaids
Absence of Mermaids
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Absence of Mermaids

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Absence of Mermaids is centered around putting down words hopefully in the right order that tells and shares valuable human moments of truth.
The poems are mainly narrative in form, and as such, depict human beings caught in the act of living. There should be recognizable moments where reader and writer can reflect on shared insights as well as lack of insight.
LanguageEnglish
PublisherXlibris US
Release dateMay 30, 2014
ISBN9781499016116
Absence of Mermaids
Author

Steve De France

Steve De France is a widely published poet, playwright and essayist both in America and in Great Britain. His work has appeared in literary publications in America, England, Canada, France, Ireland, Wales, Scotland, India, Australia, and New Zealand. He has been nominated for a Pushcart Prize in Poetry in 2002, 2003 & 2006. Recently, his work has appeared in The Wallace Stevens Journal, The Mid-American Poetry Review, Ambit, Atlantic, Clean Sheets, Poetry Bay, The Yellow Medicine Review and The Sun. In England he won a Reader's Award in Orbis Magazine for his poem "Hawks". In the United States he won the Josh Samuels' Annual Poetry Competition (2003) for his poem "The Man Who Loved Mermaids". His play THE KILLER had its world premier at the GARAGE THEATER in Long Beach, California (Sept-October 2006). He has received the Distinguished Alumnus Award from Chapman University for his writing. Most recently his poem "Gregor's Wings" has been nominated for The Best of The Net by Poetic Diversity.

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    Book preview

    Absence of Mermaids - Steve De France

    Copyright © 2014 by Steve De France.

    Library of Congress Control Number:   2014908688

    ISBN:      Hardcover      978-1-4990-1616-1

                     Softcover       978-1-4990-1617-8

                     eBook             978-1-4990-1611-6

    All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.

    This is a work of fiction. Names, characters, places and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to any actual persons, living or dead, events, or locales is entirely coincidental.

    Any people depicted in stock imagery provided by Thinkstock are models, and such images are being used for illustrative purposes only.

    Certain stock imagery © Thinkstock.

    Rev. date: 05/27/2014

    To order additional copies of this book, contact:

    Xlibris LLC

    1-888-795-4274

    www.Xlibris.com

    Orders@Xlibris.com

    626215

    TABLE OF CONTENTS

    WHAT EVERY MAN WANTS

    12 STEP PLAN

    THE JOURNALS

    CHRIST AT K-MART 2003

    HEY DUDE

    POST TRAUMATIC DISORDER

    A FAN

    PETA & PROFESSORS & PUSSYCATS

    JIPS FRIED CRAWDADS ON A STICK GAS STATION & BAIT SHOP

    DESTINY STUMBLES

    BREAKING BONDS WITH BUDDHA

    DANCING ON THE HEAD OF A PIN

    THE WINTER OF OUR DISCONTENT

    PAYBACK

    THE NEIGHBOR

    THE NEWS 2016

    ABSENCE OF MERMAIDS

    CATHEDRAL MALL

    2016 A SPACE ODYSSEY

    MILLION DOLLAR SMILE

    PERSONALS

    GETTING THROUGH THE NIGHT

    RETROSPECTIVE: BRAIN ENTERS BACKWARDS

    BRAVE NEW WORLD

    DUNG BEETLE FOR BUKOWSKI

    TIME OUT OF JOINT

    A CIRCLE OF FRIENDS

    LONELY IN THE FLORIDA BACKWOODS

    MORNING PRAYER

    JUST THE PERFECT LIGHT

    BLOWING WIND

    COMING HOME

    SLEEPLESS, SWEATING AND DREAMING

    MR. POETRY MAKES THE SHORT LIST

    A LITTLE BACKGROUND MUSIC

    NIGHT THOUGHTS

    VOO DOO CHICKEN

    DREAM OF A RIDICULOUS MAN

    A COMPUTER NAMED XANADU

    ANGELS ARE DYING IN LOS ANGELES

    SPANDEX QUEEN

    ROMANCE

    POUNDING ON THE FRONT DOOR

    FIDDLING AS CALIFORNIA BURNS

    DEATH ENTERS MY BEDROOM WEARING ONLY A TIE PIN

    ERSATZ HUMANITY

    TOMORROW

    ***THE KILLER***

    A C T II

    ACT III

    LIST OF PREVIOUS PUBLICATIONS

    WHAT EVERY MAN WANTS

    I want a woman who injects

    Botox & wears riding breaches

    & loves to mount horses bareback.

    I need a woman with a butt tuck,

    a chin stretch, and a tit lift.

    I need a woman who hangs out

    in spas & draws flowers on her toenails.

    I need a woman who changes white leather pants

    3 times a day & sprays herself with vaginal refresher.

    I need a woman who loves fine dining.

    One who dances the night away,

    One who invests in world cruises…

    One who has been married not more than 8 times.

    One who is fiercely independent.

    One who puts her make up on with a putty knife.

    I need a woman who has memorized

    reservation numbers for every chic restaurant

    in Paris, Rome, Cairo, Berlin & London

    I want a woman always in a frenzy

    with going Green & saving the tit mouse.

    Yes I want a woman who keeps her bags packed

    ready to fly off at the first sign of boredom.

    In Africa & she has pictures of pygmy’s gathered round

    as she demonstrates cell-phone texting.

    My woman needs a man always strong & very

    tolerant & wonderfully patient, one who is empathetic,

    not afraid to cry, in touch with his softer side, one who

    honors his mother and one who is a really really good listener.

    My woman wants a man who loves opera,

    Long turgid symphonies, and adores the ballet.

    My woman will mount me once a month,

    for the obligatory cleaning out of my tubes.

    My woman needs a man to cook & wash laundry & floors.

    She needs a man who believes in total CHICKIFICATION.

    As I fondle her plastic breasts, she grumbles & reminds me,

    of how truly lucky… I really am.

    12 STEP PLAN

    Thin men in designer jeans,

    fresh out of mental clinics,

    rehab, or 12 step programs,

    sit cross legged on the floor

    talking about Alanon, Alcoholics Anonymous,

    Hard Love, or about hardly any love at all.

    She & her group are in & out

    of therapy, a lot. Artistic types.

    Each one intense, about everything.

    The women refuse to shave anything.

    They believe in pyramid power:

    eat Sea Grass, Ginseng, Bee Pollen & wild Sea Kelp.

    They sit together talking & talking

    about Georgia O’ Keefe & Frieda Kahlo.

    As I sit

    thinking of the energy

    it takes to go in and out

    of clinics, workshops, support groups,

    a woman of the ARTS

    walks over & says:

    I sing opera out my asshole.

    What’s your repetoire? I inquire.

    "Mostly Wagner, but I do some Bizet.

    Would you like my ass to perform?"

    Her buttocks would send Rubens for oils.

    David for marble & Persian poets could

    achieve religious rhapsody.

    If ancient Helen’s face launched a thousand sails,

    this ass could force the evacuation

    of the fishing fleet from San Pedro Harbor.

    "Would you like to hear

    The Ride of the Valkyries?"

    I would.

    Her face tightens to a fist,

    something burbles and rumbles.

    Suddenly, she farts:

    spraying the thin young men

    with a dewy-brown-patina

    There’s scattered applause.

    Ever seen talent like mine? she asks.

    I smile.

    Walk over to her purse, open it,

    pull out my pecker & start peeing.

    It makes a noise like water

    falling

    into a hollow bucket.

    I fill it up.

    The applause was thunderous.

    We never discussed ART again.

    THE JOURNALS

    Reading another poetry journal poem

    is a like being told you have colon cancer.

    Nothing could be less engaging.

    Even mold and scum on sullied water

    serves the purpose of purifying the whole.

    But a poem smashed lifeless on a naked page

    like a jay-walking paraplegic squished

    by a cement truck on a mean L. A. street

    is more than I can read.

    Indeed,

    the thought of being cast-away

    on some Pacific Island with nothing

    to read but some lame-shit-workshop-poetry,

    is enough to make you willing

    to fuck a hairless monkey

    in hopes of getting

    the Ebola virus or worse.

    As I was mulling over this and

    other oddities of the known world,

    a drunken numbers teacher

    from the college where I sometimes teach

    knocked and pounded for admittance,

    slouched into a chair, and announced

    he had come to read his latest poem.

    He said it was a little something for the Paris Review.

    He began. Pop art Boomerang freak-out Crash!

    Unless you could imagined how these words

    would sound moving sideways in an elliptical

    bowl of sky they made no sense at all.

    I figured his chances for publication were good.

    I stared out the window at my Japanese Garden.

    It was the best and the worst of all possible times.

    I believe I nodded off near the 30-minute mark.

    It was somewhere near a cacophonous sea

    that I tilted into a purple sleep.

    In my dream

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