The Third Fall of Race Brook: A Poetic Novel & Poems for J.
By Quillan
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Days pared of light while sight fared less by nights
Slumber unsettled, cognizance muddled as she cuddled
Pillow then quilt, like rocks in silt the memories felt
At pain's altar (Beth) knelt and groped in sorrow's beyond
Thus ponds endlessly rippled by a single death-stone
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The Third Fall of Race Brook - Quillan
Copyright © 2015 Quillan.
All rights reserved. No part of this book may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage retrieval system without the written permission of the publisher except in the case of brief quotations embodied in critical articles and reviews.
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Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.
Any people depicted in stock imagery provided by Thinkstock are models, and such images are being used for illustrative purposes only.
Certain stock imagery © Thinkstock.
ISBN: 978-1-4917-6535-7 (sc)
ISBN: 978-1-4917-6537-1 (hc)
ISBN: 978-1-4917-6536-4 (e)
Library of Congress Control Number: 2015905740
iUniverse rev. date: 05/04/2015
You know who you are… My sincere gratitude to Fanny, for being J.T.’s messenger posthumously, for it had a profound effect thus this poetic novel. Special thanks to Alyssa, Megan and Susan, for the quality photos (back cover collage) taken over the years for various book projects, as well to Calvin, for his wonderful artwork and design on front/back covers. Finally, to my family; Roxanne, Jessie, Aly, Mike, Kyle, Wade, Eli, Parker, Jude, Payton, Keller and those yet to come, I love you all very much, always.
And many apologies to readers for my poor, perhaps improper, use of Spanish, for truly it is a beautiful language.
IMAGE1copy.jpgwww.Quillan.net -or- www.DCQuillanStone.com
Poetry is passion… Poetry is power!
~ Other Books by Quillan ~
Epistola
December 2001
Epistola II - Forever Dance Naked
October 2003
Epistola III - Soul Wanderings
September 2005
Commentaries by an American Poet
December 2006
Passionate Lucidity
March 2009
Midland
November 2011
[-brief-]
April 2015
My Allegiance - A Poetic Manifesto
Vespers by Arabesques - Poetic Mysteries
Both In Progress - See Website
The Third Fall of Race Brook
~ A Poetic Novel ~
Note to Reader:
Each canto consists of two or more verses (or stanzas). The odd verses are the poetic narration (storyline) told in past tense. The even verses are the poet’s reflections expressed in present tense, or characters’ contemplations as per preceding narrative odd verse. Alternatively, one could read solely the odd verses of each canto for a contiguous storyline, to return later to the even verses with a bottle of wine or bourbon.
Canto I Fears, Faiths and Raw Kinesthesia ~
Canto II Denuding Scenes Immaculate ~
Canto III Anamneses ~
Canto IV A Hullabaloo of Crowded Magnitude ~
Canto V Forever There and Fair ~
Canto VI Dos Campos Lejanos ~
Canto VII Saturn’s Rings and Jupiter Street ~
Canto VIII The Troubadour’s Praxis ~
Canto IX Sinfoniettas and Panaceas ~
Canto X A Strange Sanity ~
Canto XI Iconoclastic, Idyllic, or Illusory ~
Canto XII A Cup of Bodhi, Hold the Coffee ~
Canto XIII Le Soupçon ~
Canto XIV Los Cuatro Sueños Aleatorios ~
Canto XV Evanescent Athanasia ~
Canto XVI Prodigious Parenthesis in Passage ~
Canto XVII Under Silence’s Veil ~
Canto XVIII Flummoxing Rambles ~
Canto XIX A Soul Fixed To Stone ~
Canto XX By Scintilla By Mantilla ~
Canto XXI Poetry’s Plague and Poet’s Dread ~
Canto XXII Volutes, Voices, and Vases ~
Canto XXIII Dreams Bedeviling Dreams ~
Canto XXIV The Forlorn Sojourn ~
Canto XXV Cacophonies and Symphonies ~
Canto XXVI Opus of Day, Onus of Night ~
Canto XXVII Mise En Scène ~
Canto XXVIII Upon Deathbeds Without Gowns ~
Canto XXIX Love’s Stain on Heart ~
Canto XXX Ten Thousand Delicate Inventions ~
Canto XXXI Prístina y Delicada ~
Canto XXXII Akin Penumbra’s Pendulum ~
Canto XXXIII Quandary ~
Canto XXXIV Dandelions’ Tresses ~
Canto XXXV A Kiss Amidst the Laden Swoons ~
Canto XXXVI Tongues Afire ~
Canto XXXVII The Thorny Wreath That Hung ~
Canto XXXVIII Crystal Mourns By Cisterns ~
Canto XXXIX The Wish ~
Canto XL Dos Campos Lejanos - Reprise ~
Canto XLI Graced by Thirty Winters ~
Canto XLII Passion’s Chalice ~
Canto XLIII Her Love In Perpetuum ~
Canto XLIV Las Epístolas Finales ~
Canto XLV El Fin Del Mundo ~
Canto XLVI Black Luck and White Photography ~
Canto XLVII Ashes and Canons in Stone ~
Canto XLVIII Gifts Sublime ~
Canto XLIX Fear Is A Thing Queer ~
Canto L Reckoning in Echoes Amaranthine ~
The Third Fall of Race Brook
~ Poems for J. ~
Note to Reader:
The first anthology consists of poems mostly written upon her passing. Fair Lady and Pelicans were written prior; the former composed and sent to her, while she never received the latter. The subsequent anthologies were written while working on the poetic novel as well the poetry for previous books Passionate Lucidity and Midland.
Anthology I Inflamed by Words ~
Fair Lady
Pelicans
In Tall Grass I Lay
Silent Horses
Two Realities
Zephyr
Zephyr Dunes
Confusing As Painted Abstractions
Yellow Rose
A Lovely Brainwork
Mortal Fences
Withered Passions
A Lone Saline Smear
Redemption
Maudlin Gaze
Her Last Question
Anthology II Halcyon by Tender Acumen ~
Six Verses on Mortals
Twenty-Five Verses on Silence
Anthology III Our Passionate Maze ~
Tu Voz
Mind of Soul
A Deathless Rose
Te Amo
Eventide
Her Heart’s Ambrosial Abyss
Las Calles del Crepúsculo
Chain and Crucifix
A Diary Cached
Four Definitions of Eternity
Prolix Trips
Turquoise
Storm of Dreams
Mortals’ Gift
La Mariposa de Matilde
Vexations
Philosophers and Poets
One Hundred Years
Passion’s Chalice
If I Could Possess Thee
Gothic Moths
O Eternal Night
The Third Fall of Race Brook
~ A Poetic Novel ~
And in Life’s noisiest hour,
There whispers still the ceaseless Love of Thee,
The heart’s Self-solace and soliloquy.
Samuel Taylor Coleridge
1774 – 1834
In Memory
of
J.T. Fair Lady
(1976-2007)
IMAGE2copy.jpgCanto I
Fears, Faiths and Raw Kinesthesia ~
- 1 / narration -
The Boston sun swooned then loomed by late afternoon
Perforating the overhung gloom as well the ashen cast
Topped fast the cathedral steps by jovial guests, hip to hip
As minutes slipped to commencement’s fits and dithers
Jitters and twitters in depths and odd chimes in minds
Till liturgical rhymes called the silence, ushered the hush
Hence the push and the rush, urging each by a touch
Due to conductor’s queues thus betwixt congested pews
Paraded and sashayed the maidens, clutching garlands
And gripping sprays, as staid the ushers in formal view
Hence turned per passing hand, resolved mid the stands
Within the sconces of tender petals and rendered flames
Gamed then chased by lads and lasses in suits and laces
Bearers of joyous rings endowed by rapturous things
Prompting the elder king, accordingly, leaned he to kiss
Soon to be missed keenly, his young fair daughter
- 2 / reflection -
Anticipative eternities arousing
Eventides swelling mid surreal gasping
Twilights fluxing and flexing
Tantamount to gatherings
Arousing the midnight druidic sighing
Ella esparce las pasiones y él desviste las razones
Huele los muslos y las manos
Acaricia las uvas y los surcos húmedos
Aspira el perfume brumoso del enredo intenso
Overwrought amassing of prolix veil
Fustian trail and eternal appliqué
Then white cloisters of virginal premonitions
As bridal falls espy to stones low and cold
Mooting the vagabonding
Along tiles, traces, and cathedral mazes
While candlelight chases
Shadowy marionettes and hand-puppets
Across the lit portiere
As Terpsichore casts ballerinas
Upon the dream-curtains
Sundering conscious and subconscious
The velvety preoccupations
Inside hot young minds feverish
More supernal than lecherous
Effervescent spontaneity moreover
(Gems that curses rush o’er)
¡Oh! Los calidoscopios sexuales de las paradojas
Todos los inhalan, tragan y comparten
Como vides sedientas salvajes
Entrelazan los brazos las piernas y los dedos
Intercourse coveting lustfully
In midst of sensuality and amity
Double to carnality and spirituality
Withal propriety and frivolity
Determinately spun, deliberately wound
And impetuously sprung
Ah the intensity and the lucidity
Oh god, the thrusting unison
Collaborative trust and co-active musk
Hence all melding fears and faiths
The fusions by emotive combustion
About the volatility and certainty
Thus heaving breasts on swelling chest
Ancillaries to affiances
Liturgically shrouded exhilaration
Expeditiously denuding
In a twinkling of a troubadour’s eye
Her conjugal gown’s undoing
The actualities as prerequisite piers
And girders to the formalities
Shallow rituals for clay vessels who mutter
Vows in rote and meter
Paralleling prose duping poems
Aside snickers of lads then fidgets of lasses
And the beclouding of stained glasses
Lorgnettes and tall stints
Of gents, madams, and the damned
- 3 / narration -
Pined and marked emotively by Beth’s summarization
An epoch de novo and timely commemoration
Toward life’s columns and rows then pillars and stows
Hence the requisite cruxes and roads’ exigent crosses
Nostalgically, upon her father’s arm she seized
Subsequently, the congregated pews they cleaved
In the midst of soft storms oddly of ritual forms godly
The white train unstained as appointed melodies sustained
While patience of the twain waned on harmonic chord
In accord to the nonsensical wait and clerical state
- 4 / reflection -
O the lovely sedition
Due to goddamn traditions
Adroitness of complexities
Gawking as Cain at Abel’s crimson
Coveting like Esau the right
Like commodious praxes
And mendacious practices
So be it, so it fuckin’ seems
Thus the divine heraldry
Benevolently bestowing
Upon mankind (the cursing)
Beast afoul and fowl afield
In fatted lands and thinner air
The wretched hating
The despising then endearing
And enchanting lust as well
Though often it softly turns
As bodies churn, stir, and writhe
Ah, Love indigenous
Canto II
Denuding Scenes Immaculate ~
- 1 / narration -
So went the theme, ergo, spent the processional stream
Calls by prayers appended, vows by blessings suspended
Seemingly then forwarded freely via the liturgical hurdles
Turned befittingly supple for the ardent couple
As time doubled incessant for the pubescent and impatient
Due each tick, click, and clack on wrists and wall in back
Echoing amaranthine between the settees and the kin
Hence Joel to her affixed, Beth by him transfixed
As per affirmations, excitations, and consummations
First by soul surreal, anon body to feel, near mind in reel
Again and equally again, then her and him and every chin
(To the chagrin of coquetted valentines), thus all in kind
Struck when tucked by song, dance, trance, and fancy
By minstrels bolstered along delegation roistered
Cloistered in festal chamber low chandeliers’ vestal luster
- 2 / reflection -
By recitations, hymns, sacraments
Homilies and vestments in part
The sweet arrestment compassing
Via institutes by bents and myths
Deficient of significance
When caracoling, lacking the passions
Funereal annotations short
Of concupiscent hermetic connotations
Hence memorializing vacuous endless means
O denuding scenes immaculate
Refuting fiends clangorous
¡Ay! Qué es esta humanidad disparatada
Sin embargo
Estas son las desamparadas soledades
Que todos añoran
Las lágrimas del sol penetrante
Y el perfume dulce del dolor
Mortals, hence tactile forces
Head-collisions and heart-concussions
Acquiescent messy films
Stretching o’er realms apathetic and sterile
Where down her tender orbs and slender neck
Mascara smears as eyes tear
(As lots are tossing, robes renting, flesh tearing
While shorn the sacred locks upon carnal thighs)
Her bosom cleaves, his honor heaves
Thence skin rips, fitly blood emits
Intermingling with