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Leopoldstadt
Leopoldstadt
Leopoldstadt
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Leopoldstadt

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**Winner of the Tony Award for Best Play**

Finally making its Broadway debut in a limited engagement run, Tom Stoppard’s humane and heartbreaking Olivier Award-winning play of love, family, and endurance

At the beginning of the twentieth century, Leopoldstadt was the old, crowded Jewish quarter of Vienna, a city humming with artistic and intellectual excitement. Stoppard’s epic yet intimate drama centers on Hermann Merz, a manufacturer and baptized Jew married to Catholic Gretl, whose extended family convene at their fashionable apartment on Christmas Day in 1899. Yet by the time the play closes, Austria has passed through the convulsions of war, revolution, impoverishment, annexation by Nazi Germany, and the Holocaust, which stole the lives of 65,000 Austrian Jews alone. From one of today’s most acclaimed playwrights, Leopoldstadt is a human and heartbreaking drama of literary brilliance, historical verisimilitude, and powerful emotion.

LanguageEnglish
PublisherGrove Press
Release dateAug 25, 2020
ISBN9780802157720
Leopoldstadt

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    Leopoldstadt - Tom Stoppard

    Praise for Leopoldstadt

    [Stoppard’s] most personal work ever, one which uses a slow excavation of his own Jewish history to create an epic family saga, examining—among many other themes—what it means to be Jewish . . . A summation of sorts.

    Vogue

    Quietly devastating . . . Full of wistful, low-sun melancholy, black humor, and rage.

    Hollywood Reporter

    An intimate epic . . . The emotional authenticity shines through.

    Variety

    Part epic and part essay, follows the trajectory of a couple of prosperous intermarried Viennese Jewish families from 1899 to 1955, but underneath the eventfulness of its surface is another equally poignant struggle—the spectacle of an 82-year-old playwright inhabiting a mishpachah of his own making, trying to reclaim by the power of imagination his disremembered history and his heart.

    Air Mail

    "History will record Leopoldstadt as Tom Stoppard’s Schindler’s List . . . Brilliant."

    Spectator

    A late masterwork . . . Teeming with humanity and history . . . An early contender for play of the year.

    Evening Standard

    Heartfelt . . . A benign, enriching gift.

    Daily Mail

    Deft and lucid . . . Breathtaking, the work of a master . . . A powerful and sincere tribute to a vanished people.

    Time Out London

    Also by Tom Stoppard

    PLAYS

    The Hard Problem

    Five European Plays: Nestroy, Schnitzler, Molnár, Havel

    The Real Inspector Hound

    After Magritte

    Jumpers

    Travesties

    Dirty Linen and New-Found-Land

    Every Good Boy Deserves Favour

    Dogg’s Hamlet and Cahoot’s Macbeth

    Arcadia

    The Real Thing

    Hapgood

    Indian Ink

    Rosencrantz & Guildenstern Are Dead

    The Invention of Love

    Voyage: The Coast of Utopia Part I

    Shipwreck: The Coast of Utopia Part II

    Salvage: The Coast of Utopia Part III

    Rock ’n’ Roll

    The Coast of Utopia: A Trilogy

    TELEVISION SCRIPTS

    A Separate Peace

    Teeth

    Another Moon Called Earth

    Neutral Ground

    Professional Foul

    Squaring the Circle

    Parade’s End

    FICTION

    Lord Malquist & Mr. Moon

    Copyright

    Copyright © 2015

    Copyright © 2020 by Tom Stoppard

    Cover design by Bob King Creative Ltd

    Cover photograph © Seamus Ryan

    All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Scan-ning, uploading, and electronic distribution of this book or the facilitation of such without the permission of the publisher is prohibited. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. Any member of educational institutions wishing to photocopy part or all of the work for classroom use, or anthology, should send inquiries to Grove Atlantic, 154 West 14th Street, New York, NY 10011 or permissions@groveatlantic.com.

    CAUTION: Professionals and amateurs are hereby warned that Leopoldstadt is subject to a royalty. It is fully protected under the copyright laws of the United States, Canada, United Kingdom, and all British Commonwealth countries, and all countries covered by the International Copyright Union, the Pan-American Copyright Convention, and the Universal Copyright Convention. All rights, including professional, amateur, motion picture, recitation, public reading, radio broadcast-ing, television, video or sound taping, all other forms of mechanical or electronic reproduction, such as information storage and retrieval systems and photocopying, and rights of translation into foreign languages, are strictly reserved.

    First-class professional, stock, and amateur applications for permission to perform it, and those other rights stated above, must be made in advance to United Agents LLP, 12-26 Lexington Street, London, W1F 0LE and by paying the requisite fee, whether the play is presented for charity or gain and whether or not admission is charged.

    First published in 2020 in Great Britain by Faber and Faber Limited, London.

    eISBN 978-0-8021-5772-0

    Grove Press

    an imprint of Grove Atlantic

    154 West 14th Street

    New York, NY 10011

    Distributed by Publishers Group West

    groveatlantic.com

    Dedication

    For Sabrina

    Contents

    Cover

    Praise for Leopoldstadt

    Also by Tom Stoppard

    Title Page

    Copyright

    Dedication

    Author’s Note

    Production Credits

    Characters

    Scene One

    Scene Two

    Scene Three

    Scene Four

    Scene Five

    Scene Six

    Scene Seven

    Scene Eight

    Scene Nine

    Author’s Note

    Patrick Marber was my first reader at every stage.

    His notes had a beneficial effect on Leopoldstadt from first to last.

    The staff at the London Library were helpful as ever. Among the books I profited from are Emancipation by Michael Goldfarb, The Hare with Amber Eyes by Edmund de Waal, The House of Wittgenstein by Alexander Waugh, Last Waltz in Vienna by George Clare, and Jews, Anti-Semitism and Culture in Vienna, an indispensable collection of essays by various hands (ed. Ivar Oxaal et al.). Steven Beller’s A Concise History of Austria was my backcloth.

    Alistair Summers helped me with the Seder and the bris milah, and Daniel Kehlmann patiently answered many questions about matters Austrian and Viennese.

    My thanks go to all of the above, and to Sonia Friedman, begetter and producer, whose commitment has been unconditional.

    Simon Trussler (1942–2019) was my copyeditor for my most recent plays. We spent many gentle ruminative hours on the phone preparing texts for the printer. We never met. Simon died after completing the first proof copy of Leopoldstadt.

    PRODUCTION CREDITS

    Leopoldstadt was produced by Sonia Friedman Productions and was first performed at Wyndham’s Theatre, London, on 25 January 2020.

    The cast was as follows:

    CHARACTERS

    Grandma Emilia

    Hermann, her son

    Eva, her daughter

    Gretl, married to Hermann

    Ludwig, married to Eva

    Wilma, sister of Ludwig

    Ernst, married to Wilma

    Hanna, sister of Ludwig and Wilma

    Jacob, son of Hermann and Gretl

    Pauli, son of Ludwig and Eva

    Nellie, daughter of Ludwig and Eva

    Sally, daughter of Ernst and Wilma

    Rosa, Sally’s twin

    Poldi, cook/housekeeper

    Hilde, parlour maid

    Jana, nursemaid

    Fritz, a young officer

    Hermine, daughter of Hanna and Kurt

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