Wool Appliqué the Piece O' Cake Way: Mix Wool with Cotton & Linen
By Becky Goldsmith and Linda Jenkins
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About this ebook
Get luscious colors and textures in your quilts with 12 all-new projects from Piece O’ Cake Designs. Bestselling authors Becky Goldsmith and Linda Jenkins add felted wool appliqué to crisp cottons and linens for added dimension on quilts and home decor. Easy to stitch and easier to love, wool appliqué has no edges to turn under, making it ideal for beginners and experienced quilters! From picking the best supplies to hand stitching methods and quilt finishing tips, you’ll learn it all. Projects include quilts, pillows, table runners, a zipper pouch, and more!
“Use wool in exciting new ways! Becky and Linda have compiled 12 colorful home decor projects that combine wool with cotton and linen.” —Quiltmaker’s 100 Blocks
Read more from Becky Goldsmith
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Book preview
Wool Appliqué the Piece O' Cake Way - Becky Goldsmith
Introduction
Linda started appliquéing with felted wool a few years ago, and this book was her idea. It makes perfect sense that she should be the one to introduce you to what you’ll find as you turn the pages. …
I began to purchase small pieces of felted wool some time ago. At the time I wasn’t sure how I was going to use it, but the texture and colors in the cloth drew me in.
Not having any idea what I would do with my wool was actually a good thing. It allowed me to think about how to use wool in a new way. I began to explore combining felted wool with other fabrics. The results were amazing.
My first project was a quilt made from our Simply Delicious ePattern. I sewed felted wool appliqué to batik backgrounds. Wow. I loved it.
As I stitched, I realized that appliquéing felted wool is different from appliquéing cotton, and that is why I wanted to write this book. In it, you will find tips and techniques that make appliquéing felted wool a breeze.
I hope you have as much fun as I do as you stitch with felted wool.
Happy stitching,
Linda
Linda’s batik and felted wool Simply Delicious quilt
Basic Supplies
A. Cotton and linen fabric: Look for 100% cotton, 100% linen, and cotton/linen blend fabrics. Always prewash cottons and linens.
B. Felted wool fabric: The wool fabrics used in these quilts are 100% felted wool (not wool felt). Refer to Felted Wool or Wool Felt?.
Design wall: This is a must-have tool. We each have a design wall made from 1˝ thick insulation foam, available in 4´ × 8´ sheets from a home improvement store. Use as many sheets as necessary to cover your wall space. The foam is easy to cut. It can be attached to the wall with sheetrock screws and then covered with white flannel or batting. You can use a portable design wall if that suits your needs better.
Piecing thread: We used Superior MasterPiece 50-weight 3-ply cotton (on the spool) or Aurifil 2-ply 50-weight cotton.
Appliqué thread:
C. Aurifil’s wool thread works well when hand appliquéing felted wool. It is a slightly fuzzy, 50% acrylic / 50% wool blend thread that is not showy when used with felted wool fabric. You will see the word lana on the Aurifil spool. Lana means wool
in Italian.
D. Use Presencia’s perle cotton in either a 12 or 16 weight for appliqué stitches with attitude. This thread can also be used to appliqué felted wool when you want a thread that is more visible with a bit of a sheen on top of the felted wool. It is a good choice for big-stitch hand quilting.
E. We recommend Superior MasterPiece 50-weight 2-ply cotton (available only on bobbins), Aurifil 50-weight cotton, and DMC 50-weight machine embroidery thread for traditional invisible appliqué stitches on cotton and linen fabrics.
Machine quilting thread: Superior’s King Tut 40-weight cotton is very nice with felted wool appliqué.
Hand quilting thread: We like Gütterman’s cotton hand quilting thread. Perle cotton size 12 or 16 is nice when you want bigger, more visible stitches.
F. Pins: Use ⅝˝ appliqué pins to pin appliqué pieces in place—we like the Essential Appliqué Pins from Piece O’ Cake Designs. Use fine, long pins for piecing.
G. Needles: For hand appliqué with thicker threads, use a bigger needle. A Richard Hemming & Son 7 or 9 sharp works well, as does Bohin’s 9 crewel needle.
When sewing a traditional appliqué invisible stitch with finer thread, use a smaller needle. Clover’s 12 Black Gold sharp is nice. If you like a longer needle, try a size 11 Hemming & Son milliners (or straw) needle.
In both cases, there are many good needles; find the one that fits your hand.
H. Needle threader: The Quilter’s Threaders are hand-held threaders that are helpful with thicker threads and larger needles.
I. Scissors: Good scissors are a joy to use. Use a scissor with smooth blades on felted wool. A scissor with a serrated blade works well with cotton and linen. Small to medium-size, sharp scissors are better for precise cutting.
Rotary cutter, mat, and acrylic ruler: When trimming blocks to size and cutting borders, rotary cutting tools will give you the best results.
J. Pencils: To draw around templates onto cotton or linen fabric, use a General’s Charcoal white pencil, or a mechanical chalk pencil that holds a 9 mm refill. We use either white or gray chalk depending on the color and value of the fabric.
K. Permanent markers: To make the positioning overlay for appliqué, a black Sharpie Ultra Fine Point permanent marker works well on vinyl.
Clear or frosted vinyl: Use a clear or frosted flexible, medium-weight vinyl to make the positioning overlay. If the vinyl you buy comes with tissue paper, keep the tissue paper for storage. If your quilt shop does not have vinyl, look for it in online or in stores that carry upholstery fabric.
You will also need clear vinyl if you make the Strawberry Zip Bag.
L. Clear, single-sided, heavyweight self-laminating sheets: Use them to make templates. We recommend the Piece O’ Cake Essential Self-Adhesive Laminating Sheets (see Resources). You can find self-laminating sheets at pieceocake.com, at most office supply stores, at some warehouse markets, or online. Buy the single-sided sheets, not the pouches. If you can’t find laminating sheets, you can use clear contact paper.
M. Sandpaper board: When tracing around templates onto fabric, place the fabric on the sandpaper side of the board. Then place the template on the fabric. You’ll love the way the sandpaper holds the fabric in place when you trace. We recommend the Piece O’ Cake Essential Sandboard.
Wooden toothpick: Use a round, wooden toothpick when hand appliquéing cotton and linen fabrics to help turn under the turn-under allowance at points and curves. Wood has a texture that grabs and holds the fabric.
N. Fusible web: We use SoftFuse to hold felted wool appliqué shapes to the block for stitching. It is available in 8˝ × 9˝ sheets and on an 18˝-wide roll. Follow the manufacturer’s instructions for this or any fusible that you use.
If you choose to fuse the cotton and linen appliqué pieces, use the product that works best for you. Always follow the manufacturer’s instructions. It’s a good idea to test the fusible web on the fabric you will be using.
Spray starch: Use spray starch to add body to lighter background fabrics such as vintage cotton and some linen.
Nonstick appliqué pressing sheet: Always press felted wool with a pressing sheet because ironing directly onto felted wool can leave scorch marks. A nonstick pressing sheet will protect the iron and ironing board when you are using fusible web. Additionally,