The Missing Angle
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About this ebook
THIS COLLECTION explores the theme of longing in today’s fast-moving global world where sentiments are relegated as vintage. Words that took years, months, weeks, and days to get from one partner to the other now fly through in seconds with technology. How does that alter and morph our perspective on love, our perception of the world aroun
Karine Leno Ancellin
Karine Leno Ancellin was born and grew up in New York City. She earned an MA, with Honours, in Literature at the Charles V Institute of Paris VII; and worked on ‘Hybrid identities’ for her PhD at the Vrije Universiteit of Brussels. She worked as a journalist covering the Sahara region from Mauritania, in the early 90s, and was based as a ‘development’ correspondent from Brussels in 2000. She has been living in Athens for the past 6 years. She is a professor of literature, editor, writer and translator and has recently authored a poetry collection, The Missing Angle, published by Riza Press in December 2019. She is founder and director of A Poets’ Agora. Angela Lyras was born in New York to a Greek seafaring family from the islands of Chios. She attended Sarah Lawrence College and the New School for Social Research, and then lived and worked in London for several years before returning to New York to work as Executive Assistant, in the early 90s, at The Institute of Contemporary Art/ PS1 Museum (now Moma/PS1). In 1991, she co-directed with artist Nicola Tyson, a Manhattan Soho-based contemporary arts project space for women, Trial Balloon, until 1994. Since then she shares her time between New York and Athens. She is co-founder and co-director of A Poets’ Agora, her Greek home also being the site where a Poets’ Agora Residency and events are held.
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The Missing Angle - Karine Leno Ancellin
The Missing Angle by Karine Leno Ancellin
Riza%20Press%20Logo.jpgThe Missing Angle
Copyright © 2019 by Karine Leno Ancellin
All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.
First Printing, 2019
Printing information available on the last page.
ISBN (sc)
ISBN (e)
Editor: Beth Huston
Photography: Angela Lyras & Myrsini Gana
Riza Publishing Press
Ottawa, ON, Canada
www.rizapress.com
Riza%20Press%20Logo.jpgbuy%20ebay2.jpginterior photography
by Myrsini Gana
cover photography
by Angela Lyras
Riza%20Press%20Logo.jpgTable of Contents
Foreword by Orfeas Apergis..................................................... 7
Preface by John Murray............................................................ 9
PART I: ETCHINGS
Interview with the Moon......................................................... 13
Nude with Calla Lily, Diego Rivera........................................ 15
Rattleback Spin........................................................................ 17
Non-Aligned Love.................................................................... 19
Art Tandem............................................................................... 21
Midwifing the Poem................................................................. 23
PART II: VIRTUAL YEARNINGS
Skype Tear................................................................................. 27
iCloud......................................................................................... 29
buy-ebay.................................................................................... 31
Mood Button............................................................................ 35
Gmail Novel.............................................................................. 37
Late in Love............................................................................... 39
Complex Vortex........................................................................ 41
Siphoned.................................................................................. 43
Soft Stone................................................................................. 45
Tangible Melancholy.............................................................. 47
Scopophilia.............................................................................. 49
Insomnia V............................................................................... 51
Sinister Semester.................................................................... 53
From Ares to Eros.................................................................... 55
PART III: ACCENTS OF MYTHS
Odysseas.................................................................................. 61
Free Fall.................................................................................... 65
Exile in Frantic Folly................................................................ 69
Pireas Welcome....................................................................... 71
Racked Refugees..................................................................... 75
Athena’s Blaze......................................................................... 77
On the Wall Stood a Picture................................................... 81
Fluid Dawn............................................................................... 83
In-divi-dual............................................................................... 85
Pathetic Pragmatism.............................................................. 87
PART IV: EPILOGUE
Mooted..................................................................................... 91
A Note on Coffee Grinds........................................................ 95
Afterword by Lee Slonimsky.................................................. 97
Foreword
by Orfeas Apergis
Greece handed me what I didn’t know I was missing, everything I had been entitled to, and bereft of, a mythology to face the travails of the day, a home with a poetic room of my own,
says Karine Ancellin in her Epilogue
to this set of poems, a collection which places her much-divided and multifarious self in the midst of the travails of globalisation. This is the quietly meandering but always agonizing cry of a modern citizen of the world,
at home in New York or Paris, or Athens, or the Greek isles, or Subsaharan Africa and the Tuareg. "I know of