If you can write you can draw
By Dov Fedler
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About this ebook
In this simple guide to the basics of drawing, the legendary South African cartoonist Dov Fedler demystifies the act of putting pen to paper with the statement: 'My method for teaching is founded on one simple principle: if you can write you can draw. Writing is drawing. And fun.'
Using a series of easy-to-follow lessons based
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If you can write you can draw - Dov Fedler
1
THE YELLOW PENCIL
Iremember the first time I saw a pencil. I was seated in a pram and someone was making marks on a page with a yellow pencil. The next thing I knew, the pencil was turned over and the marks were rubbed out. To my three-year-old eyes, this was sheer magic and it sparked my own creative awakening. Some epiphanies are this mundane.
Not long after, I picked up a pencil and began to draw and I’ve never stopped (I’ve been at it for 74 years now). I’ve even had the good fortune of making my livelihood as a cartoonist for the past 50 years.
To this day I don’t know whether the person at the foot of my pram was writing or drawing. At the time I was too small to know the difference. But I’ve since concluded that I cannot distinguish one from the other. To me, they have always been one and the same: marks on a page that make meaning of some kind, be it serious and profound, or fun and frivolous.
But what was unmistakable in that innocent moment of witnessing was my understanding that I could also do that. All I had to do was lift a pencil and put it to paper.
And if I could do it, so can you.
This magical ritual of creation and self-expression is free to anyone who desires it. I wrote this book to show you that drawing is not a secret gift bestowed on the talented few.
It can be yours too, if you want it.
2
WHAT IS DRAWING?
When we say the word ‘drawing’, we mostly think of holding an instrument in our hand and making a mark on a surface – whether it be on paper, a wall, in sand. That is the artistic extension of drawing but drawing itself is innate to our expression as human beings. We all draw constantly, even though we’re unaware of it.
When we gesture ‘I don’t know’, ‘He’s crazy’, ‘Come here’, we move our hands in the air. Think of how you use your hands to describe the size of the fish you caught, how you hold your fingers to show how much wine you’d like the waiter to pour, or how you might demonstrate how big your kid has grown. We raise our eyebrows to indicate surprise; we wink to invoke confidentiality. We crease our faces to describe approval or anger. We all naturally contort our faces to show our emotion: ‘The food was disgusting,’ we say as we scrunch up our face. ‘The play was sublime,’ we sigh as we close our eyes dreamily.
We create pictures of ourselves constantly and unconsciously for others to interpret. Gestures are nothing more than spatial drawings that leave no trace.
Take a look at these pictures – these simple gestures are ‘air drawings’. We use them all the time. They are familiar and easily understandable. These ‘drawings’ are in fact a universal sign language. Deaf people have mastered this art and communicate using an entire language made up of intricate hand movements and facial expressions. When we gesture, we are automatically drawing. From the air to paper is truly a small step.
Before movies included sound, silent film actors turned gesture into an art. Charles Chaplin and Buster Keaton competed to see who could use the fewest subtitles in their films. Audiences read their expressions as if they were written descriptions. Body language is a form of drawing and most of us understand it intuitively. Just think – if we did not have devices or inventions (like cameras and computers), we’d have to communicate using sketches or gestures.
Drawing is as ancient as human existence. How do we know? Our earliest ancestors drew with implements and inks made from plants on cave walls. Their drawings depicted hunters chasing a food source. The paintings were executed in strategic locations to inform future hunters what prey might be hunted there.
Today, using our smartphones and iPhones, we use emoticons and GIFs to express our feelings – and what are these but modern-day drawings?
Drawing is also a problem-solving device, a way of bringing order to our thoughts. A list of things to do in your diary is a drawing of intent.
But perhaps drawing’s most valuable gift is that it leads to analysis and invention, two of our greatest resources as human beings. And isn’t our world in need of greater thinkers and problem-solvers given the mess we’ve made of it? Learning to draw will enhance your thinking.
3
WE ALL START OUT AS ARTISTS
In kindergarten all my classmates drew as feverishly and enthusiastically as I did. That’s because drawing – a primary motor skill – is the first outreach of a child beyond herself and the first tangible evidence of contact with the world outside. When children hold a pencil or crayon, they attempt to record what they see. Grabbing a pen or brush excites thought in the human brain in a way it does not in,