Love Letters to the World
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Desire in its multifariously limpid and obscure manifestations is one of the salient themes that informs many of the poems in this collection, from the way it is experienced in its recognisably subjective forms as longing, love or intention, to the more challenging notion of its expression as artefact – the objective creations of daily use
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Love Letters to the World - George Genovese
Love Letters to the World
George Genovese
Ginninderra PressContents
Love Letters to the World
Love Letters to the World
ISBN 978 1 76041 240 1
Copyright © George Genovese 2016
Cover painting: Horse Woman by Ingrid Andrew
Photograph: Marek Witkowski
All rights reserved. No part of this ebook may be reproduced, distributed or transmitted in any form or by any means without the prior written permission of the copyright holder. Requests for permission should be sent to the publisher at the address below.
First published 2016 by
Ginninderra Press
PO Box 3461 Port Adelaide 5015 Australia
www.ginninderrapress.com.au
To Silke Genovese, Gill Dalton, Charmaine Newbegin, Peggy Kimberley, Alan Pose and Alex Skovron in appreciation of their encouragement and support.
Love Letters to the World
Moonlit Glade
for Alan Loney
If in this glade
there was no mesh
of lunar light
and inky leaves,
no airy way
for crystal rays
and sable deeps
to constellate
an umbral web
of twisted trees,
no chequered play
or yielding of
a clearing made
of fallen text,
then you would not
have journeyed by
this page-white light
and leafy shade,
nor happened on
a moonlit glade…
Such things…
for David Ward-Steinman
Such things I prize though most might not:
the flecks of gold that soothe the gloam
of cool arboreal canopies,
and footfalls on their freckled floors
as my stray thoughts are tinctured green;
the fragrant morning’s dewy grass
profusely strewn with lustrous gems,
an open purse of proffered wealth
unseen or sought by lustful men;
and long autumnal avenues
combusting into burgundy
with saffron tongues of trembling flame
and softly rustled psalmody;
or mottled azure’s purple clouds –
the sunset bleeding from its depths –
and wheeling gulls in rising gyres
aflush with crimson on their breasts;
spun filigrees of wispy mist
on foaming banks of massy moss,
and loamy-scented, mouldy bark,
by lichen-splotched and speckled rocks;
and all such actual, concrete things,
or abstract imprints on their forms,
which yield the means to flesh my dreams
and give my vision range to roam;
yes, hold them all in high esteem,
these worthless things by minted rate,
which being priceless so are free
for lawful soul and thief to take.
Garlic
Is it a kind of knowledge
that garlic cloves
unplanted in a carton
begin to sprout?
Without light, earth or water,
sensing their season?
Have they throughout the aeons
drawn earth and time
into their memories,
that even something
dark and sterile as
a human box
no way obstructs their springing?
So rooted in
their nature, may I, who
am not rooted in
my own, in earth nor in
unnumbered time,
then fairly seek their wisdom
with