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Kinghsi Style Twenty-Three Form of Wudang Kungfu: (金氏)武當太乙五行擒撲二十三式
Kinghsi Style Twenty-Three Form of Wudang Kungfu: (金氏)武當太乙五行擒撲二十三式
Kinghsi Style Twenty-Three Form of Wudang Kungfu: (金氏)武當太乙五行擒撲二十三式
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Kinghsi Style Twenty-Three Form of Wudang Kungfu: (金氏)武當太乙五行擒撲二十三式

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本書為記念愛新覺羅‧溥儇(金子弢)先生逝世卅周年而著。先生於1929年在武當山向龍門派第十六代李合林學得“武當太乙五行擒撲二十三式”這一道家武功,並於75高齡的1981年受武當山轄區的湖北均縣體委之邀,傳教此功的套路。限於多方原因,先生在此功的全面性、系統化、理論性這三方面做得不盡完美。本書將此功的基本功、基本動作、套路動作要領等整理編輯,使之成為既含功法又有功理的指導之作,以彌補先生當年之不足。本書欠缺之處,在於此拳路的招式應用之介紹過於簡單。本書之上篇,展示先生生前親、直傳的“二十三式”之精華內容;下篇的第八章,再現了在平凡人生中富有傳奇色彩的修煉人——金子弢先生真實的一面。

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LanguageEnglish
PublisherEHGBooks
Release dateOct 1, 2015
ISBN9781625031570
Kinghsi Style Twenty-Three Form of Wudang Kungfu: (金氏)武當太乙五行擒撲二十三式

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    Kinghsi Style Twenty-Three Form of Wudang Kungfu - Xiaogang Wu

    資料圖片 History Data

    D:\My Documents\Desktop\武當要圖\修改後\新建文件夹\殿.jpg

    圖(Fig)1

    修繕後的武當山紫霄宮(紫霄殿)。

    The Purple Heaven Temple of Wutang Mountainss.

    圖片下載 (The picture from):http://en.wikipedia.org/wiki/Wudang_Mountains

    D:\My Documents\Desktop\武當要圖\修改後\金陵雙人.jpg

    圖(Fig)2

    此照片為金子弢先生於去世前約二年,在他住處與《武當太乙五行拳》一書一起交給筆者的。照片下的文字中的溥儇,是金先生的正式满族名;溥琦是後來取的名。

    據先生告知,這是用照相技術合成的藝術照片。照片中的二人,就是金先生本人。照片原始尺寸:13cm×10cm。

    According to the Chinese letters under the picture,the photo was made at a photo studio in Nanching (南京)1949 ,Tao Kinghsi (Aisin Gioro•Fuhuan ) was at the age of 43. The two peoples were Mr. Kinghsi his self. I received this photo on 1983. Two years after,Mr. Kinghsi passed away.

    D:\My Documents\Desktop\武當要圖\修改後\修剪後\武當封面、底.jpg

    圖(Fig)3

    湖北人民出版社1982年10月第一版,1983年3月第二次印刷的《武當太乙五行拳》封面和封底。前排穿紅上衣者為金子弢先生。背景是1981年的紫霄殿。

    This is the front and the back covers of the book of Wutang-taiyi Five-element Fist,the first edit by Hubei People’s Press in October 1982. The person with the red T-shirt in the picture of the front cover is Master Kinghsi. The background of the picture is the Purple Heaven Temple of 1981.

    D:\My Documents\Desktop\武當要圖\修改後\修剪後\武當題目頁.jpg

    圖(Fig)4

    圖為書的題目頁。六個紅色藝術章是外省的一位有刻章技術的友人為金先生做的私章。記得先生當時說:這本書上蓋了我的章,就表示這本書是我送給你的

    This is the cover page of the book. This book is a gift Mr. Kinghsi gave me in 1983. For the Chinese,the stamp is akin to signatures in the West. The six red stamps are the personal stamps of Mr. Kinghsi.

    D:\My Documents\Desktop\武當要圖\修改後\修剪後\武原照1.jpg

    圖(Fig)5

    這是《武當太乙五行拳》一書中的部分圖片。

    These are the various pictures in the book of Wutang-taiyi Five-element Fist. In the upper picture of the left page,Mr. Kinghsi was climbing the Purple Heaver Peak (紫霄峰) with some people. The other name is the Sky Pillar Peak [天柱峰])in the Wutang Mountains. It is 1,613 meters (10 miles) above sea level. The lower left one,Master Kinghsi (with the red T-shirt) was demonstrating the forms of Taoist martial arts at the flat ground of the Purple Heaver Peak. In the upper right photo,Mr. Kinghsi was talking with Priest Huang of Taoism at the front of the Purple Heaven Temple. The lower right picture is Mr. Kinghsi displaying the Taoist kungfu he had learnt from a great master at the same place that he had learnt it,which is the front of the Purple Heaven Temple 52 years ago.

    D:\My Documents\Desktop\武當要圖\修改後\修剪後\武當原照2.jpg

    圖(Fig)6

    左頁是《武當太乙五行拳》中的部分圖片;右頁目錄中有此拳路的預備勢到動作第九式的名稱。

    The upper left picture displays Mr. Kinghsi enjoying his talk with somebody at the Purple Heaven Temple. In the lower left picture,Mr. Kinghsi is at the training class held by the Martial arts Association of Wuhan City in 1981. The right paper is the contents.

    D:\My Documents\Pictures\目錄2.jpg

    圖(Fig)7

    左頁上有武當拳套路第十式到收式的名稱。

    D:\My Documents\Desktop\武當要圖\修改後\修剪後\武當編後記.jpg

    圖(Fig)8

    此為《武當太乙五行拳》的編後記

    This is The Afterword of the Book. The first paragraph describes and introduces the Wutang Mountains. The second paragraph is the simple situation of Master Kinghsi. The third paragraph is about the history of his style of martial arts. The fourth paragraph on the second page is the principles pertaining to this kind of martial arts. The last two shorter paragraphs contain the expressions of thanks and the standard afterword on the book by the author. 

    D:\My Documents\Desktop\武當要圖\修改後\修剪後\武版權頁.jpg

    圖(Fig)9

    D:\My Documents\Desktop\武當要圖\修改後\修剪後\版權頁修剪.jpg

    圖(Fig)10

    圖9左頁為《武當太乙五行拳》的版權頁;圖10是版權部分的放大。

    The page at Fig.9is the copyright;Fig.10 is the zoomed in picture of the copyright.

    image11.jpeg

    圖(Fig)11

    這是筆者和金先生於1979年春節的合影。

    照片原始尺寸:8cm×6.8cm。

    Mr. Kinghsi and author were at the Chinese New Year 1979 in China.

    D:\My Documents\Desktop\武當要圖\修改後\新建文件夹\對練.jpg

    圖(Fig)12

    金先生和筆者的徒手對劍刺演示留影。攝於1979年夏。

    照片原始尺寸:6cm×6cm。

    This picture was taken in the summer of 1979. Mr. Kinghsi and I were practicing martial arts. The person holding a sword is the author himself. The lower one is Mr. Kinghsi.

    image13.jpeg

    圖(Fig)13

    這是圖12之照片的背面。因金先生很喜歡這一照片,特地在照片後面留了言:與小鋼合照,劍刺武術;攝於陸家花園;時年七十四歲;七九年

    My teacher Mr. Kinghsi especially liked the photo and put these words on the back: Practicing Martial Arts with Xiaogang Wu. (Xiaogang Wu being the name of the author)

    image14.jpeg

    圖(Fig)14

    image15.jpeg

    圖(Fig)15

    image16.jpeg

    圖(Fig)16

    圖14至16是筆者演示由金先生當年所教的長穗劍術動作選。攝於1979年夏。

    The three pictures above (Fig 14,15,16) are the frames of the swordplay of Chinese martial arts. The forms of the swordplay were instructed by Mr. Kinghsi during 1974 to 1985. The pictures were taken in China,on the summer of 1979.

    image17.jpeg

    圖(Fig)17

    圖17是金子弢先生。照片是金先生給筆者的信中附寄的,作為筆者當年的生日禮物。照片原始尺寸:10cm×6.2cm。

    image18.jpeg

    圖(Fig)18

    圖18是此照片的背面,由金先生落筆:曉剛世兄:留念,行影相從;時年七十有六歲,愛新覺羅•溥儇,贈於1981.8.8. 秋。曉剛为筆者的筆名之一。金先生写信给我,喜用这一名字)。

    Fig 17 is the photo of Mr Kinghsi at age 75 in 1981. As my birthday gift,it was mailed to me from out of state by Mr Kinghsi on August 8th 1981. Fig 18 is the back of the same photo. The words had been written by Mr Kinghsi himself. The main idea in the words are:  Always Together.

    image19.jpeg

    圖(Fig)19

    此為筆者(手捧獎杯者)於2012年11月在美國紐約參加跆拳道錦標賽的功夫賽事,獲徒手和兵器表演黑帶金獎獎杯後,與裁判組成員的留影。

    This is the author and the judges

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