All the Feels, Volume 3: All the Feels, #3
By B. A. Paul
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About this ebook
From pasta trucks to suspension bridges, quaint town marathons to dusty prairie errands, the third volume of All the Feels highlights characters with giant hearts and hefty doses of moxie.
But, more importantly, this collection of short stories brings a tickle of hope and a dose of escape.
So, sit back, cozy up, and get ready to immerse yourself in all the feels…
Stories included in this edition: Optimists and Pasta Mixes, The Smiley Face Fence on Brookdale Drive, Leftovers, Half Staff, Fetch, Wouldn't You Like to be a Red-Winged Blackbird?
B. A. Paul
Beth enjoys chucking words into sentences then standing back to see what magic—or mayhem—falls out, crafting tales in mystery, sci-fi, fantasy, and general "slice of life" fiction. She couldn't accomplish this without the help of her tutu-clad Little Miss Muse and Trudi the Concrete Office Goose, who's partial to superhero capes. Her stories have appeared in multiple publications, including Pulphouse Fiction Magazine and Ellery Queen Mystery Magazine, and in multiple fiction anthologies. She's received several Honorable Mentions from Writers of the Future. Her lighthearted blog peeks into the writing life as she pokes fun at herself and her circus of a life. Follow the antics of Little Miss Muse and Trudi, read Beth's blog (she might have burned down her kitchen last week), and discover the stories at bapaul.com.
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All the Feels, Volume 3 - B. A. Paul
ALL THE FEELS
Volume 3: A Collection of Six Inspiring Short Stories
B. A. PAUL
Copyright © 2020 by B.A. Paul
This collection and the works therein are licensed for your personal enjoyment only. All rights reserved. This is a work of fiction. All characters and events portrayed herein are fictional, and any resemblance to real people or incidents is purely coincidental. This work, or parts thereof, may not be reproduced in any form without permission.
"Optimists and Pasta Mixes" © 2019 by B.A. Paul; The Smiley Face Fence on Brookdale Drive
© 2017 and first printed in Twenty-One Short Stories: Momentary Escapes from the Mundane by B. A. Paul. Leftovers
© 2017 and first printed in Pulphouse Fiction Magazine Issue ***8 Fall 2019; Half Staff
© 2019 by B.A. Paul; Fetch
© 2020 by B.A. Paul; Wouldn’t You Like to be a Red-Winged Blackbird?
© 2017 and first printed in Twenty-One Short Stories: Momentary Escapes from the Mundane by B. A. Paul
Contents
Foreword
Optimists and Pasta Mixes
The Smiley Face Fence on Brookdale Drive
Leftovers
Half Staff
Fetch
Wouldn’t You Like to be a Red-Winged Blackbird?
About the Author
Also by B. A. Paul
Foreword
As I write this foreword, the year 2020 has yet to loosen its grip on the world’s throat — we actually have three more months and a lot more chaos left, I’m afraid. From viruses, fires, floods, and droughts to social injustices and unjust politics, the year rages on.
We need a break.
A breath of fresh air.
An escape.
Somewhere to hide away and experience emotions other than fear and dread.
Perhaps you’ve come across this volume and the year is no longer 2020 (thank heavens!). Maybe your current year is 2030 or 3010.
No matter.
I imagine, wherever you are in time, dear reader, that you likely need a break, too.
My wish is that these stories will give you that break. A place to wonder and dream. A place to giggle a bit, hope a bit, and yeah… maybe cry a little.
But just a tiny bit…
Happy little eye leakage.
My hope is that these tales will give you a place to escape and to experience a wide range of , well, all the feels.
Happy reading!
B. A. Paul
Optimists and Pasta Mixes
Misunderstood and disgruntled, young Jody is ready to bolt from all she knows—but she’s broke. She has no idea her part-time gig in a pasta truck will turn her pessimistic view of the world upside down.
A nd why do you feel this job will be a good fit, Miss Jody Sparks?
The rather rotund, balding man behind the overflowing desk chews the end of his ballpoint pen, leans back and looks at me. He speaks over the rattling air conditioner someone had cut a hole through the paneled wall for. The unit does little more than blow around the stale, greasy aroma of food truck lunch remnants.
His question throws me. I have no clue why I’ll be a good fit. I need money. Is that fit enough?
Well, Mr. Farley, I—
Ed. You can call me Ed.
He leans forward.
This isn’t awkward at all. Well, Ed. I’ll show up.
My voice elevates an octave on the word up.
Is that a question or a statement? ‘I’ll show up.’
I can’t imagine a plethora of warm, upright bodies ready and willing to tackle the ins and outs of street truck food service. You have an opening, and I need a job. And I will show up. At least until I get enough cash to fund my great escape.
There. Maybe that’s what he wants.
That, Jody, is honesty. Which is more than the last two new hires had when they took off with Miss Gloria’s tip jar at the end of a very busy business day.
He leans further across the messy desktop, knocking folders and pens off the side. And everyone knows Miss Gloria’s customers tip the best.
He winks.
Ed creeps me out. The office in the mobile command center creeps me out. My life creeps me out. And I want out. Out of all of it. Away from my nagging aunt—god bless her heart for taking me in, but for crying out loud, I need my space. Away from the neighborhood where everyone knows what a screw-up Miss Jody Sparks has become. Out of it all to start again somewhere else.
Big city life is a joke. At least in my sunny California city. You’d think with such a dense populous that one could hide. Ha. City neighborhoods contain no different drama than what happens in suburbs. Only difference I can tell is that in the burbs people are all spread out from house to house divided by green yards. In our neighborhood, we stack the drama up tall and only separate it by thin walls of plaster and maybe—if you’re lucky—brick. One house on top of another—and we smell all the dirty laundry on either side of our front door, above, and below.
And everyone knows my business.
And they all seemed to care so much. Not caring in the real caring way, but caring in the Guess what Jody did this time?
way.
Guess who Jody’s hanging with now?
Guess what Jody’s on now?
That last one bugs me the most because I’m not on anything. Never have been.
I just think differently than everyone else would like. I don’t see why ‘everyone’ is always worked up over me. I like the bad boys. I like the idea of escape. I hate school. Hate what life dealt me and my family. And I want away.
Cash is my ticket out. Away.
Away with Galvis, who is my only bright spot. He really gets me.
Mr. Ed hands me a manila folder of hire-on paperwork. This is my third time filling out such a packet. The first one Aunt Pam helped me with because what teenager knows the ins and outs of W2s and benefits and on and on with the mundane? That was at the burger joint a few blocks away.