大書 的 機芯 第2卷

By Ciro Plateroti

《大書 的 機芯》是一種通過雙手或雙腳的身體協調來發展節奏感的音樂方法。
它分為三冊。儘管它是任何風格或樂器的鼓手和打擊樂演奏者的理想之選,但它是針對一般音樂家的,無論他們是歌手,鋼琴家,貝斯手,吉他手,杭鼓手或類似歌手,還是希望最大化其音樂潛能的人通過增強他們的感官。有節奏和靈魂的..
在這三卷中,討論了手或腳的所有可能運動方式組合。
它們被分組為不同數量的圖形(2、3、4、5、6、7、8、9、10、11、12、13、14、15和16),該組織使我們可以行使無限的具有大量指標(三進制和不規則二進制)的節奏模式。
在該卷(1)中,每小節2到13個運動模式的圖包含在14和15的捲(2)中,最後包含在16種模式的第3卷圖中。
無論是節奏,旋律還是和聲的樂器演奏家,即興演奏者和作曲家都可以通過這種方法獲得大量資源,這些資源可以促進成千上萬種節奏模式的融合和表達,這些節奏模式在行使時會產生自己的運動語言,並直接激發流動創意。節奏是存在的生命力和結構力之一,它是運動的驅動精神,使自然事件井井有條。將此概念帶入音樂平面,通過重複的節奏本身,賦予方向,流暢性,最重要的是形式和結構每個音樂短語都是具有定義輪廓和形狀的物理(或空靈)對象,並且精確地限制了這些輪廓形狀主要是由節奏運動產生的。以沒有節奏的和弦或旋律為例,它們是無定形的,沒有持續時間或暫停,它們沒有強大的能量,沒有明確的形狀。作為音樂家,我們可以了解音階,琶音,和聲,閱讀等方面的知識。但是,為了使這些元素具有生命力和動態意義,以隱喻方式表達,我們必須在娃娃(用粘土製成)中運用神的呼吸,以便它轉化為帶有靈魂的血肉之軀,我們必須通過有節奏的運動賦予音樂以形狀和生命。通過整合這些概念,在擴大靈魂和節奏意識的基礎上,我們將獲得一種出色的工具來增強我們的創造力,並使我們的音樂更加具體和豐富。

• Language: English
• Publisher: Ciro Plateroti
• Release date: Feb 7, 2021
• ISBN: 9781005799816

Ciro Plateroti

About the AuthorCiro Plateroti, I am an Argentine musician, percussionist, drummer, composer, arranger, musical director, singer-songwriter, drum and percussion teacher, artistic producer, eternal musical apprentice, author of 11 books, for instrumentalists in general, The book of movements (volumes 1, 2, 3 and 4) The big Book of Movements (translated into 8 languages) Palindromes 1 and Palindromes 2, Rhythmic Counterpoints for two Voices and Plasticity of Rhythmic Form. Control of movements and the current book, Multimetric System.I am also the author of a book for martial arts in general The book of movements for martial arts.In Argentina I started studying drums in a particular way with Jorge Lützow-Holm, then at the EMPA with Marcelo Frezia, also in parallel with Ernesto Zeppa, and forever self-taught.He studied in Cuba, Brazil and Argentina with different teachers and percussion schools.In Argentina I learned in different percussion schools La Katurga, with Santiago ComínLa Chillinga, Daniel Buira and Laura Pizzarelli, the CERPS with Santiago Vázquez, Lucas Helguero, and Andy InchaustyIn Cuba I took percussion classes with Yaroldi Abreu, (congas technique) Alejandro Carbajal (batá drums ) Younier Pons (Elements of Rumba)In Argentina also I studied percussion with Julio Morales, Juan J. Martinez, Gaston Carabajal, and Fabricio Ortolan I also studied harmony Jorge Blengini and Federico Marquestó, Piano Jazz with Leopoldo Limeres and Lucas Pierro. I sing with Martin Ibarburen and Mariela Pacchioli.Some musical projects of which I am a part are EL CLUB DEL RITMO, with Juan Paliza, Pablo Navone, Pablo Antico, and others where I was a composer and singer I also directed, composed and arranged for small wind orchestras with drums,The Tukutá Tribe, cumbia bands, Tell me in the ear and othersI participated singing in Coral 3 directed by Mario Koniko, I played drums in Tangata Manú, Pilar Ternera, Los Caraquses, Orquesta Jabalí where Pablo Valotta played bass and sang Toto Rotblat (Fabulous cadillacs) I played percussion in salsa bands, La Tremeda with German Weil, Julian Cusmano, and Tomas Sivadon, was part of the Baccarat orchestra, also I sang and played for a time with Quitiplá, with Nani, Fiorenza and Gastón Carabajal, Drums and Cantos, from Venezuela, Peru, Cuba, Colombia, Guatemala, Brazil and other countries.Currently, I learn and play jazz piano, compose and record music with Tibetan bowls, piano,and unconventional instruments in Det Ent Ument together with Agostina Bramanti and I am also composing music from the Middle East with the dancer Diana Bogado.I teach Afro-Latin percussion ensemble classes in general, in groups and individually,Rhythms and techniques in congas, drums, cajon, bongo, Bombo Leguero and batá drums, surdos etc.in Buenos Aires Argentina, in person or online for the entire planet.Those who wish to contact me for questions about this book, my books in general, or workshops, clinics, classes etc. Write to me at the following addresses:mail: [e-mail]@hotmail.comcel: whats app (5411) 9 113 186 4351

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