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Two Tongues
Two Tongues
Two Tongues
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Two Tongues

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Slip-ups, skirmishes, and the sidelong glance characterise Claudine Toutoungi's Two Tongues, a surreal and startling second collection that takes on the dislocations and double takes of modern life and weaves from them poems of wit, grit, and delicious abandon. In a landscape populated by levitating snailfish, sotto voce therapists, melancholic kittiwakes, and collapsing stage sets, boundaries blur, languages merge, vision is partial, and identity nothing but fluid. Misdirected medical reminders, discarded letters, crossed wires, and linguistic mash-ups proliferate as the urban and natural worlds collide in an exuberant exploration of confusion—spatial, verbal, and psychological. A gallery is overrun with mushrooms, a scientist takes home a fox-cub to nurse, a wild swimmer grapples with sharks, and all the while these questing, querulous poems shape-shift from searing to soulful to droll to defiant, as they confess, cajole, sometimes ponder, occasionally pout, and perpetually wrestle with our fractured world.
LanguageEnglish
Release dateDec 21, 2020
ISBN9781800170018
Two Tongues
Author

Claudine Toutoungi

Claudine Toutoungi grew up in Warwickshire and studied English and French at Trinity College, Oxford University. After a Master’s at Goldsmiths, she trained as an actor at LAMDA and worked as a BBC Radio Drama producer and English teacher. As a dramatist, her plays Bit Part and Slipping have been produced by The Stephen Joseph Theatre. She adapted Slipping for BBC Radio 4, after it was featured in a international reading series at New York’s Lark Play Development Centre. Other work for BBC Radio includes Deliverers and Home Front. She lives in Cambridge.

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    Book preview

    Two Tongues - Claudine Toutoungi

    TWO

    TONGUES

    Claudine Toutoungi

    CONTENTS

    Title Page

    Rift

    Chronic Waiting Zone

    Domestic Fox Physiognomy

    By Small Signs We Betray Ourselves

    Acuity Index I

    Zugzwang

    2 am

    New Modern Drama

    Disclaimer

    Not My Best Work

    The Age of Invention

    Hungarians

    Acuity Index II

    Stumpery

    Plea

    Chiaroscuro

    Sequoia

    Glacial Erratics

    The Last Kittiwake

    Cusp

    Shipwreck

    Modern Song

    Contortionist

    There Are Mushrooms in the Gallery

    Several misogynistic remarks before breakfast

    Suspension

    Why I Am in Love with You

    The Marmots Are Suffocating

    Hunter Forager

    Welsh Retreat

    Bygones

    Cumberbatch

    The therapists of my friends

    Translated in Cumbria

    Amendment

    Lost ü

    The man who learned English from poetry

    Apology, for Ayano

    Bogus You

    There should be a name for

    An Endurance Athlete Hallucinates His Abduction By Aliens During The Hawaiian Ironman Triathlon

    Remember the afternoon we stared at not vital’s camel pelvis in brushed steel?

    The architecture of sky

    Interior with Still Life

    Affirmations

    Collaboration

    Self-portrait as a Major Motion Picture

    Numbers

    Lammas Land

    Acuity Index III

    There is no narrative

    Lambs

    Acknowledgements

    About the Author

    Also by Claudine Toutoungi, from Carcanet

    Copyright

    TWO TONGUES

    RIFT

    Pretend it’s August. Pretend there’s sunlight on bare arms, dappled

    water, louche, marauding ducks.

    Pretend the sheep wear serious faces, slouch in groins of gouged-out

    rocks and far-off human chatter’s growing slack,

    losing all heft until there’s nothing on the breeze but buzzards

    mewling. Nothing more incomprehensible than that,

    nothing more consoling.

    CHRONIC WAITING ZONE

    These are the daylight hours but

    we absorb beneath the surface

    tepid lighting, shrink (Feet

    please!) for a husband-wheeling

    woman, fixate on trollied

    notes and staff who pass

    and pass… Does anyone believe

    in all this striding? Or the litany of

    strange stranger names: Shahido

    Hulk? Dawn Carrier? Angela

    Chart? Something is up.

    Something is very definitely

    crawly and dark on the outskirts

    of our vision. A girl tells Hazel

    on reception they were 9.15 and

    now it’s 12.08. Gets back We go

    by numbers

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