Two Tongues
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About this ebook
Claudine Toutoungi
Claudine Toutoungi grew up in Warwickshire and studied English and French at Trinity College, Oxford University. After a Master’s at Goldsmiths, she trained as an actor at LAMDA and worked as a BBC Radio Drama producer and English teacher. As a dramatist, her plays Bit Part and Slipping have been produced by The Stephen Joseph Theatre. She adapted Slipping for BBC Radio 4, after it was featured in a international reading series at New York’s Lark Play Development Centre. Other work for BBC Radio includes Deliverers and Home Front. She lives in Cambridge.
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Book preview
Two Tongues - Claudine Toutoungi
TWO
TONGUES
Claudine Toutoungi
CONTENTS
Title Page
Rift
Chronic Waiting Zone
Domestic Fox Physiognomy
By Small Signs We Betray Ourselves
Acuity Index I
Zugzwang
2 am
New Modern Drama
Disclaimer
Not My Best Work
The Age of Invention
Hungarians
Acuity Index II
Stumpery
Plea
Chiaroscuro
Sequoia
Glacial Erratics
The Last Kittiwake
Cusp
Shipwreck
Modern Song
Contortionist
There Are Mushrooms in the Gallery
Several misogynistic remarks before breakfast
Suspension
Why I Am in Love with You
The Marmots Are Suffocating
Hunter Forager
Welsh Retreat
Bygones
Cumberbatch
The therapists of my friends
Translated in Cumbria
Amendment
Lost ü
The man who learned English from poetry
Apology, for Ayano
Bogus You
There should be a name for
An Endurance Athlete Hallucinates His Abduction By Aliens During The Hawaiian Ironman Triathlon
Remember the afternoon we stared at not vital’s camel pelvis in brushed steel?
The architecture of sky
Interior with Still Life
Affirmations
Collaboration
Self-portrait as a Major Motion Picture
Numbers
Lammas Land
Acuity Index III
There is no narrative
Lambs
Acknowledgements
About the Author
Also by Claudine Toutoungi, from Carcanet
Copyright
TWO TONGUES
RIFT
Pretend it’s August. Pretend there’s sunlight on bare arms, dappled
water, louche, marauding ducks.
Pretend the sheep wear serious faces, slouch in groins of gouged-out
rocks and far-off human chatter’s growing slack,
losing all heft until there’s nothing on the breeze but buzzards
mewling. Nothing more incomprehensible than that,
nothing more consoling.
CHRONIC WAITING ZONE
These are the daylight hours but
we absorb beneath the surface
tepid lighting, shrink (Feet
please!) for a husband-wheeling
woman, fixate on trollied
notes and staff who pass
and pass… Does anyone believe
in all this striding? Or the litany of
strange stranger names: Shahido
Hulk? Dawn Carrier? Angela
Chart? Something is up.
Something is very definitely
crawly and dark on the outskirts
of our vision. A girl tells Hazel
on reception they were 9.15 and
now it’s 12.08. Gets back We go
by numbers