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The Father of American Wit: George Horatio Derby
The Father of American Wit: George Horatio Derby
The Father of American Wit: George Horatio Derby
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The Father of American Wit: George Horatio Derby

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George Horatio Derby, also known as John Phoenix and as Squibob, is the Father of American Wit. He influenced Mark Twain.Modern comedy owes a debt to John Phoenix (for example Andy Kaufman and Jim Carey).Laugh out loud at his wit;enjoy his humor,as relevant now as it was 160 years ago.Discover for yourself this master of the English language.The last book that Abraham Lincoln read was by John Phoenix. Theodore Roosevelt said he could be tested on Phoenix's books. Both men enjoyed his humor.Many of the stories contained in this book have never been published.Several stories were written at Andover in the 1830's. Some were written while Derby was at the Military Academy at West Point (Class of 1846)He was truly a SOLDIER JOKER.
Humor dissected ceases to be funny. In these pages, Derby's humor is special and is great fun, and is left to speak for itself without annotation.
Your role in reading this book is to enjoy.
LanguageEnglish
PublisherLulu.com
Release dateFeb 4, 2012
ISBN9781105518898
The Father of American Wit: George Horatio Derby

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    Book preview

    The Father of American Wit - Richard Paskowitz, M.D.

    The Father of American Wit: George Horatio Derby

    The Father of American Wit:

    George Horatio Derby

    The Father of American Wit

    George Horatio Derby

    ISBN: 978-1-105-51889-8

    Publisher: Lulu.com

    Rights Owner: Richard Paskowitz, M.D.

    Copyright: 2012 Standard Copyright License

    Language: English

    Country: United States of America

    Table of Contents

    The Father of American Wit

    George Horatio Derby

    Introduction

    Reflections on the Man in the Moon

    Chapter One

    Work Men

    Fellow Army Officers

    Perfect Strangers

    The Moon

    Chapter Two: The Early Years

    My Dear Coz

    Impudence

    Fear

    Novel Method of Angling

    King George III

    Laziness

    Little Girl

    The Peppermint

    Snobble and I

    Journal of the Toad

    Chapter Three: Adult Wit

    Derby and a Bakery Truck Driver

    Derby's Superior Officers

    Derby's Toast at His Own Wedding

    Derby's Mock Initiation

    Another Shop Keeper Anecdote

    Derby's Prank: Unacceptable

    Derby and the Pistol Duel

    John Phoenix's Greatest Exploit

    The Practical Joke on the Two Marys

    The Extremity

    Introduction

    Reflections on the Man in the Moon

    The Moon

    This resplendent luminary, like a youth on the 4th of July, has its first quarter; like a ruined spendthrift its last quarter; and like an omnibus, is occasionally full, and new. The evenings on which it appears between these last stages are beautifully illumined by its clear, mellow light.

    George Horatio Derby

    For the last 10 years I have been trying to pigeonhole (classify) George Derby. He has defied classification. Due to this situation I had to pen eight books that touched on aspects of his life and works. Derby's own books (Phoenixiana and The Squibob Papers) have been described as poorly edited and disjointed. Of these characterizations, I agree.

    Georgia O'Keefe, the painter, kept repeating her paintings of doors and of poppies---obsessed with these objects. I, in turn, am obsessed with George Derby---trying as have others, to understand Derby.

    In this book I have endeavored to put some of Derby's work in a semblance of order. The overarching theme is the demonstration of his intellect, his wit. This wit does not go to endear or profit him. This wit brings out the emotional responses of those at which the wit is directed. These emotions could be incredulity, pity, laughter, scorn, disgust, or displeasure. Derby's canvas was the people around him---none were exempt.

    The 20th century iteration of Derby was Andy Kaufman. Both men seem to me to come out of the same mold---both strived to explore the human response to stimuli: Pavlovian responses by humans. Both Derby and Kaufman projected a scenario,(Derby by words, Kaufman by appearance and actions) meant to elicit responses. Both, to me, had no evil intent. Both had a curiosity to see the result, the response, to their stimulus---how indeed would be the response.

    Whether Kaufman knew of Derby or read some of Derby's (John Phoenix) work is unknown. Kaufman took this Performance Art to extreme levels. Derby, AKA John Phoenix, lived at a time when there were not classifications

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