The Lair of the White Worm Illustrated

By Bram Stoker

"The Lair of the White Worm is a horror novel by the Irish writer Bram Stoker. It was first published by Rider and Son of London in 1911[1][2] – the year before Stoker's death – with colour illustrations by Pamela Colman Smith. The story is based on the legend of the Lambton Worm. It has also been issued as The Garden of Evil.

In 1925 a highly abridged and rewritten[clarification needed] form was published.[3] It was shortened by more than 100 pages, the rewritten book having only 28 chapters instead of the original 40. The final eleven chapters were cut down to only five, leading some critics to complain that the ending was abrupt and inconsistent.[4]

The Lair of the White Worm was very loosely adapted by Ken Russell into a 1988 film of the same name.

The first episode of the German radio drama ""Die Schwarze Sonne"", produced by the label LAUSCH, is loosely based on the events of The Lair of the White Worm.[5] The main characters of the radio drama are also based on the protagonists of the novel and feature in the rest of the episodes even though the plot turns away from Stoker's original story."

• Language: English
• Publisher: Lulu.com
• Release date: Sep 8, 2020
• ISBN: 9781716596667

Bram Stoker

Abraham Stoker was born near Dublin in 1847. He was virtually bedridden with an unidentified illness until the age of seven. After graduating from Trinity College, he followed his father into a career as a civil servant in Dublin castle, writing journalism and short stories in his spare time. In 1876 he met the actor Henry Irving and two years later became manager of Irving's Lyceum Theatre in London. Through Oscar Wilde's parents, Stoker met his wife Florence Balcombe. He wrote many books of which only Dracula (1897) is widely remembered. He died in 1912.

Book preview

Horror

About Stoker:

Irish writer Bram Stoker is best known for authoring the classic 19th century horror novel 'Dracula.'Born in Ireland in 1847, Bram Stoker studied mathematics at Dublin's Trinity College and embarked on his longtime role as an assistant to actor Sir Henry Irving in the 1870s. He also began carving out a second career as a writer, publishing his first novel, The Primrose Path, in 1875. Stoker published his most famous work, Dracula, in 1897, though he died before the fictional vampire would achieve widespread popularity though numerous film and literary adaptations in the 20th century.

Bram Stoker was born Abraham Stoker on November 8, 1847, in Dublin, Ireland, to father Abraham Stoker and mother Charlotte Matilda Blake Thornley Stoker. One of seven children, he suffered from illnesses that left him bedridden until around age 7, but made a full recovery.In 1864, Stoker enrolled at the University of Dublin—founded by Queen Elizabeth I in 1592—and attended the university's sole constituency, Trinity College. He studied mathematics at Trinity, graduating with honors in 1870. 

Stoker then began working as a civil servant at Dublin Castle, home to British royals in Ireland from the early 1800s to the early 1920s. (Stoker's father had also served as a civil servant at the castle, and helped his son land a position there.) During this period, Stoker began juggling another role: In the evenings, he worked as an unpaid writer for a local newspaper, the Dublin Evening Mail (later the Evening Mail), penning reviews of various theatrical productions. Stoker also found time for his short stories, publishing The Crystal Cup in 1872.  

After nearly 10 years in civil service, Stoker left his position at Dublin Castle. Around that same time, Stoker established a friendship and working relationship that would soon prove to be a pivotal step for his career, inspiring his literary prowess and, ultimately, his most acclaimed work. Stoker was introduced to famed English actor Sir Henry Irving after reviewing a production of the Shakespearean play Hamlet, featuring Irving, and the two quickly became friends.

In the late 1870s, Irving offered Stoker a management position at his production company/venue in England, the famous Lyceum Theatre in London's West End. His duties as manager included writing letters—sometimes up to 50 per day—for Irving, as well as traveling worldwide on Irving's tours. During this time Stoker married an aspiring actress named Florence Balcombe, who gave birth to their son, Irving Noel Thornley, in late 1879.

In 1875, Stoker published what became his first novel, The Primrose Path. He continued to publish writings while managing the successful Lyceum Theatre, including the short story collection Under the Sunset (1882) and his second novel, The Snake's Pass (1890), earning modest acclaim. More notably, he garnered public praise for his many roles dedicated to the arts.

In 1897, Stoker published his masterpiece, Dracula. While the book garnered critical success after its release, it didn't achieve peak popularity until well after its author's death. After Dracula, Stoker continued to churn out an array of fiction and nonfiction works. He wrote a total of 12 novels in his lifetime, his later efforts including Miss Betty (1898), The Mystery of the Sea (1902), The Jewel of Seven Stars (1904) and The Lair of the White Worm (1911), which was later published under the title The Garden of Evil.

Stoker served as Lyceum's manager for nearly 30 years, until Irving's death in 1905. He suffered a stroke shortly afterward, and spent much of his final years battling through poor health and shaky financial footing. Stoker died in London, England, on April 20, 1912, with various reports citing the cause as complications from a stroke, exhaustion or syphilis. 

Stoker's legacy has endured through his most famous work, Dracula, which has inspired the creation of numerous theatrical, literary and film adaptations. Among them are the 1931 film Dracula, starring actor Bela Lugosi, and F.W. Murnau's 1922 feature Nosferatu, starring Max Schreck, two early screen successes that propelled the vampire myth to the forefront of popular culture.

In 2009, the author's great-grand nephew, Dacre Stoker, made his entry into the field with the publication of Dracula: The Un-Dead, with collaborator Ian Holt. The two said they had based their book on Bram Stoker's handwritten notes and excised plot threads, even including the character of Bram Stoker in their story as a nod to the original source.

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Summary:

The plot focuses on Adam Salton, originally from Australia, who is contacted by his great-uncle, Richard Salton, in 1860 Derbyshire[6] for the purpose of establishing a relationship between these last two members of the family. His great-uncle wants to make Adam his heir. Adam travels to Richard Salton's house in Mercia, Lesser Hill, and quickly finds himself at the centre of mysterious and inexplicable occurrences.

The new heir to the Caswall estate (known as Castra Regis or the Royal Camp), Edgar Caswall, appears to be making some sort of a mesmeric assault on a local girl, Lilla Watford, while a local lady, Arabella March, seems to be running a game of her own, perhaps angling to become Mrs. Caswall. Edgar Caswall is a slightly pathological eccentric who has Mesmer's chest which he keeps at the Castra Regis Tower. Caswall wants to recreate mesmerism, associated with Franz Mesmer, which was a precursor to hypnotism. He has a giant kite in the shape of a hawk to scare away pigeons which have gone berserk and attacked his fields.

Adam Salton discovers black snakes on the property and buys a mongoose to hunt them down. He then discovers a child who has been bitten on the neck. The child barely survives. He learns that another child was killed earlier while animals were also killed in the region. The mongoose attacks Arabella, who shoots it to death. Arabella tears another mongoose apart with her hands. Arabella then murders Oolanga, the African servant, by dragging him down into a pit or hole. Adam witnesses the murder which he cannot prove. Adam then suspects Arabella of the other crimes.

Adam and Sir Nathaniel de Salis, who is a friend of Richard Salton's, then plot to stop Arabella by whatever means necessary. They suspect that she wants to murder Mimi Watford, whom Adam later marries. Nathaniel is a Van Helsing-type character who wants to hunt down Arabella.

The White Worm is a large snake-like creature that dwells in the hole or pit in Arabella's house located in Diana's Grove. The White Worm has green glowing eyes and feeds on whatever is thrown to it in the pit. The White Worm ascends from the pit and seeks to attack Adam and Mimi Watford in a forest.

Adam plans to pour sand into the pit and to use dynamite to kill the giant White Worm while it is inside the pit.

In the final scene, Adam Salton, Mimi Watford, and Nathaniel de Salis confront Arabella and Edgar Caswall. A thunderstorm and lightning destroy Diana's Grove by igniting the dynamite.

Characters List:

Adam Salton. A young man recently returned from Australia at the invitation of his uncle. Adam is heroic and ethical, and very interested in history and archeology.

Richard Salton. Adam’s uncle, the owner of Lesser Hill in Mercia.

Sir Nathaniel de Salis. A renowned geologist and expert on the ancient civilization that once dominated the area of Mercia.

Edgar Caswall. A callow and wealthy man who seeks to learn the power of mesmerism for his own gains, including dominating the beautiful Lilla Watford.

Lady Arabella March. A penniless widow and owner of the house at Diana’s Grove. She is either the human form or manifestation of the White Worm, or its servant.

Mimi Watford. Young girl living at Mercy Farm. Intelligent and independent, eventually falls in love with Adam Salton.

Lilla Watford. Beautiful daughter of Michael Watford. Shy and easily intimidated, she falls under the sway of Edgar Caswall.

Oolanga. Black servant of Edgar Caswall. He engages in several unethical plots before being murdered by Lady March.

Chapter 1

Adam Salton Arrives

Adam Salton sauntered into the Empire Club, Sydney, and found awaiting him a letter from his grand-uncle. He had first heard from the old gentleman less than a year before, when Richard Salton had claimed kinship, stating that he had been unable to write earlier, as he had found it very difficult to trace his grand-nephew's address. Adam was delighted and replied cordially; he had often heard his father speak of the older branch of the family with whom his people had long lost touch. Some interesting correspondence had ensued. Adam eagerly opened the letter which had only just arrived, and conveyed a cordial invitation to stop with his grand-uncle at Lesser Hill, for as long a time as he could spare.

Indeed, Richard Salton went on, I am in hopes that you will make your permanent home here. You see, my dear boy, you and I are all that remain of our race, and it is but fitting that you should succeed me when the time comes. In this year of grace, 1860, I am close on eighty years of age, and though we have been a long-lived race, the span of life cannot be prolonged beyond reasonable bounds. I am prepared to like you, and to make your home with me as happy as you could wish. So do come at once on receipt of this, and find the welcome I am waiting to give you. I send, in case such may make matters easy for you, a banker's draft for 200 pounds. Come soon, so that we may both of us enjoy many happy days together. If you are able to give me the pleasure of seeing you, send me as soon as you can a letter telling me when to expect you. Then when you arrive at Plymouth or Southampton or whatever port you are bound for, wait on board, and I will meet you at the earliest hour possible.

Old Mr. Salton was delighted when Adam's reply arrived and sent a groom hot-foot to his crony, Sir Nathaniel de Salis, to inform him that his grand-nephew was due at Southampton on the twelfth of June.

Mr. Salton gave instructions to have ready a carriage early on the important day, to start for Stafford, where he would catch the 11.40 a.m. train. He would stay that night with his grand-nephew, either on the ship, which would be a new experience for him, or, if his guest should prefer it, at a hotel. In either case they would start in the early morning for home. He had given instructions to his bailiff to send the postillion carriage on to Southampton, to be ready for their journey home, and to arrange for relays of his own horses to be sent on at once. He intended that his grand-nephew, who had been all his life in Australia, should see something of rural England on the drive. He had plenty of young horses of his own breeding and breaking, and could depend on a journey memorable to the young man. The luggage would be sent on by rail to Stafford, where one of his carts would meet it. Mr. Salton, during the journey to Southampton, often wondered if his grand-nephew was as much excited as he was at the idea of meeting so near a relation for the first time; and it was with an effort that he controlled himself. The endless railway lines and switches round the Southampton Docks fired his anxiety afresh.

As the train drew up on the dockside, he was getting his hand traps together, when the carriage door was wrenched open and a young man jumped in.

How are you, uncle? I recognised you from the photo you sent me! I wanted to meet you as soon as I could, but everything is so strange to me that I didn't quite know what to do. However, here I am. I am glad to see you, sir. I have been dreaming of this happiness for thousands of miles; now I find that the reality beats all the dreaming! As he spoke the old man and the young one were heartily wringing each other's hands.

The meeting so auspiciously begun proceeded well. Adam, seeing that the old man was interested in the novelty of the ship, suggested that he should stay the night on board, and that he would himself be ready to start at any hour and go anywhere that the other suggested. This affectionate willingness to fall in with his own plans quite won the old man's heart. He warmly accepted the invitation, and at once they became not only on terms of affectionate relationship, but almost like old friends. The heart of the old man, which had been empty for so long, found a new delight. The young man found, on landing in the old country, a welcome and a surrounding in full harmony with all his dreams throughout his wanderings and solitude, and the promise of a fresh and adventurous life. It was not long before the old man accepted him to full relationship by calling him by his Christian name. After a long talk on affairs of interest, they retired to the cabin, which the elder was to share. Richard Salton put his hands affectionately on the boy's shoulders—though Adam was in his twenty-seventh year, he was a boy, and always would be, to his grand-uncle.

I am so glad to find you as you are, my dear boy—just such a young man as I had always hoped for as a son, in the days when I still had such hopes. However, that is all past. But thank God there is a new life to begin for both of us. To you must be the larger part— but there is still time for some of it to be shared in common. I have waited till we should have seen each other to enter upon the subject; for I thought it better not to tie up your young life to my old one till we should have sufficient personal knowledge to justify such a venture. Now I can, so far as I am concerned, enter into it freely, since from the moment my eyes rested on you I saw my son—as he shall be, God willing—if he chooses such a course himself.

Indeed I do, sir—with all my heart!

Thank you, Adam, for that. The old, man's eyes filled and his voice trembled. Then, after a long silence between them, he went on: When I heard you were coming I made my will. It was well that your interests should be protected from that moment on. Here is the deed—keep it, Adam. All I have shall belong to you; and if love and good wishes, or the memory of them, can make life sweeter, yours shall be a happy one. Now, my dear boy, let us turn in. We start early in the morning and have a long drive before us. I hope you don't mind driving? I was going to have the old travelling carriage in which my grandfather, your great-grand-uncle, went to Court when William IV. was king. It is all right—they built well in those days—and it has been kept in perfect order. But I think I have done better: I have sent the carriage in which I travel myself. The horses are of my own breeding, and relays of them shall take us all the way. I hope you like horses? They have long been one of my greatest interests in life.

I love them, sir, and I am happy to say I have many of my own. My father gave me a horse farm for myself when I was eighteen. I devoted myself to it, and it has gone on. Before I came away, my steward gave me a memorandum that we have in my own place more than a thousand, nearly all good.

I am glad, my boy. Another link between us.

Just fancy what a delight it will be, sir, to see so much of England—and with you!

Thank you again, my boy. I will tell you all about your future home and its surroundings as we go. We shall travel in old- fashioned state, I tell you. My grandfather always drove four-in- hand; and so shall we.

Oh, thanks, sir, thanks. May I take the ribbons sometimes?

Whenever you choose, Adam. The team is your own. Every horse we use to-day is to be your own.

You are too generous, uncle!

Not at all. Only an old man's selfish pleasure. It is not every day that an heir to the old home comes back. And—oh, by the way… No, we had better turn in now—I shall tell you the rest in the morning.

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Chapter 2

The Caswalls Of Castra Regis

Mr. Salton had all his life been an early riser,