Among the Statues There
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“The decline of religious influence has incurred ambiguity in the objective of art. What was once quite clearly the representation of things divine or otherworldly has now become what proves to be the least expense and the greatest convenience. Capital, now, is patron: the objective is profit. This substitution is formidable, for genuine works of poetry, such as the present, of music and painting, are means of teaching us about ourselves and the world around us. An understanding of the interdependency of everything elicits our empathy, and this understanding can only be attained through genuine works of art.
This collection may not be that in which one fell swoop revives the dwindling significance of art, but it certainly does stand as a testament of its revitalization. It lends aid to the fundamental effort of a Neo-Renaissance, to which Mr. Morgan is doubtlessly an adherent, and proclaims in unwavering terms that in a time of odious morbidity, art is our one salvation.” - Kurt Cassidy-Gabhartan author and filmmaker
Austin C. Morgan
Austin C. Morgan was born in Southern Indiana. He cur¬rently serves as a contributing editor to New York based literary journal aaduna Inc.
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Among the Statues There - Austin C. Morgan
AMONG THE STATUES THERE
AMONG THE STATUES THERE
A collection of poems
by
AUSTIN C. MORGAN
Adelaide Books
New York/Lisbon
2020
AMONG THE STATUES THERE
A collection of poems
By Austin C. Morgan
Copyright © by Austin C. Morgan
Cover design © 2020 Adelaide Books
Published by Adelaide Books, New York / Lisbon
adelaidebooks.org
Editor-in-Chief
Stevan V. Nikolic
All rights reserved. No part of this book may be reproduced in any
manner whatsoever without written permission from the author except in
the case of brief quotations embodied in critical articles and reviews.
For any information, please address Adelaide Books
at info@adelaidebooks.org
or write to:
Adelaide Books
244 Fifth Ave. Suite D27
New York, NY, 10001
ISBN-13: 978-1-953510-04-4
For M, D, Delaney, & Cecilia
CONTENTS
Foreword to Among the Statues There
PART I
Among the Statues There
The Doctor’s Daughter
In Lot of a Station Nightly
Agartha
PART II
Portrait of a Late-August Evening
Recollections of Bathing Street at Night
High Moon in July
Eastertime Blues
The Witchcat
Sketches from The City & the Sea
Song of Two Lovers Glimpsed from Afar
On Love
About the Author
FOREWORD TO
AMONG THE STATUES THERE
by Kurt Cassidy-Gabhart
There is little doubt that in recent decades transgressions have been committed against the world of art. Creative decisions are being executed in deference to pecuniary considerations. The pawns of these machinations are not artists but profiteers; their Machiavellian insensibility has succeeded the grace of the poets. Art ought to be viewed as a sort of pronouncement, a validation of the voice of the poor, in a government and justice system in which profit alone determines truth. If art becomes void through profit, so too does the recognition of the less fortunate: capital once again confirms its primacy over everything.
The world needs artists like Mr. Morgan. He is a poet who respects the form, and the historical authority that established it. He does not, like the majority of modern artists (or more properly doomed aspirants), denigrate the wisdom of the Greats; but he reveres it, in that it guides him to innovate upon the form often led astray by capital.
That art is a sort of subjective term to which no definitive elaboration can be attested posits the ignorance of the modern individual, as well as his blind irreverence toward authority. Art is a capacity to create,
said Aristotle, involving a true course of reasoning.
Kant expanded this definition many years later,