Michelangelo Merisi, born in 1571 amidst the darkness of the plague, would come to be known not by his christened name but by the name of his birthplace – Caravaggio. Orphaned young, the specter of loss would forever paint itself onto the canvas of his life. Yet, from this darkness, a genius of light and shadow would emerge, revolutionizing the art world with his raw and dramatic style.
While controversial in some circles, this mix of gritty realism and the divine was exactly what the Catholic church needed at the time. The Protestant Reformation was a backlash against what they considered to be a corrupt and greedy church. The Pope and others within the church commissioned art as a form of damage control. In an era of low literacy rates, images of artworks were powerful tools to spread ideas. Caravaggio’s paintings depicted a faith that was humble as he painted from his real-life observations of people on the streets. Though the subjects of the art were saints, the models were lowly people off the streets and Caravaggio painted every detail down to the stains in their clothing or dirt under their fingernails. The message was that the church was a place for the ordinary people. Using real people as models and placing them in settings familiar to the masses made the stories more immediately accessible and relatable.
The Calling of Saint Matthew is one of 250 artworks required for AP Art History. While I have not yet covered all of those artists/works you can find many on my Spotify playlist, AP Art History Cram Session
Check out my other podcasts  Art Smart | Rainbow Puppy Science Lab
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