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Alms for Oblivion: A Poem in Seven Parts
Alms for Oblivion: A Poem in Seven Parts
Alms for Oblivion: A Poem in Seven Parts
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Alms for Oblivion: A Poem in Seven Parts

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Alms for Oblivion is a 400-line quest poem, seeking the roots of inspiration, in which the protagonist is split in halfthe "he" represents the rational, scientific mind; the "I" is a mystic romantic, deeply imbued with muse lore ranging from Fanny Brawne to Cerddwen to the Ur-poet Enheduanna's goddess Inanna. New World and Old World mythologies are intertwined. Eventually, the split protagonist reintegrates and finds that both sides are seeking the same thing.
LanguageEnglish
PublisherWings Press
Release dateSep 1, 2010
ISBN9781609400965
Alms for Oblivion: A Poem in Seven Parts

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    Book preview

    Alms for Oblivion - Bryce Milligan

    ALMS FOR OBLIVION

    Green sap of Spring in the young wood a-stir

    Will celebrate the Mountain Mother,

    And every song-bird shout awhile for her;

    But I am gifted, even in November

    Rawest of seasons, with so huge a sense

    Of her naked magnificence

    I forget cruelty and past betrayal,

    Careless of where the next bolt may fall.

    —Robert Graves, from In Dedication

    Alms for Oblivion © 2003 by Bryce Milligan

    First limited edition printing ISBN: 1-899179-96-8

    Print edition originally published by Aark Arts;

    Sudeep Sen, Publisher

    65 Greenford Road • Harrow HA1 3QF • London

    Ebooks published by Wings Press

    627 E. Guenther, San Antonio, TX 78210

    via Independent Publishers Group

    www.ipgbook.com

    ePub ISBN: 978-1-60940-096-5

    Kindle ISBN: 978-1-60940-097-2

    Library PDF ISBN: 978-1-60940-098-9

    U.S. Library of Congress:

    PS3563.I42283 A45 2003 811.54

    for Enheduanna,

    first poet,

    and for the one and many muses

    Fool, said my muse to me, look in thy heart and write.

    —Sidney, Astrophil and Stella, 1.14

    Everything that reminds me of her goes

    through me like a spear.

    —John Keats, of Fanny Brawne

    I am yours.

    Why do you slay me?

    —Enheduanna, Lady of Largest Heart

    ca. 2,300 B.C.

    I.

    I have encountered a photograph:

    my father, older than I am now,

    older than he ever was

    and I am struck by the resemblance

    to Tecayehuatzin, though

    the single image of the old Aztec

    is simply a stylized encounter of lines,

    an abstraction become a glyph in a codex

    created long after his death

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