Fresh Hell: Motherhood in Pieces
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About this ebook
Carellin Brooks
Rhodes Scholar Carellin Brooks is the author of Fresh Hell: Motherhood in Pieces (2013), Every Inch a Woman (2011), and Wreck Beach (2007). She has edited the anthologies Carnal Nation, with Brett Josef Grubisic, and Bad Jobs. Winner of the Books in Canada Student Writing Award for poetry (1993), the Cassell/Pink Paper Lesbian Writing Award for non-fiction (1994), and the Institute for Contemporary Arts New Blood Award for prose (1995), Brooks lives and works in Vancouver, where she was born. Connect with Brooks at www.carellinbrooks.com or on Twitter @carellinb.
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Fresh Hell - Carellin Brooks
Hell
Fresh Hell
Motherhood in Pieces
Carellin Brooks
DEMETER PRESS, BRADFORD, ONTARIO
Copyright © 2013 Demeter Press
Individual copyright to their work is retained by the authors. All rights reserved. No part of this book may be reproduced or transmitted in any form by any means without permission in writing from the publisher.
The publisher gratefully acknowledges the support of the Canada Council for the Arts for its publishing program.
Demeter Press logo based on the sculpture Demeter
by Maria-Luise Bodirsky <www.keramik-atelier.bodirsky.de>
Printed and Bound in Canada
Front cover: Finn Canadensis, Honk Honk Graphic Arts
eBook development: WildElement.ca
Library and Archives Canada Cataloguing in Publication
Brooks, Carellin, author
Fresh hell : motherhood in pieces / Carellin Brooks.
ISBN 978-1-927335-32-1 (pbk.)
1. Motherhood. I. Title.
HQ759.B77 2013 306.874’3 C2013-906424-9
Demeter Press
140 Holland Street West
P. O. Box 13022
Bradford, ON L3Z 2Y5
Tel: (905) 775-9089
Email: info@demeterpress.org
Website: www.demeterpress.org
for my girls
Contents
Acknowledgements
1. Surprise
2. Conceived Of
3. Immaculate
4. Natural Disasters
5. Sucks
6. Just a Cigar
7. My Sentence
8. You Heard
9. Doomed
10. Only a Fool Would
11. Good Lookin’
12. Go Away
13. Sainted
14. More Hell
15. Friendly Game
16. Emergency Response
17. Proof
18. Dry
19. Evergreen
20. Warning Notice
21. Brown Study
22. Prospectus
23. Free Advice
24. The Plot
25. Ring the Circle
26. Racked, Shelf, Nice Pair of Teeth
27. Columbus Junior
28. All Night (Refrain)
29. Indictment
30. Radiate
31. The Toll
32. Runneth
33. What We Take From One Another
34. The Strain
35. Little People
36. Crimes, Evidence
37. The Impending
38. The Knowledge
39. Experimental Horror Movie
40. Here Comes the Airplane, Pbbt
41. Ruined
42. Removal Man
43. Double You
44. You Were Told
45. The End
46. Bolstered
47. The Last Fight You Ever Had
48. Who Now?
49. Fell Down the Stairs
50. One Last Wave
51. Happy
52. Reckoning
Acknowledgements
First and foremost, I would like to thank my daughters, for putting up with me. They are each far better than I deserve. My heartfelt thanks also to Peter Nosco for all those plates of food, and especially for the extra hours of sleep. I would also like to thank those who provided invaluable advice, kind and sensitive comments, subtitle suggestions, and lucid queries, not necessarily in that order, namely Angie Chan, Kyla Epstein, Daniel Gawthrop, Brett Josef Grubisic, John Harris, Vivien Lougheed, Melva McLean, Julia Saunders and the members of Letterheads: Mindy Abramowitz, Kate Bird, and Shannon Underwood. Finally, my thanks to everyone at Demeter Press, especially Andrea O’Reilly, and to Finn Canadensis, cover designer extraordinaire!
1. Surprise
WHEN A BABY HAS THE BIG ONE, the special, the surprise, you can’t help but feel tricked. You’re stripping off what appears to be a perfectly ordinary diaper. There are no ominous musical chords, nothing to warn you. The baby too is perfectly ordinary, screeching or waving its arms agreeably depending upon the time of day, alignment of the stars, alien messages being piped into its baby brain and other factors you will never in a million years comprehend.
Then you catch it. Your first glimpse. No, you say. Like a child you comfort yourself: you imagined it, everything’s fine. But as you continue to peel back the diaper you morph into a horror-film heroine, sheer white nightgown and all, starting down the shadowy cellar stairs with inadequate candlestick in hand.
Now it’s the audience that hears those ominous chords, wills you to go back, slam the door and bar it for good measure. Here your own body and brain attain a rare unity; your own senses yell at you to refasten the Velcro, turn around, go out the door and don’t come back. Because down there, It awaits. The Blob. Viscous, pitiless, spackling baby’s crevices and oozing out the sides. And now comes the first sly waft of a miasma that will soon enough fill up the room, creamy and soured: your sweet milk turned dark.
Wrappings unpeeled, you face it at last: the horror. Every inch of formerly pristine cotton (and you decided to use cloth, you self-righteous fool you; now look what you’ve done) is coated in Harvest Gold. Then the creases, each one to be swabbed. The outrage. The insult. And even as you gape and gasp the baby continues to goo, untroubled by the sensation of cold poo packed into its backside like a perverse beauty treatment and utterly unconscious of the great wrong it just committed. Why should baby care? It’s your problem now. You’re looking around for the candid camera, waiting for the punchline, wondering how long before the curtain rises and someone arrives to say it’s all a joke and nobody in their right mind would expect you to clean up that horror. That hell.
So when there’s no reprieve, no laughing audience, nothing to do but face the thick and evilly scented facts and mop up as best you can, you go in search of your fellow sinner. Would a responsible parent take it out on the baby? After all,