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An Elegy Wrote in a Country Church Yard (1751) and The Eton College Manuscript
An Elegy Wrote in a Country Church Yard (1751) and The Eton College Manuscript
An Elegy Wrote in a Country Church Yard (1751) and The Eton College Manuscript
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An Elegy Wrote in a Country Church Yard (1751) and The Eton College Manuscript

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"An Elegy Wrote in a Country Church Yard (1751) and The Eton College Manuscript" by Thomas Gray is a poem that has graced student curriculum for years. The poem itself resonated with the ordinary person, dealing with the subject that affects us all, the end of your life and the swift approach of death. His work inspired countless writers to create their own vivid worlds that will similarly capture readers.
LanguageEnglish
PublisherGood Press
Release dateNov 29, 2019
ISBN4057664615084
An Elegy Wrote in a Country Church Yard (1751) and The Eton College Manuscript

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    An Elegy Wrote in a Country Church Yard (1751) and The Eton College Manuscript - Thomas Gray

    Thomas Gray

    An Elegy Wrote in a Country Church Yard (1751) and The Eton College Manuscript

    Published by Good Press, 2019

    goodpress@okpublishing.info

    EAN 4057664615084

    Table of Contents

    INTRODUCTION

    A NOTE ON THE TEXTS

    AN

    ELEGY

    Country Church Yard.

    Advertisement.

    AN

    ELEGY, &c.

    PUBLICATIONS OF THE AUGUSTAN REPRINT SOCIETY

    William Andrews Clark Memorial Library: University of California

    THE AUGUSTAN REPRINT SOCIETY

    INTRODUCTION

    Table of Contents

    To some the eighteenth-century definition of proper poetic matter is unacceptable; but to any who believe that true poetry may (if not must) consist in what oft was thought but ne'er so well expressed, Gray's Churchyard is a majestic achievement—perhaps (accepting the definition offered) the supreme achievement of its century. Its success, so the great critic of its day thought, lay in its appeal to the common reader; and though no friend of Gray's other work, Dr. Johnson went on to commend the Elegy as abounding with images which find a mirrour in every mind and with sentiments to which every bosom returns an echo. Universality, clarity, incisive lapidary diction—these qualities may be somewhat staled in praise of the classical style, yet it is precisely in these traits that the Elegy proves most nobly. The artificial figures of rhetorical arrangement that are so omnipresent in the antitheses, chiasmuses, parallelisms, etc., of

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