The Seven Periods of English Architecture Defined and Illustrated
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Edmund Sharpe was an English architect, architectural historian, railway engineer, and sanitary reformer. His expertise in the field of architecture made him the perfect person to write about England's history on the matter. From the Saxons to the rectilinear period of design, this text is a valuable resource to gain a better understanding of constructing.
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The Seven Periods of English Architecture Defined and Illustrated - Edmund Sharpe
Edmund Sharpe
The Seven Periods of English Architecture Defined and Illustrated
Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4057664622693
Table of Contents
PREFACE.
LIST OF PLATES.
THE SEVEN PERIODS OF ENGLISH ARCHITECTURE.
CHAPTER I. INTRODUCTION.
CHAPTER II. CLASSIFICATION.
CHAPTER III. EXTERIOR AND INTERIOR COMPARTMENTS.
CHAPTER IV. THE SAXON PERIOD.
BUILDINGS OF THE SAXON PERIOD.
CHAPTER V. NORMAN PERIOD.
PRINCIPAL CHARACTERISTIC.
PRINCIPAL BUILDINGS OF THE NORMAN PERIOD.
CHAPTER VI. TRANSITIONAL PERIOD.
PRINCIPAL CHARACTERISTIC.
PRINCIPAL BUILDINGS OF THE TRANSITIONAL PERIOD.
CHAPTER VII. LANCET PERIOD.
PRINCIPAL CHARACTERISTIC.
PRINCIPAL BUILDINGS OF THE LANCET PERIOD.
CHAPTER VIII. GEOMETRICAL PERIOD.
PRINCIPAL CHARACTERISTIC
PRINCIPAL BUILDINGS OF THE GEOMETRICAL PERIOD.
CHAPTER IX. CURVILINEAR PERIOD.
PRINCIPAL CHARACTERISTIC.
PRINCIPAL BUILDINGS OF THE CURVILINEAR PERIOD.
CHAPTER X. RECTILINEAR PERIOD.
PRINCIPAL CHARACTERISTIC.
PRINCIPAL BUILDINGS OF THE RECTILINEAR PERIOD.
THE SEVEN PERIODS OF ENGLISH ARCHITECTURE.
NORMAN.
NORMAN.
NORMAN.
NORMAN.
TRANSITIONAL.
TRANSITIONAL.
LANCET.
LANCET.
LANCET.
LANCET.
LANCET.
LANCET.
GEOMETRICAL.
GEOMETRICAL.
GEOMETRICAL.
GEOMETRICAL.
CURVILINEAR.
CURVILINEAR.
RECTILINEAR.
RECTILINEAR.
A SELECTION FROM E. & F. N. SPON'S CATALOGUE OF BOOKS.
A HANDBOOK OF FORMULÆ, TABLES, AND MEMORANDA ,
TOWN AND COUNTRY MANSIONS AND SUBURBAN HOUSES ,
ELEMENTARY PRINCIPLES OF CARPENTRY.
DOMESTIC ELECTRICITY FOR AMATEURS
PREFACE.
Table of Contents
"We have been so long accustomed to speak of our National Architecture in the terms, and according to the classification bequeathed to us by Mr. Rickman, and those terms and that classification are so well understood and have been so universally adopted, that any proposal to supersede the one, or to modify the other, requires somewhat more than a mere apology. To disturb a Nomenclature of long standing, to set aside terms in familiar use, and to set up others in their place which are strange, and therefore at first unintelligible, involves an interruption of that facility with which we are accustomed to communicate with one another on any given subject, that is only to be justified by reasons of a cogent and satisfactory nature.
"The sufficiency of Mr. Rickman's Nomenclature and Divisions, and their suitableness at the time and for the purpose for which they were made, are best evidenced by the fact that, although the attempts to supersede them have been both numerous and persevering, they have remained for nearly half a century the principal guide to the Architectural Student; and Mr. Rickman's 'Attempt to discriminate the Styles of Architecture in England,' is still the Text-book from which the greater part of the popular works of the present day have been compiled.
"In referring, however, to these attempts to supersede Mr. Rickman's system, it is proper to remark that one observation applies to the whole of them;—although they propose to change the Nomenclature of his different styles, or to subdivide them, his main division of English Architecture into four great Periods or Styles, is adopted by all, and still remains undisturbed. No point, therefore, has been hitherto proposed to be gained by these alterations, beyond a change