Number One with an Axe! A Look at the Guitar’s Role in America’s #1 Hits, Volume 6, 1980-84
By Michael Rays
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About this ebook
Eddie Van Halen, Stevie Ray Vaughan, Brian May, David Gilmour, Prince, Neil Giraldo, Trevor Rabin, Steve Lukather: the early 80s boasted some massive guitar firepower on its #1 hits! Join Michael Rays as he rates the guitar work on each of the 82 Billboard #1 hits from 1980-84. One song comes dangerously close to a perfect Guitar Score of 40!
Michael Rays
Michael Rays grew up in Colorado Springs, Colorado. He graduated from Northwestern University and served nine years in the Navy, flying the SH-60B Seahawk helicopter. Michael lives in Billings, Montana with his wife and daughter.
Read more from Michael Rays
Six-String Sleuth: A Guitar Player's Guide to Figuring Out Song Chords Rating: 5 out of 5 stars5/5Number One with an Axe! A Look at the Guitar’s Role in America’s #1 Hits, Volume 4, 1970-74 Rating: 0 out of 5 stars0 ratingsNumber One with an Axe! A Look at the Guitar’s Role in America’s #1 Hits, Volume 7, 1985-89 Rating: 0 out of 5 stars0 ratingsNumber One with an Axe! A Look at the Guitar’s Role in America’s #1 Hits, Volume 5, 1975-79 Rating: 0 out of 5 stars0 ratingsNumber One with an Axe! A Look at the Guitar’s Role in America’s #1 Hits, Volume 3, 1965-69 Rating: 0 out of 5 stars0 ratingsNumber One with an Axe! A Look at the Guitar’s Role in America’s #1 Hits, Volume 9, 1995-99 Rating: 0 out of 5 stars0 ratingsNumber One with an Axe! A Look at the Guitar’s Role in America’s #1 Hits, Volume 2, 1960-64 Rating: 0 out of 5 stars0 ratingsNumber One with an Axe! A Look at the Guitar’s Role in America’s #1 Hits Rating: 0 out of 5 stars0 ratingsNumber One with an Axe! A Look at the Guitar’s Role in America’s #1 Hits, Volume 8, 1990-94 Rating: 0 out of 5 stars0 ratingsHeaders: Scores & Headlines from Brazil 2014 Rating: 0 out of 5 stars0 ratings
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Number One with an Axe! A Look at the Guitar’s Role in America’s #1 Hits, Volume 6, 1980-84 - Michael Rays
Number One with an AXE!
A Look at the Guitar’s Role in America’s #1 Hits
Volume Six: 1980-84
By Michael Rays
Published by Michael Rays at Smashwords
Copyright 2019 Michael Rays
Also by Michael Rays, published at Smashwords:
Number One with an AXE! The Fifties
Number One with an AXE! Volume 2: 1960-64
Number One with an AXE! Volume 3: 1965-69
Number One with an AXE! Volume 4: 1970-74
Number One with an AXE! Volume 5: 1975-79
Number One with an AXE! Volume 7: 1985-89
Guitar Odyssey: A Journal of Musical Growth
Guitar Odyssey 2: Talkin’ Dirty
Six-String Sleuth: A Guitar Player’s Guide to Figuring Out Song Chords
Headers: Scores & Headlines from Brazil 2014
Number One with an AXE! is a look at the role of the guitar in America’s #1 Billboard hits. Guitar gadfly Michael Rays listens to, comments on and scores each #1 hit in terms of four guitar-centric criteria: riffage, rhythm, fills and solos. The result is an exploratory history of the guitar at the pinnacle of American pop music.
Here come the Eighties... brace yourself!
Table of Contents
Riffs on Guitar Odyssey
Ode to Guitar Players
Methodology Used
1980
1981
1982
1983
1984
Facts & Statistics
About the Author
Riffs on Guitar Odyssey
Back to Table of Contents
…you quickly get into the spirit of the project and it becomes great fun to read.
- darkerthanblue.wordpress.com (Deep Purple blog)
Rays creates a chronicle of growth that will immerse and inspire fellow guitar players who have their own 'impossible' playing goals and aspirations…
- D. Donovan, Senior eBook Reviewer, Midwest Book Review
…a surprisingly entertaining read.
- Last Best News
…Michael Rays has crafted a literate, interesting, funny and, oddly, moving account of his six-string journey…
- Missoula Independent
You learn, as Rays did in real time, that the journey towards achieving something, even if it seems simple at first blush, can be trying, surprising, and fulfilling with ample happy accidents in between.
- Guitarkadia.com
Ode to Guitar Players by Michael Rays
Back to Table of Contents
What meaneth one who says ‘I play guitar’?
A batch of basic chords strummed ‘round the fire
An introverted teen who’d be a star
woodshedding endless blues licks on a Squier?
A young gal voicing jazz chords warm and pure
An old man finger-picking on the porch
A classicist, with tones that long endure
or metal shredders carrying the torch?
A drunken punker, fast and out of tune
an aging rocker holding onto youth
a bold flamenco player ‘neath the moon
a studious composer seeking truth?
Thus meaneth one who says ‘I play guitar’:
‘I’ve joined the journey infinitely far.’
Methodology Used (aka Are my methods unsound?
)
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