Veil of Lies

By Jeri Westerson

“A disgraced knight earns a meager living as a private inquiry agent in 1383 London” in a series debut that “will appeal to mystery and history fans alike” (Kirkus Reviews).

Accused of treason and stripped of his knighthood, Crispin Guest has survived on the gritty streets of London by reinventing himself as The Tracker, an investigator for hire who can locate lost objects and uncover secrets. When the merchant Nicholas Walcote hires Guest to investigate his young wife Philippa for adultery, he discovers an underground world of danger and dirty dealings. Philippa is indeed hiding something—but she’s not the only one. Walcote himself is rumored to possess a holy relic so powerful that some would even kill for it.

To get to the truth about the mysterious Walcotes, Guest must contend with his nemesis, Sheriff Simon Wynchecombe, as be becomes entangled in a strange world of superstition, seduction, and murder. With vivid period detail and a complex, thrilling story, Veil of Lies was a finalist for the Macavity and Shamus awards.

• Language: English
• Publisher: Open Road Integrated Media
• Release date: Oct 6, 2015
• ISBN: 9781625671431

Jeri Westerson

Jeri Westerson was born and raised in Los Angeles. As well as nine previous Crispin Guest medieval mysteries, she is the author of a paranormal urban fantasy series and several historical novels. Her books have been nominated for the Shamus, the Macavity and the Agatha awards.

Book preview

1

London, 1384

The rain didn’t bother him, even though London’s rain fell thicker and harsher than country rain. Full of the city’s stench, the drizzle descended in matted wires, pricking the skin. Crispin’s leather hood took the brunt of it. The beaded water ran off his head in long rivulets and pooled at his feet. The cloak did not fare as well, and clung in heavy, wet drapery to his shivering shoulders.

Even this didn’t bother him.

What bothered him was standing in this unholy rain while a mere servant boldly appraised him as if he were a stable boy or a tradesman; looked Crispin up and down from his shabby knee-length cotehardie to his patched stockings.

The manservant’s face, square and strong, spoke of country stock rather than those hard faces etched by city living. What do you want? the servant asked after his prolonged assessment.

Crispin leaned forward. "What I want, he said in a clipped tone that made the servant stiffen, is for you to announce me to your master, the man who summoned me in the first place. The name, he said, advancing to take possession of the threshold, is Crispin Guest. Do not keep your master waiting."

The servant hesitated before bowing derisively with a right this way, my lord that had nothing of respect in it.

They entered a wide hall. Murals of hardworking dyers and weavers decorated both the plaster walls and rich tapestries. The friendly aroma of dried lavender and rosemary censed the cold rooms. The scent reminded Crispin of his long-lost manor in Sheen. Much the same finery adorned those halls and passageways. But that had been some eight long years ago, when he was still a knight.

They came to a door and the servant took a key from his belt. Once they passed through the archway, he stopped, locked the door behind him, and proceeded on.

Crispin watched and frowned. He wanted to ask but doubted he would get an answer. Instead, he simply observed the strange ritual repeated until they climbed a staircase and reached the warm solar. Why would the interview be conducted in the solar? Business discussions usually took place in the parlor. The intimate setting of the solar suited a family’s more private society. Crispin shrugged it off as another eccentricity of his wealthy host.

The servant opened the solar’s door. White plaster walls were swathed about the room with arcs of rich, blue drapery hanging mid-height by pegs. A large, carved buffet stood against one wall, reaching almost to dark ceiling beams marching in a row toward a large window, under which sat a heavy, carved table with parchments and leather-bound accounting ledgers spread across it.

The servant bowed perfunctorily. My master will be in anon. He turned sharply and then stopped, leaning in toward Crispin. Don’t touch anything. He grinned at Crispin’s narrowed eyes and left without locking the door behind him.

Crispin tugged at his tailored coat and sneered in the direction of the receding footsteps. He glanced at the lock and traced his finger around the black iron lock plate. New. And this one only bolted from the inside. Surely the solar was important enough to lock from the outside as well.

He strolled to the fire, luxuriating in its glowing warmth. The hearth, large, almost too big for the room, stood as tall as Crispin. The mantel boasted arms of the mercer’s guild chiseled into the stone. Merchant in cloth, Crispin snorted. He glanced again around the fine room of silver candlesticks and expensive furnishings, and nodded shrewdly. I am in the wrong profession. He stared at the flagon across the room and licked his lips.

Last night he wondered at such a summons and felt a little trill in his belly. If all went well, this would surely be the richest client of his four-year career, and he needed that fee. The rent was overdue again and he owed Gilbert and Eleanor Langton a lengthy tavern bill as well. Where did the money go? Funny how it had never occurred to him how hard it was to make a living until he had to do it himself.

The door burst open and Crispin instinctively came to attention and faced his wealthy host. The man strode in, his shoulders almost as wide as the doorway. He took command of the space as a general takes command of the field, locking his eyes on Crispin before sweeping his gaze warily around the room. Crispin smiled in spite of himself. There was little doubt in Crispin’s mind that such a man was used to barking orders and having them immediately obeyed. It was something Crispin appreciated. Something he had enjoyed himself in years gone by. But this man, this prosperous merchant, was not destined to take his place on any battlefield. His arena was commerce and his soldiers his bolts of cloth.

Crispin looked him over as well, trying to assess the man beneath the confident exterior. On second examination, the man did not appear to have the muscled heft of a mason or smith, but instead the corpulence of a man of leisure. His nut brown fleshy face crinkled at the eyes and met a tidy beard touched by gray. His deep green houppelande made of rich velvet and trimmed with miniver reached to just below his knees. The foliated sleeves touched the floor, and the stiff collar stood up straight and neatly covered the back of a beefy neck. He wore two gold chains across his wide breast as well as a dagger with a gem-encrusted hilt and a decorated scabbard.

Behind him, the same manservant who met Crispin at the main door followed his master into the room and stood by the door, awaiting instructions.

The wealthy man rested his gaze on Crispin once more and left it there. Crispin Guest? he asked.

At your service, my lord, said Crispin and bowed.

The man nodded briskly before turning to his manservant. Adam, you are dismissed. We will serve ourselves.

The servant, Adam, threw a suspicious glare at Crispin. He hesitated a moment. But there didn’t seem to be any naysaying of this master, and the servant forced a bow before he trudged out, pulling the door shut behind him. The wealthy host strode to the closed door, grabbed the iron bolt, and locked them in.

Crispin glanced at the bolt but said nothing.

The man turned back to Crispin and hastily smiled. I do like my privacy.

Crispin remained silent.

Please—the man gestured toward a cushioned chair—sit. Will you have wine?

Thank you.

The merchant poured and handed Crispin a bowl. Crispin sat and savored the feel of the silver bowl in his hand and almost closed his eyes at the aroma of the sweet berry flavors of good Gascon wine. The man sat opposite in a larger chair. Crispin took only one sip and reluctantly set the bowl aside.

I have heard of your discretion, Master Guest, said the man at last. And discretion is utmost in this instance.

Yes, Master. That is true in most instances.

Your reputation as an investigator—is it well deserved?

For four years I have been known as the ‘Tracker.’ I have heard no complaints about my service. My clients are well satisfied.

I see. The merchant smiled with a contented nod, but then his face tightened and he fell into an agitated silence. They measured each other for a long span before the man sprang unexpectedly to his feet and nervously warmed his hands at the hearth.

Perhaps, Crispin suggested after another long silence, you should start at the beginning, and then we can discover what it is you would have me do.

The man sighed heavily and glanced once at the closed door. My name is Nicholas Walcote.

Crispin nodded. This he knew. The richest mercer in London, possibly in all England. Reclusive. Eccentric. It was said Walcote hadn’t been seen by his own guild since his boyhood, but his renowned trade in cloth kept his reputation intact. The man seemed always ahead of the trends, always importing just the right merchandise at the right time, cloth that the market seemed enraptured with. The man had a head for business like few others. Crispin mentally shook his head—the cloth trade was a complete mystery to him. There had once been a time when he followed fashions, but he did not have to heed courtly finery today, even if he could afford it.

The thought soured his belly as thoughts of King Richard’s court often did. His history made Walcote his better and left Crispin in rags. But not for long. Crispin measured each man these days by the amount of gold they were willing to part with. And by the looks of things, Nicholas Walcote could afford to part with a great deal.

Canting toward the edge of his seat, Crispin schooled his features and pulled the hem of his coat down over his thigh to cover a hole in his left stocking. What might these discreet matters be, Master Walcote?

When Walcote met Crispin’s gaze his face hardened. It is my wife. I fear…I fear she is unfaithful to me. His eyes filled with tears. Abruptly, he dropped his head into his hands and wept.

Crispin sat back and examined his nails, waiting for Walcote’s tears to subside. He waited a long time.

At last Walcote raised his head and wiped his face with large, square hands. Forgive me. He sniffed and rubbed his nose. These are disturbing matters. Of course I am not certain. That is why I called for you.

Crispin reckoned where this was heading and didn’t like it. What is it you wish me to do?

Surely you have experience in these matters.

He narrowed his eyes. You wish me to spy on your wife?

Walcote crossed the room and stood above his untouched wine. The frost-edged window panes added a gray wash of faint light onto the polished wooden floor. The rest of the room lay steeped in shadows or the manicured halos of candle sconces.

It is driving me mad! he hissed. I must know! The business, my estates. I must know that any issue from her is mine. We have been married so briefly and I travel much on business.

Love and jealousy were one thing, but the business of inheritance quite another. Just so. What are your intentions if you discover an unpleasant truth?

Walcote’s ruddy countenance deepened to red. That, Master Guest, is my business alone.

I think you are mistaken. I do not care to be the cause of violence, no matter how justified.

Walcote glared at him, and suddenly the merchant’s curled fists opened. He smiled apologetically. Such personal matters. It is difficult to be rational. There would be words, certainly, and perhaps punitive action. But violence? No. You see, despite it all, I love my wife.

Crispin rose, crossed to the hearth, and warmed his back against the fire. His wet mantle dripped on the floor. I have no stomach for such business, Master Walcote. I recover lost jewelry, stolen papers, and such like. Adultery? I leave that to clerics. He shook his head and moved to the door, but Walcote scrambled to maneuver in front of him and even spread his arms to cover the entrance.

Walcote weighed a good sixteen stone, but it was all easy living and heavy food. Trim and fit, Crispin did not doubt that if he wished to leave, Walcote could not impede him.

Please, Master Guest. You know I am a wealthy man. I will pay any price. I cannot tell this story again to another. I beg of you!

This is unpleasant and personal business, Master Walcote. Crispin eyed his abandoned wine bowl. In my opinion, you should talk to your wife. He placed his hand on Walcote’s arm and squeezed, moving it easily aside. He reached for the bolt but Walcote grabbed his wrist.

But how can I believe her answer?

Crispin offered a smile. She just might tell you the truth. Stranger things have happened.

You do not know my wife, Walcote muttered. I have tried, but the truth with her is different from others.

Walcote tightened his grip on Crispin’s wrist. Crispin looked down at it. Surely there is a servant you can send, he told his host.

And be the laughingstock of the servant’s hall? He shook his head and released Crispin’s wrist. Have you never been betrayed? Would you not have wanted someone to intervene for you? To warn you?

Crispin gnawed on words close to his heart. Betrayed? He had been betrayed twice in his life in the worst possible ways. Once by a man he trusted with his life, and the other by the woman he intended to marry. If he had only been warned. If someone had but said—

He lowered his hand from the bolt and stared at the floor, ticking off the advantages both for and against. He stood that way for a while, until a long breath escaped his lips and he pivoted to face Walcote. The man was desperate. No doubt of that. His ruddy face reddened and sweat shined on his nose and forehead. All his wealth was no surety of happiness. Crispin almost snorted at the irony.

Instead, he sighed his frustration, feeling the hollowness of the purse at his own belt. Very well. What is it you wish me to do?

Walcote’s words spilled out. Watch the house. See where she goes or who appears when I am out. Report to me what you find. I shall take care of the rest. He wiped the sweat from his upper lip. What is your fee for such a commission?

Sixpence a day, plus expenses.

I will pay that and more. Here is a good-faith payment. He reached into the purse at his belt and withdrew three coins. Half a day’s wages now. More for however long it takes.

Crispin looked at the coins in Walcote’s moist palm. Three silver disks. To refuse them meant starvation. Nothing new. He had starved before. If he accepted them, it meant creeping in shadows, little better than a voyeur. But it also might lead to better appointments, better opportunities. Perhaps even through the Walcote household itself, and a rich household it was.

With a bitter heart, his fingers scooped up the coins and dropped them into his purse.

How shall I know your wife? asked Crispin. May I see her?

Oh no! That will never do. Walcote went to the sideboard and opened the doors. He took a small object from a back shelf and cupped it in his hand, gazing at it. Reluctantly he handed it to Crispin. This is a portrait of Philippa. It is the best likeness.

Crispin examined the miniature. A young brown-eyed woman in her early twenties looked out at him. Her hair was a brassy gold and parted in the middle. Two ring braids draped over her ears. A fetching lass. And younger than Walcote, who appeared to be in his late forties. Little wonder he worries.

Crispin handed the portrait back, but the merchant shook his head. Keep that for now. I would have you be certain.

Crispin shrugged and stuffed the small portrait through the opening of his coat.

I want you to begin tonight, said Walcote distractedly. And tell me whatever you discover as soon as possible.

Let us hope your worries are for nought.

Yes. He wrung his hands and turned his back on Crispin to face the fire. Adam will let you out.

* * * *

Leaving the Walcote courtyard, Crispin could not help but look back over his shoulder at the grand stone structure.

He passed through the gatehouse and acknowledged the porter inside with only a curt nod. Pulling his leather hood up, he gathered his cloak about him. The autumn sky hung gray and sullen. He felt grateful the rain had stopped but his breath still fogged his face.

If Walcote wanted him to start tonight then now seemed as good a time as any. He walked across the street to warm himself over a shopkeeper’s brazier and nodded to a man already standing there. The man gestured toward the house. Been looking for a job? A thick-as-fog Southwark accent, but his manner rubbed a little too feminine for Crispin’s tastes.

Crispin gave a brief smile. Yes. Do you know them?

Aye. Me cousin used to work for them.

Used to?

Aye. He says they’re a curious lot. I just girded me courage to ask for work there m’self, even though me cousin Harry warned me not to. A man can’t be too particular when he needs to earn a living. He was a thin man with a hollowed face, pale hair, a hawk nose, and watery blue eyes. The man pulled his hood down to his brows with long fingers, and stiffly clutched the material closed below his chin.

And the outcome?

I talked to the mistress of the house. She’s a stern one, she is. I don’t know what she thought. I’m to return on the morrow.

Crispin said nothing. He glanced back at the house. Its proud exterior slowly disappeared behind an encroaching mist, leaving only a hazy gray rectangle with darker rectangles for windows.

The man measured Crispin’s shabby rust-colored coat, patched stockings, and worn boots. Did they hire you?

Crispin shivered and drew closer to the flames. He shook his head.

Gluttonous sot, muttered the man. Walcote has more money than Solomon. You can’t take your riches into heaven! he said to the house, fist raised. He lowered his hand and swiped at the air. What’s one more servant to him? He leaned toward Crispin. They say, he said softly, that he only leaves the house to travel out of the country and buy his cloth. But there’s some who say he don’t go nowhere at all. Conjures the stuff in his cellar. It’s devil’s work, that much money.

Some men are simply good at what they do.

The man sniffed and wiped his fingerless glove across his nose. Well, I'm not good at much. What are you good at?

Crispin grinned crookedly. Oh, a number of things. And none of them pay me enough.

Isn’t that God’s truth. And times is hard, aren’t they? The man rubbed his hands and wrapped his cloak over his chest. I think we should both forget our troubles for now. He put out his gloved hand. The name’s John Hoode. Shall we share a beaker of ale?

Crispin glanced at the silent house, each door in or out locked tight. He measured the sky. It wouldn’t be nightfall for a few hours. Didn’t trysts usually happen at night?

Maybe the man had information on the Walcotes he could use. He clasped the man’s hand and shook it once. "I will accept your kind offer."

Well now! The man motioned for Crispin to follow and they walked a block to the nearest tavern.

They settled in. Crispin pushed back his hood, running his fingers through his damp, black hair. Hoode talked merrily about London and his amusing adventures as a workingman. Crispin let him talk, only half-listening. He studied him with slate gray eyes, sipping slowly of his ale. He didn’t share as much about himself, saying only that he did a variety of jobs to keep food on the table.

Tell me, said Crispin, slipping in between the man’s chatter. What was your impression of Madam Walcote?

The man slurped from his beaker and frowned. A pretty thing. Young. Steadfast.

Crispin drank. Steadfast? Then why should Walcote suspect her?

"Thinking of getting around him and going through her, eh? he asked Crispin. I wouldn’t. She’s loyal to the bone. What’s good for him is good for her. Like I said. Steadfast."

Crispin dipped his face in his cup and said little else. He wanted to look at the portrait again but that was impossible in Hoode’s presence. Perhaps he should have questioned Walcote more rigorously as to why he had his suspicions, but Crispin’s personal distaste for this kind of task got the better of him. He shook his head at it. He should know better than that.

What matter could it have been that got Walcote’s hackles up? Was there someone loitering near the house, perhaps? Or did she hire servants who were more comely in appearance than Hoode here?

* * * *

After almost two hours of nursing a beaker of watery ale and listening to Hoode chatter about this and that, Crispin thanked the man, wished him well, and left the tavern. He sauntered down the chilly street, now black and silver under the indistinct glow of a clouded moon.

He reached the brazier across the avenue from the Walcote gatehouse where he first met Hoode, but the dead fire left only gray ashes swirling at the bottom of the iron cage.

For hours he stood in the darkness. The moon had long gone, making the night seem colder. Finally, a small figure appeared near the gatehouse. If the guard had not brought forth his torch to show her face, Crispin might not have recognized Philippa Walcote, but he saw a flash of brassy gold hair and remembered it from the miniature portrait.

She set out alone along the street, looking back over her shoulder at the house, now dark. Crispin let her get a bowshot away before he ducked his head into his hood and followed.

She walked quickly. The shadows of the narrow lane soon swallowed her slim form, but Crispin’s eyes caught the movement. Distantly, he followed her through a stone archway, slick with mist and stinking of mold. Her footsteps echoed within the structure and Crispin waited until they fell away again before he ventured through. She stepped onto a street that gently curved away from the eye, like a river. Tall shops of several stories or lofts towering over one another lined the street, shoulder to shoulder. Their frames seemed squeezed by proximity and they loured over the avenue in stiff indifference to her flight, closing off the black sky. Doors were bolted and shutters closed against the warm, golden light Crispin could just see peeking through the seams. The damp street was deserted, except for the mysterious woman and her shadow.

She stopped and looked back.

Crispin jammed himself against the wall of a stone house, its rugged surface digging painfully into his back. Barely breathing lest the cloud of breath betray him, he quested a cautious eye past his hood to watch her.

She seemed satisfied that she was alone and turned. She gathered her cloak around herself and stepped along the uneven paving stones and sometimes into the mud.

Crispin took a deep breath, allowed her to turn a corner, and hurried, keeping amid the shadows of the eaves like a rat. He slowed when he approached the corner where she had turned and he clutched the lime-washed timber, peering carefully. He saw the hem of her cloak flick as she scurried, watched her tramp across the bridge over the Fleet Ditch, and grimaced. She was making her way south toward parts of London a lone gentlewoman should not go. Crispin snorted. Foolish woman! You’ll get yourself killed. Or worse.

She trailed her hand along a wattle fence and stepped up onto a granite paving stone situated before a busy inn. She looked once back behind her before ducking inside. Crispin stopped and watched the door open to admit her. A bright rectangle of light briefly lit the dark street before the door closed again.

A few moments later a candle was lit in an upper window, its light streaming through the cracked shutter. Crispin approached and craned his neck, but the sill was too high.

He stumbled through the inn’s pitch-dark courtyard, searching for a ladder, and found one leaning against the stable door. Carefully, he carried it back to the window and laid it against the wall, just to the side of the closed shutter. He climbed the rungs—stopped with a wince when they creaked—then made it the rest of the way to the top and peered in through the shutter’s cracks.

Philippa Walcote stood facing the window. This time he could see her features clearly. She was, indeed, young and quite beautiful. Her pale skin seemed smooth, almost translucent. Her dark eyes were large under heavy lashes, though they were draped by drowsy lids. He recalled from the miniature that same pert nose and small mouth whose lips were perfectly shaped in two opposing bows. Her hair, redder than in the painting, shone with bright flashes of wheat when the firelight caught it.

Why would a rich woman go to such a low tavern? It seemed a strange place to conduct an affair, if affair it was.

She unhooked the agrafe at her throat that held the cloak in place and tossed the mantle on the bed. Her blue samite dress was decorated with embroidery along the scooped neckline and displayed both her long neck and her high and pronounced breasts, made more conspicuous by the satiny fabric with its shine and shadow.

Crispin almost felt sorry for such a pretty thing, and he wondered why, with Walcote’s many locks, he could not manage also to confine his wife.

A shadow passed over the woman, and a man stepped into view. He stood behind her and without preamble ran his hand over the back of her neck. His features were dark, with a wide unpleasant mouth and

Reviews for Veil of Lies

[electrascaife · Rating: 4 out of 5 stars]

Crispin Guest is a one-time knight, erstwhile traitor against Richard II, and is now known as The Tracker, making his living by finding things for people. A wealthy cloth merchant seeks his services to discover if his wife is being unfaithful and although Crispin doesn't like that kind of sordid work, he takes the job for want of money. And then the merchant gets himself murdered and things go all hooey.I generally don't care for noir mysteries, but a medieval noir sounded just interesting enough to tempt me. I love Guest's character and the writing's pretty good, but I still don't like noir, and those elements of the story were what kept me from loving it. There's a fun twist toward the end that I didn't see coming, but overall the mystery wasn't all that seat-edgy, either. So, it was okay but not fabulous.

[medievalgirl-1 · Rating: 3 out of 5 stars]

I did enjoy the mystery and the elements of political intrigue, as well as the involvement of various historical figures. Crispin's sharp tongue, quick wit and sarcasm often get him into trouble, but can be endearing. Lovers of Medieval mysteries would enjoy it.

I did enjoy the mystery and the elements of political intrigue, as well as the involvement of various historical figures. Crispin's sharp tongue, quick wit and sarcasm often get him into trouble, but can be endearting.

An interesting Medieval mystery, that does well for being written by an American (its not very noticable), although I stilll prefer Cadfael and the Chronicles of Hugh de Singleton.
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[cygnet81 · Rating: 3 out of 5 stars]

Ehhh... I think the premise was okay but the story was overworked. I don't very often give a book less than a 3 and I think this would be worth reading from the library but given a second chance I wouldn't buy it (I listened to it and did like the reader). I also think noir is an exaggeration...

[ecw0647 · Rating: 3 out of 5 stars]

This is the first in a series about Crispin Guest, a disgraced knight, who is now working as a finder, the Tracker he is called; someone who discovers culprits or things people have lost. Living in rather abject poverty, he remains scrupulously honest, insisting that his self-appointed servant, Jack, return purses he has picked. Crispin had unfortunately allied himself with the Lancastrians when Richard II became king and his conduct being considered treasonous lost everything except his life, thanks to the intervention of his Duke.

Guest is hired by a local merchant to follow his wife and discover whether she has been unfaithful. Guest does so and witnesses her adultery. Before he can make his report, his employer is murdered in a locked and sealed room. Not having had a chance to collect his fee, Crispin is then approached by the man's widow who wants to engage him to find a relic, a cloth with the image of Jesus. When in its presence, people cannot lie.

The plot inevitably thickens and soon involves threats to control England's economic future, a battle for control of the cloth the intersection of assorted other sub-plots.

I'll read more in the series, but I knocked off a couple of the infamous stars, as I felt the plot lines remained indistinct as did the rather confusing battle scene on the bridge at the end of the novel. Nevertheless, I liked the gritty realism of 1384 and the book is certainly as good as many other historical mysteries out there.

[bookswoman · Rating: 3 out of 5 stars]

Although an interesting premise I had a hard time finishing this book. To me it seemed to want to be too many kinds of books. There was the mystery that started out as a locked room mystery, turned into a who dunnit, turned into a mobster/spy mystery. It wasn't an awful book but I can't give it rave reviews. I probably won't be reading any more in the series.

[gypsysmom_1 · Rating: 3 out of 5 stars]

Noir seems to be everywhere these days. What does that say about humankind? I don't know but it's not a genre that resonates with me. However I thought that medieval noir might be different. It was okay but is not going to convert me to noir fiction.Crispin Guest is The Tracker, an expert in finding things and people. He used to be a knight but backed the wrong person to become King when Edward III died and Richard II took away his title and lands. Guest now lives in poverty in The Shambles.He is hired by a rich merchant to follow his wife whom the merchant suspects of adultery. Guest finds that is indeed so but when he goes to report to the merchant he is dead on the floor of a locked room. So we have the classic locked room mystery and then thrown into that is a missing religious relic that supposedly makes people tell the truth. Phillippa, widow of the merchant, hires Guest to find the relic which she believes is the source of all their problems.Guest is attacked so many times in this book that it defies belief. The Sherriff of London, Simon Wynchecombe, has several goes at him and also watches while his henchmen knock him around. Wynchecombe is obviously a sadist but Guest needs his help and Wynchecombe needs Guest's skills.The historical detail seemed very well done but I just couldn't get over my aversion to the gratuitous violence that noir fiction revels in. Someone else might feel differently.

[eyes92c · Rating: 4 out of 5 stars]

March 17, 2011So I've just reread Veil of Lies (thank you local library) by Jeri Westerson as a prelude to reading her latest novel, The Demon's Parchment. This has been burning a hole in my Kindle pocket since I bought it before Christmas - as are a couple of titles. Now to reread Serpent in the Thorns and then start on my Westerson's latest title! Yay! Meanwhile, back at Jeri Westerson and Crispin Guest....The Tracker. I do love Crispin's soliloquies as he back and forths between now being one of the common people and in his heart of hearts holding to the fact that he is a Knight. Albeit a knight stripped of title, lands, and betrothed due to treason. He ill advisedly joined a movement to place his mentor and Lord, John o Gaunt, the Duke of Lancaster on the throne rather than the boy king Richard, in 14th Century England.Now he frequents thieves dens and pot houses in the underbelly of a truly dank and dreadful London, with his trusty but unwanted servant boy Jack who sticks to Crispin like a burr. Here he barely makes a living, pitting his wit and knife (no sword now) in such endeavors that may earn a very minimal living as ‘The Tracker’-- investigator for hire.Westerson likens Crispin Guest and her Medieval Noir to the Sam Spade of medieval London at ' a period rife with intrigue, codes of honor, mysterious doings and dim, shadowy light.' (Veil of Lies- Afterwards)... and Crispin does have that hard boiled honorable edge, coating the occasional softness inside. In this chapter of his life he is hired to track the wherefores of a young wife (Philippa Walcote), has to solve two murders, gets caught up in courtly and international intrigue, physically beaten by the Sheriff at almost every encounter, pursued by foreign thugs (of the Mafia disposition) with a Saracen thrown in for good measure, and falls in love, all the while tracking an obscure, mystical and dangerous religious artifact. The Mandyllon, the face cloth of Christ that in Westerson's fiction forces those in it's presence to only ever tell the truth, to reveal their 'true image' their 'true self.'A fascinating and fulfilling contribution to the Medieval Mystery genre. I am looking forward to my reread of Serpent in the Thorns.

[cuffindell · Rating: 4 out of 5 stars]

A very entertaining mystery introducing 14th century sleuth Crispin Guest. Disgraced and stripped of his title and knighthood, Crispin must use his wits and knightly skills to eek out a meager living on London's mean streets. While the mystery itself is fairly straightforward, Westerson's true strength lies in the vivid, gritty world she creates for Crispin, whose bitterness and noble hubris sabotages his attempts to accept and thrive in the lower class he now belongs to.

[jjbooklvr · Rating: 4 out of 5 stars]

The first in a new series this book will appeal to fans of historical mysteries and also noir. Set in the Middle Ages we follow the adventures of former knight Crispin Guest. Guilty of treason he is stripped of his rank, lands and position. Detailed descriptions brings 1383 London to life as Crispin takes the case of checking on whether a merchant's wife is being unfaithful. Murder soon follows with Crispin right in the middle of the action.

[avidmom · Rating: 4 out of 5 stars]

I enjoyed this book; and, although I wouldn't recommend it to everybody; I certainly would recommend it to those who are interested in this time period or in a mystery. It's not incredibly violent or bloody and I found myself really liking the protagonist, Crispin and his sidekick, Jack. The book itself is not very long and it's an easy read. I finished this book about 2 months ago, and the characters have stuck with me. And, yes, I definitely will be reading the next Crispin Guest adventure when it comes out.

[thejohnsmith · Rating: 4 out of 5 stars]

A well told tale of Crispin Guest, an ex-knight in 14th century London who is known as the tracker. Crispin is a medieval private investigator who, supported by his young would-be squire Jack, starts out on an investigation of the extra-marital activities of a wealthy merchant's young wife but are soon caught up in a murder, a search for a holy relic and a plot to undermine the King.An enjoyable read that gained my interest from the start and held it throughout. I'm looking forward to the next installment of Crispin Guest's adventures.

[juliayoung_1 · Rating: 4 out of 5 stars]

An interesting take on the mystery genre, without a nun or monk at the helm. The writing was a little stilted for me; I think Westerson just needs to find her voice, and she'll be knocking them out of the park!

[iubookgirl · Rating: 4 out of 5 stars]

I'm always a little wary when I pick up a first novel, but Jeri Westerson has restored my faith. Kudos to Jeri for persevering through fourteen years of trying to get published and to Minotaur Books for giving her a chance. Veil of Lies is by far the best first novel I've read this year. In fact, it doesn't feel like a first novel at all.Veil of Lies "a medieval noir" set in 1384 London that combines Westerson's love of medieval history and hard-boiled detective fiction. The history behind the mystery is obviously well-researched. Westerson convincingly portrays this time period. Yet there is also a timelessness to the story, which I think reflects mid-20th century detective fiction. The main character is Crispin Guest, a disgraced knight, that uses his wits and training to solve crimes. His sidekick, Jack, is a lovable character, reminiscent of Short Round in Indiana Jones and the Temple of Doom. There is, of course, a damsel in distress too. Westerson's character development is excellent and her plot is well-crafted. From cover to cover, Veil of Lies held my attention. This is a winner for any fan of historical fiction and/or mystery.I'm thrilled that Westerson already has another Crispin Guest novel in the works and will eagerly await its publication. Veil of Lies is scheduled for release on October 28, 2008, and I urge you to buy it the second it hits the shelves.