The Mimes of the Courtesans
By Lucian
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About this ebook
"The Mimes of the Courtesans" features a series of dialogues between two courtesans or a courtesan and another, discussing love and sex and the relationship between lovers.
These dialogues show the General influence of New Comedy and there are also many resemblances with Alciphron’s "Letters of the Courtesans".
Lucian
Lucian (c. 125-180 C.E.) was an Assyrian satirist known for his humorous style and rhetorical mastery. Born in Samosata, modern day Turkey, Lucian was likely a native Syriac speaker who wrote in Ancient Greek under the rule of the Roman Empire. From a middle-class family, he was trained to be a sculptor but eventually moved to Ionia for higher education. After working for a time as a successful lecturer, he settled in Athens, where he wrote most of his literary works. Recognized for his invention of the comic dialogue, a parody of the Socratic dialogue, Lucian is predominately remembered for his novel True History, a satire now regarded as an early precursor to modern science fiction writing. Known for his irreverence and penchant for criticizing prominent writers, philosophers, and public figures, Lucian has served as an influence for Thomas More, William Shakespeare, Jonathan Swift, and François Rabelais.
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The Mimes of the Courtesans - Lucian
THE MIMES OF THE COURTESANS
Lucian
The Education Of Corinna
CORINNA, a little girl
CROBYLE, her mother
THE EDUCATION OF CORINNA
CROBYLE
Well, Corinna, you see now that it wasn't so terrible to lose your virginity. You have spent your first night with a man. You have earned your first gift, no less than a hundred drachmas. With that I'll buy you a necklace.
CORINNA
Yes, dear mother, do buy me a necklace. Let it be a necklace made of fine, shining stones like the one Philainis wears.
CROBYLE
I promise. It will be just like the one Philainis wears. But listen: I want to teach you how you should conduct yourself with men. Take my words to heart, daughter. We have only your favor with men to depend on for a living.
You can't imagine how hard it has been for us to get along since your blessed father's death. We lacked nothing when he was alive. He had quite a reputation as a blacksmith in the Piræus. People say there will never be another blacksmith like Philipinos. After his death I sold his tongs, anvil and hammer for two hundred drachmas. We lived on that for some time. I found work weaving and turning thread, barely earning enough to buy bread with. I have raised you, however, my precious little daughter. You are the only hope left me.
CORINNA
Weren't you going to say something about my hundred drachmas, mother?
CROBYLE
No, child. But I thought you were now big enough to support your tired mother. Not only that: you can even earn enough to dress richly, to buy yourself the newest robes of purple, and slaves.
CORINNA
What do you mean, mother? Why do you say that?
CROBYLE
Don't you understand, little fool? Why, you will earn a great deal being attentive to nice young men, drinking in their company and going to bed with them--for money, of course.
CORINNA ( Scandalized)
You mean like Lyra, the daughter of Daphnis?
CROBYLE
Yes.
CORINNA
But she is--a courtesan!
CROBYLE
What of it? There is no harm in that. You will become rich. You are sure to have many lovers.
CORINNA ( Weeps)
CROBYLE
Why, Corinna! Why do you weep? Don't you see how many courtesans there are, how they are all sought after, and how they all make money? I knew Daphnis when she was in rags--that was before she got sense enough to make use of her body. Look at her now! She struts like a queen, all bespangled with gold, wearing flowery dresses, and no less than four slaves behind her.
CORINNA
And how did she get all that, dear mother?
CROBYLE
Well, in the first place, by dressing elegantly and being amiable and cheery with everybody. She does not giggle at any little thing, as you do; instead, she only smiles, which is much more attractive. She treats shrewdly, but without double-crossing, the men that come to see her or take her to their houses. She never approaches them first. When she is paid to assist at a banquet, she takes care not to get drunk--it is foolish and men can't bear it--and she does not stuff herself with food like an imbecile, so that when she gets into bed she is in condition to serve her lover well. She no more than touches the various dishes served--delicately, with her fingertips, and always in silence. And she never guzzles her wine, but drinks slowly, quietly, in gentle little sips.
CORINNA
But supposing she is thirsty, dear mother?
CROBYLE
Especially when she is thirsty, foolish girl! And she never speaks more than is necessary, and never pokes fun at anybody present, and has eyes only for the man who has paid her. That is why