The Mimes of the Courtesans
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The Mimes of the Courtesans - Lucian of Samosata
TRANSLATOR'S FOREWORD
In view of the constantly changing standards for adequate translations, the task of the translator is not an easy one.
A rendition which a few years ago might have been entirely satisfactory would now be considered literal, stilted and uninspired.
And so, in our modern requirements for an effective version, something more is demanded than a merely accurate translation of words or even phrases; instead, a genuine appreciation of atmosphere, spirit and intent is insisted upon.
The Mimes of the Courtesans presents no exception to this perpetual problem of the translator. In fact, the task is intensified in this case because of the informality of the dialogues and the racy, whimsical style in which they are written.
The frequent occurrence of colloquialisms, of intimate and subtle humor, requires an ease and freedom in translation not permissible, perhaps, in works of scholarly import.
The translator has endeavored to keep constantly in mind the kindly humanism with which Lucian wrote these tales so descriptive of one phase of Greek life.
Lucian discusses intimate sex details with the frankness of one not immoral, but influenced by a system of morals that finds everything that is natural both beautiful and good.
These dialogues can hardly be offensive to the intelligent modern; for, somehow, our own civilization is changing, and as it becomes richer and fuller, it seems to have more in common with the civilizations of antiquity. A. L. H.
October 1, 1928.
THE EDUCATION OF CORINNA
CORINNA, a little girl
CROBYLE, her mother
THE EDUCATION OF CORINNA
CROBYLE
Well, Corinna, you see now that it wasn't so terrible to lose your virginity. You have spent your first night with a man. You have earned your first gift, no less than a hundred drachmas. With that I'll buy you a necklace.
CORINNA
Yes, dear mother, do buy me a necklace. Let it be a necklace made of fine, shining stones like the one Philainis wears.
CROBYLE
I promise. It will be just like the one Philainis wears. But listen: I want to teach you how you should conduct yourself with men. Take my words to heart, daughter. We have only your favor with men to depend on for a living.
You can't imagine how hard it has been for us to get along since your blessed father's death. We lacked nothing when he was alive. He had quite a reputation as a blacksmith in the Piræus. People say there will never be another blacksmith like Philipinos. After his death I sold his tongs, anvil and hammer for two hundred drachmas. We lived on that for some time. I found work weaving and turning thread, barely earning enough to buy bread with. I have raised you, however, my precious little daughter. You are the only hope left me.
CORINNA
Weren't you going to say something about my hundred drachmas, mother?
CROBYLE
No, child. But I thought you were now big enough to support your tired mother. Not only that: you can even earn enough to dress richly, to buy yourself the newest robes of purple, and slaves.
CORINNA
What do you mean, mother? Why do you say that?
CROBYLE
Don't you understand, little fool? Why, you will earn a great deal being attentive to nice young men, drinking in their company and going to bed with them--for money, of course.
CORINNA (Scandalized)
You mean like Lyra, the daughter of Daphnis?
CROBYLE
Yes.
CORINNA
But she is--a courtesan!
CROBYLE
What of it? There is no harm in that. You will become rich. You are sure to have many lovers.
CORINNA (Weeps)
CROBYLE
Why, Corinna! Why do you weep? Don't you see how many courtesans there are, how they are all sought after,