Discover millions of ebooks, audiobooks, and so much more with a free trial

Only $11.99/month after trial. Cancel anytime.

Oliver Loving: A Novel
Oliver Loving: A Novel
Oliver Loving: A Novel
Ebook490 pages7 hours

Oliver Loving: A Novel

Rating: 3.5 out of 5 stars

3.5/5

()

Read preview

About this ebook

"A dazzling novel about love, loss, and the mysteries of the mind."
— David Ebershoff, Bestselling author of The Danish Girl and The 19th Wife

"A breathtaking tale of tragedy and redemption... A triumph" — People

A family in crisis, a town torn apart, and the boy who holds the secret has been cocooned in a coma for ten years.

One warm, West Texas November night, a shy boy named Oliver Loving joins his classmates at Bliss County Day School’s annual dance, hoping for a glimpse of the object of his unrequited affections, an enigmatic Junior named Rebekkah Sterling. But as the music plays, a troubled young man sneaks in through the school’s back door. The dire choices this man makes that evening —and the unspoken story he carries— will tear the town of Bliss, Texas apart.

Nearly ten years later, Oliver Loving still lies wordless and paralyzed at Crockett State Assisted Care Facility, the fate of his mind unclear. Orbiting the stillpoint of Oliver’s hospital bed is a family transformed: Oliver’s mother, Eve, who keeps desperate vigil; Oliver’s brother, Charlie, who has fled for New York City only to discover he cannot escape the gravity of his shattered family; Oliver’s father, Jed, who tries to erase his memories with bourbon. And then there is Rebekkah Sterling, Oliver’s teenage love, who left Texas long ago and still refuses to speak about her own part in that tragic night. When a new medical test promises a key to unlock Oliver’s trapped mind, the town’s unanswered questions resurface with new urgency, as Oliver’s doctors and his family fight for a way for Oliver to finally communicate— and so also to tell the truth of what really happened that fateful night.

A moving meditation on the transformative power of grief and love, a slyly affectionate look at the idiosyncrasies of family, and an emotionally-charged page-turner, Stefan Merill Block's Oliver Loving is an extraordinarily original novel that ventures into the unknowable and returns with the most fundamental truths.

LanguageEnglish
Release dateJan 16, 2018
ISBN9781250122865
Author

Stefan Merrill Block

Stefan Merrill Block grew up in Texas. His first novel, The Story of Forgetting, won Best First Fiction at the Rome International Festival of Literature, the 2008 Merck Serono Literature Prize and the 2009 Fiction Award from The Writers’ League of Texas. The Story of Forgetting was also a finalist for the debut fiction awards from IndieBound, Salon du Livre and The Center for Fiction. The Storm at the Door is his second novel. He lives in Brooklyn.

Related to Oliver Loving

Related ebooks

Literary Fiction For You

View More

Related articles

Reviews for Oliver Loving

Rating: 3.6911766 out of 5 stars
3.5/5

34 ratings2 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 4 out of 5 stars
    4/5
    A West Texas high school, a racially divided school and town. A high school homecoming dance, shots ring out, four dead, six wounded. The shooter, a recent highschool grad, also dead. Is there any subject more feared? Something that keeps happening again and again. As I was finishing this , the latest school shooting in rural Kentucky was on the news. Gave me the shivers.I can't say that this is the fastest moving book, it is not. It takes patience as the writer peels away the many layers to these characters and this story. Oliver Loving, has now laid in his bed for ten long years. Shot in the head, he is considered to be in a vegetative state. In the afternoon of the shooting the school closed, the town virtually died with the students and the cracks in Oliver's parents marriage became irreversible. All the unanswered questions haunt many, which did the shooter shoot and could anything have been done to prevent what happened? This is a well written book, we see the changes in all those involved as the years pass. It will not be until the end that we hear what occurred and why. If this book did anything it reminded me that I can turn off my television, or just not watch, but for many after these shootings, they have no such choice. It will always be with them, those directly involved as well as those peripherally involved.Those who feel guilty and wish they had done something. A warning perhaps that maybe we see more than we know or realize. ARC from Netgalley..
  • Rating: 5 out of 5 stars
    5/5
    Once upon a time there was a boy who fell through a crack in time but he didn’t fall all the way. Oliver Loving, a studious, shy gentle seventeen year old, was persuaded by his father to attend the high school’s annual dance. His initial reluctance had been overcome because he hoped to be able to see Rebekkah Sterling, a classmate he had become romantically obsessed with. It proved to be a fateful decision because a disturbed ex-student, Hector Espina Jr, an American born Mexican, also decided to go to the school that night, armed with a rifle and a hand gun. In just a few moments he killed four people, three students and a teacher, and wounded several others before killing himself. One of the wounded was Oliver who had been shot in the head. For him, his family and for everyone in the small town of Bliss, Texas, life had irrevocably changed. Now in a coma, Oliver had indeed become the “boy who fell through a crack in time” – neither here nor there, but in someplace in-between. As the tenth anniversary of the shooting approaches Oliver remains paralysed and unresponsive in an assisted care facility. His medical team believe there is no hope, that he can’t improve because he is in a permanent vegetative state. However, his mother, Eve, who continues to visit six days a week, is convinced that he is still “in there”, aware but locked in. Whatever the brain scans appear to show to the contrary, she will not give up hoping that one day Oliver will find a way to communicate. Struggling with severe depression, she is estranged from her husband Jed, an alcoholic, unsuccessful artist, and her younger son, Charlie. He has moved to New York to try to escape the dysfunctional family dynamics and the ever-present shadow cast by his elder brother’s condition. However, having read some of his brother’s journals and poetry he wants to tell Oliver’s story, believing that by doing so he will be able to make sense of something which feels so senseless. Rebbekah, who was not harmed in the shooting, is, initially, a shadowy figure in the story but is seen, particularly by Charlie, as holding the key to the motivation for Hector’s actions. As the story unfolds they both return to Bliss during the weeks leading up to the anniversary.The story, told from the alternating perspectives of Oliver and these four main characters, explores their struggles in the aftermath of this devastating, truly life-changing tragedy. It also reflects on the impact on the community and the ways in which simmering tensions are reignited as people look for who to blame in order to try to make sense of what has happened. In fact the identity of the killer has always been known known but it is his motivation which remains a mystery; the fact that he is a “Latino” serves to fan the flames of the already existing racial tensions in Bliss. There are so many unanswered questions and few answers but it very soon becomes clear that everyone is concealing something and, layer by layer, these withholdings and secrets are exposed as the story unfolds.This is a beautifully written novel which deals with the raw emotions which affect everyone involved. Such tragedies are in the headlines for days but then the public moves on, giving little or no thought to the people whose lives have been directly affected; people for whom the pain of loss and grief will be ever present in their lives. From the moment I started reading I felt immersed in the conflicting emotions experienced by each of the characters, as well as their respective struggles to find ways of moving forward with their lives. The author captured so powerfully that it wasn’t just Oliver whose life had been so confined and limited by the tragedy, but that each of the characters’ lives had, in one way or another, also been limited as a result of it; their capacity to live life to the full diminished by the horrific experience. To some extent they all struggled with a sense of guilt that they should have been able to do something to stop what happened on that fateful night. It is also a story which reflects on the very essence of what it means to be alive, to be dead, or to occupy a space somewhere in-between. I think the horror of being in a “locked-in” state is something which fills most people with dread and this story brought that fear to life in a vivid and disturbing way – even now, days after finishing the novel, I still feel haunted by that idea. I was so impressed by the way in which the author managed to tell such a sad, disturbing story without any mawkish sentimentality and yet with such empathy for each of his characters as they tried to reconcile hope with acceptance. The complexity of their emotions was often revealed through their dialogue, guiding the reader through their struggles, almost in “real time”. I found this such an admirable demonstration of how much more effective story-telling is when the author “shows” rather than “tells”. In his characterisations he never slips into easy stereotyping but creates credible, multi-faceted characters with whom, even at moments when their behaviour was questionable, it was easy to empathise. As I was reading I felt that he cared deeply about them and found something redeemable in each of them. His reflections on what happens to people’s dreams which have to be deferred – do they “dry up, sag like a heavy load or maybe, one day, explode” – were central to the story and had a powerful impact on me as I reflected on the deferred dreams of each of the characters. This is not a quick, easy read: the patience with which the author reveals the complexities of the individual back-stories needs to be matched by the reader’s willingness to embark on this complex journey. However, with such lyrical, beautiful prose this was no hardship; in fact there were times when I found myself re-reading certain sections just to appreciate all over again the brilliance of the prose. This could so easily be a depressing story but, although desperately sad and disturbing at times, it is one which encompasses the restorative power of love and hope – and it also has some moments of wonderful humour. For anyone who enjoys thought-provoking, reflective, insightful and literary writing, this is a book I have no hesitation in recommending. I know that not only is it one which will remain vivid for a long time, but it is one which I’m sure I’ll be tempted to re-read. My thanks to Real Readers/Atlantic Books for sending me a copy in exchange for an honest review.

Book preview

Oliver Loving - Stefan Merrill Block

.2abook_preview_excerpt.html}FPb1{چ}C=-XȬTLIR~3/OqND&ɺ׃.`RLfFF8O|1o7?po^݇o~[h/_ 8U:_T=~?W?7q~ZrmR\BV]?I\䯓\?}r'7j:}*7InUչW8W/WSƣd$'2MQ~yq2+InT~<@&Wq xB]<>8Yq!~' LK^O;t;ȠdeO+/zZ28Mr >QVptQOK k,u밌{/x{C(ꅼ}\C2=RAΐ1VyfyY̓\(fo.}ύŸCkxSbc9;AtBՒJת&4O>^|(2d\p8xiSoY /x5ȵ \vc2Kz7 AQr$Bֆ=n[/d]Db٢c&g|[Ou-dZ{J\V:b/ېdPe곷q6&[i~E^~9R`#>!;N>6j |rVVnW*>~KWqQt߯ўs+j|'2b' PYs\u>h Kʢ'?>p8AED8R'aΝk}ñO0w|`1^6YO|(ًDR}=9-";@B/!lm6BW's&K(Sn/qI?mJ_D>Nr8wUY6:IyYO7nrnzЬU' >rGQ0=fˁ{?3yad8FH4Uaa,+\d\u[P!}ʫhhZ+#Os^8P%E2-jD鼌!!&V5DKP; n.]EE)uޥB$F;undv 1Ȁl{yQlUCC 5y ~-6ޒjxt$|rzIVgW7AիغQFʶjxm{'"/ڈN5DA'-۹IΘh5`Q6#L5zj;+ՁjIDq="أ^IU/cĒ$`^1Z:GFʏ` 72m=44VLy9pp2&{t؞Q,tR!oc _[--#mMmDEk6B|=C_;^t1XjB >!yo(D^ɮ"forțAU vmiN q6:"mDlWuڀ&Q;Bňr;u)N#|[ڢX~lt'ratu+ ߵ"dS݂'Í`hF;݉{dSy?ARLy GBȏ| [*Dnx֋-^ ǭ|XԂ<ޏK1OkL8.嚰{fP'')^;ɥnn$|= CM"LI=(x4 Wu= ;ϭb_x iAqTAy e) v>bߚKQ]hQ"uk"%`}ЈS/'U ;{ ,^^ab@d6zrkЏS@cNy`W,Ν j-vejrS߯ I'}>;8A7f %G_FCՊ'-l|5C'>!}8x"{q"7'S,.Z,ؙF W5aw%LtP?Y#2)ؓ[Jg>qPe M2E@:آa y'uKո ;vS,@L(?TL,0!Xa&JU@gT -e _ʤQVH`'/ʁ!Grɗ r `o0yX, dGLu #Ү>cqZ F]08[T1t,NCy-R{c_i`Zm2ФC d{^tSwN(+vG / 0)HX?q*ltbC}c ୘ϣE6\q(ƽL ss_D 4G f`n/r!FeE@s}K1]]O"~b)ЗzO͈G*|N cE#oq=r\Og`[ EH}gkhMڲNQU+N/!kFn渐¸Ircueފ'q IdrPx:pɊ'm5TپdsJ>|a?g" 깛[Oz n1DգVGhvCtZ=,g`)LAu1|YxF~a@(+8 YV!5aҘl`9%' Mͤˮf'  d]`В@a 4AdɸmXQo?{?Y;! A9o߱!|q YgbJݞFJ׊٩`?".ՊNl@U|+rP+gY: @f}.BbqYHa|N5He.)qt[TS Ȕ^fR* 눍?WO\z,ɴZ@.k^h~!_IxSgzC(ٷ\X,jtcq?LwȺ\ v?fCDӐ<{ D>y|D&E"<6$d b)jضt=F5ԏy-xUt0 枆6WijDQsBD,'CxtW|#>z[,/i= aèFc QSWݝ*W48@Q'R6a5$\4#ACx+;7Gk&ךqb;9,4&4^SQ!#d #`ܿflw5-TXuS"-c}?=q7EG-fz_8}IƺULhTjO^j%4' ,} :p<gӨA\:<,ZrD}`9̽?1x_}~6<*}BC rJv$< 2JU(a_2 DaNˤԻ(e 7lqY8ݕGb_F(ܴRjjV]J "Z6:,%5*L(j$Ѱh ؿk3dgcf#X̃QٴPZ曉c*ߊ8hpGih*0LC]^BfUYTd)1XPͩc RR /a+w'Āa?C6wӀ;LQSQ1{,ע 2sX[l8ʞkQah%ܷS*PlGnpHk:""6N(|\Ih3hd]}-zs/\؛l6Vu纲n tYn,^Mio&E@t:Y9/\q>TK-i-R4I3j& BNF"`)DDy f;S>b7)5$~Z- zTpjו_k %zI%٢ޞ:XWS>.Μ@5Y֛6i['Q) t!IPUr*g2q7" GWTHE U /c쐊ՕzI4~R7+3'ZԔs%(2F1w#D 6fmKxEC+*&C1c|"9 @ 1GeijAH/"fɐr \!iI/u/O" ‘#CPGXl%PU3ᘡfrdybʹxdp',<^/-N23YiF6!J V^u%Dc7e# 1>x zV*7e9 R썄vG58K jfXC@*YnU|[S+3YJGW}&4Q<$Lz 2~CY{_2_lQp9mN2#w&2Xe}pfPbFi.=i Ϝ1NO 4h[P7+Dh 4ӼC>; [?#,5(j[T*A@LiQ̩&Fq5aMpo"fg`2){qszбDcW0]o-ca}Dxo*F(ݖiC`AG)bN|Uv|]W#" |Im)ݒoYǾ I6W}mN#ە䦺u- ٴn¤"bPW*Sj[L((t{] KP3/vL'ukYᴠ9bzR4n\H^ HZ#.Ag?CaI0gCmFM ݝ 曎'vk?L}Vd7| ?3Wf`E=(ӕiI]?mr<%RQ'o"x ȢPƸSyhw8l=qz?8WM'w:f-4Zf6R8#DD4Eq6S*h8aٍCjs@w$ kIcQ]Т̜A8@<(Se^cӤK&*Boh8&k!Lh}f7Jz%:f1C2[D<^`v-DZEoxU]һ2˥ PP4wY^rOQP6CW隽 se qӐ̫a%NS,P Xi 츳IU()\W+Vq&.g#txxįAQM)շfF>Anezä4Qx,cGHgdNVʯe9A}"ɝ!3Cݾ)23(HsRsS8Ĵ ʒ$/SC29-(RUD C^qٔ=8_䊑XN_ Fӄ \ű-Fv%rڑdG}6z%Ë]%Fy2NIw}㠦B\?*I%Ɲ' k# z#/+N52ws !]y9ch[ Z#㻚Id,yv.>H-JcURgkfuxG;7GIhnh#CUj$k)A\b 3x5_Oh3'LR} GE=WmP xϏ`xÖCNd3xCN|l - b:,I$ )*||VhpW%-q-e5Zs9:`~33f;Iâjv}d̤j&T+aᏋ>|zVȺ6n~+-VqKaiD 14Ǝ2tSӰt/b3Rqb)#QM"I҃鳷ݗVj'"t~X2pۏ,x8S]+ykâHPHCgLl Iw}Dfq9|ZU.jSdYXBXQ>{@ZxML@*Q`kUCh3qFu6oɘ#lY O~Mt-̺LVv_I]ѹJ4ݨ ¤CR/5R ?MxAoZ}Q@\oU`Z…M r@]JA>fbpgSolS;^^y] wBتGz|֭Pq)dWY N%,؎J_h !lUpch Rc !_'kbI yn8.$ރҌuJ_Mk45-3o1"\p24Cљa菠}`5%t٤ٚ8<ڂ'עsX.%TdK,焎򹙼*!*9\yZ ;{fkTuBjCу.jrez&0ɻ.JĖ*+ i뺖@,g~ZWDaO0$JM8ZkE^(G@"> +@z Vڨr):xV0T+]x@`8UjgYw"87X,d;:0Y RK" }Dsۙi_!Rv\Yl;qݱ8 ;Xo:% R}ն@cmr㪧8b'iO$/1nth?nn**laXEu~!2:&9H! nhw|)mGj h2&S v@%@LZm &f@ ;DG) |';d+u͏{kz.F)f"iu=[eSuj\UczGc@~ANߧضf#RN{~g^wCLHOșԽȥ?sJ[% dg 7\ * .$%M/d VsCKPWc* 猰'fFiSVNuџ"ȡ;4PN=$]:MY'=s$ZO|ҘY**P}SzjttLRHc  q0cs-;Ro;y)|.&KCqgfUnԅ0gI[ZS+U9Y2R^RXVL.Kz[raT w\8&оd S}?$8.L夐A;bl%S>G>5aVl:h\^ǫU@_ (˺MMVNpXq6j-5'Ub4 sѰl=Ix &O[Tz)no`spvЩ>-

RPdVaL9"'y|NFHo]C3":w '1lz:j jU^GF4Պ}P^g#-ZtOW߯(_dNETj֌tguҶdmr1 ˄51O qJ>]E#rYmsD$𿷦nW}CKUS~H@Tg"3-LeZkU@F~yȤܠtcۥ4BE{&,)qDD[""=Jy+?zIq彿f:&Q]/Xdh ԧpߏMJV;f7n^iJ;t:ڰǚն]N`X3-I| P=D=uƆ+Ap:j,G. /ψ(.\lx5XC@ V?I߉#H'dz5H{p6ŸqksHF d]V9YY<7-equP,&(%"fia[{myCZ@hcE,|$YhY9rx7;w 0 Y{igk?K"26$Z+~# \@!޲ =d>A5gwEǠo- OKh {k?έ\ƴeߖ~-c]cYv3mhoƓVxÜr&$C+ݸ]g-fΌOܢ+~,0 2^oYDjAwx|OS~mcQB!B0";k l&jI^Z:-ղ$7tB=erb"H\E@>3ct˲n\e!Ez2;:{D"xAJ67$*Qz}},nt;\&J pIY+utxCg׽B{pGo K J'?iWxDLICoZ`K0R*g\F44s& goOTuX&iDYnoO*YZ|lo>7|bAgͬXjSSvzVqFzK;Ub7-Im$-'RGw0[XbΕр8F*ez>:=Mx|ǀ&K*jlUHfڌ%fLFO@s[H1ϲuS<2Xzn>bStJNt. `A"5t-u[ [ߕlm S.j-ؗRz֛r9:8ʔCXn!,Mbꔳq "WGzC㓝j1v6لFpo.Xl^hIcm6X\*5@^l?$ mh%Pj;w 40탖^~yb+dm4Ʒ/cUdi mT~zth=2"nDO( y-fEfգ9^3f澻ʌe_ )ɿ>FMwI29BE5pQޡ?ŕ 3[,B{}b8U)Vx@ p:Ţ5QEG[t4%s7_^ {?.+߼ŻR}\r&&OxQfdgXcK${ 0zR_^)?͞(E5&S"rfgУmdA--](qڣ^ReC)x4\T>kDw4E- \`Ę=sZKC vlZ~Nv&nI W80_In2}dp^uE/}B<m7O;K !'cNh~18iai':$ՠsǥ",RY;1tF=0dSBw V4rqBa.Ϯ c'ZzQe0'@(<)K-ۥ3Q'u~}ۇeO鉪J-^yw9P+ rF1lclj7Iڼ;lJH#կŗ/εi $+:ggΡp̜m6Ќr(mu@I]ԋx.V$ޭ0Bu|ϘCSzUbb ìC-Bqm&(q8WmjnϾe~NH# >m?jl:tӵ:}

Enjoying the preview?
Page 1 of 1