The Atlantic

In <em>Sharp Objects,</em> Love Is Poison

The finale to the HBO series revealed its villains, and how corrupted they’d become.
Source: HBO

This article contains spoilers through all eight episodes of Sharp Objects.

Men, Camille (Amy Adams) concluded in her summation of the Wind Gap murders, get to be warrior poets. Women are resigned to asserting themselves in other ways. Adora (Patricia Clarkson), Camille wrote, embodied a specifically female kind of rage: one of “overcare. Killing with kindness.” Mistreated by her own mother and fawned over by the town of Wind Gap, Adora ossified into the most socially acceptable and protected kind of monster. She was pretty, petite, delicate. She barely raised her voice above a whisper. She was so gentle, so undemonstrative in her machinations that hardly anyone noticed she was slowly killing her daughters with rat poison.

You’re reading a preview, subscribe to read more.

More from The Atlantic

The Atlantic4 min readAmerican Government
How Democrats Could Disqualify Trump If the Supreme Court Doesn’t
Near the end of the Supreme Court’s oral arguments about whether Colorado could exclude former President Donald Trump from its ballot as an insurrectionist, the attorney representing voters from the state offered a warning to the justices—one evoking
The Atlantic3 min read
They Rode the Rails, Made Friends, and Fell Out of Love With America
The open road is the great American literary device. Whether the example is Jack Kerouac or Tracy Chapman, the national canon is full of travel tales that observe America’s idiosyncrasies and inequalities, its dark corners and lost wanderers, but ult
The Atlantic5 min readAmerican Government
What Nikki Haley Is Trying to Prove
This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here. Nikki Haley faces terrible odds in her home state of

Related