Now Playing Black Panther
By Dan Riley
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Now Playing Black Panther - Dan Riley
Copyright © 2018 The Nobby Works
All rights reserved.
ISBN-978-0-941913-09-6
http://thenobbyworks.blogspot.com/
DEDICATION
This book is dedicated to my grandchildren:
Benjamin, Avery, Nico & Remy
May the tribes of their world
be more tolerant of each other
than the tribes of my world.
Table of Contents
Chapter One
Cinema Paranormal
Chapter Two
The Spirit of Yorba Linda
Chapter Three
Never on Sunday!
Chapter Four
La Casa Blanca
Chapter Five
Sin City
Chapter Six
Gentlemen’s Agreement
Chapter Seven
When a Stranger Calls
Chapter Eight
The White Panther
Chapter Nine
All the President’s Manly Men
Chapter Ten
A Shot in the Dark…And then Another and Another…
Chapter Eleven
After Hours
Chapter Twelve
The Unusual Suspects
Chapter Thirteen
Apocalypse Now?
Chapter Fourteen
This Boy’s Life
Chapter Fifteen
Curse of the Black Panther
Chapter One
Cinema Paranormal
The Strand Theater on Main Street in Enfield, Connecticut, was a quite ordinary brick and mortar, gummy-floored 20th century movie house. It was neither exceptionally ornate nor historic. The fire department was located across the street and a couple hundred steps down to the right on the banks of the town’s Mill Pond. The police station was a few steps to the left, across from the old Congregational Church and the obligatory war memorial. There was nothing really extraordinary about the theater nor its setting, but then there was nothing really extraordinary about Ford’s Theater in Washington, DC, until Abraham Lincoln was shot there and nothing extraordinary about the Biograph Theater in Chicago until the FBI tracked gangster John Dillinger down there and shot him outside. Fate occasionally intervenes and renders the ordinary extraordinary.
Shep Farrell was just putting the K in place to finish the word Black on the Strand marquee when his boss, Leo D’Aleo, stepped out and looked up to check his work. Hey, Shep,
Leo yelled to the young man at the top of the ladder, "You spelled Creature wrong."
Shep leaned back on the ladder as much as he dared to read the signage he’d spent the last hour working on: The Creture from the Black…
I did?
he yelled back down.
"Needs an A after the E," Leo yelled back up.
Damn. I’m a terrible speller.
Don’t curse it, Shep. Just fix it. I’m heading over to the post office to pick up the film now. Then I’ll drive by the house and get Rosemary. You’ll have plenty of time to screen it and then help her get the lobby ready for the first showing.
The first showing of the weekend’s new double feature would start off with Creature from the Black Lagoon at 5. Shep was always excited about Friday night openers, which usually brought out a good sprinkling of Enfield’s young people. Although the theater couldn’t get a 3-D copy of Creature, the national publicity surrounding it seemed to Shep to make it a cinch Friday night date ticket, even at 50 cents for those 16 and up.
Enfield in 1954 was a monochromatic town. Most of the recent European immigrant families who had settled there—even the Sicilians—muted their native colors to better blend in with the staid descendants of the town’s original colonial settlers. With no color TVs, the only time hue and saturation mattered at all was when one of the new Technicolor films arrived in town. Such a film was Carmen Jones, which would be second billed on the double feature with Creature from the Black Lagoon. That might normally set Carmen Jones up for a bigger reception, but its Technicolor glory would be overshadowed by its all-black cast. In Enfield at the time there were as many blacks…or Coloreds, as they were called…as color TVs. No, the bigger draw for the upcoming weekend would not be the dazzling sights and sounds of the musical Carmen Jones, but the terrifying black and white thrills and chills of Creature from the Black Lagoon.
When Leo D’Aleo returned with his cans of film and daughter Rosemary, he was happy to see Creature spelled correctly and happy to see Carmen Jones on the marquee in smaller-sized letters. He and Rosemary entered the Strand to find Shep sweeping the lobby. Rosemary scuttled over to kiss Shep on the cheek, and Leo winced at the thought that he might soon have a son-in-law who could not correctly spell the word creature…and so many other words. Then the three of them gathered over the candy counter as Leo opened the heavy cardboard box that contained a trio of canned reels of the new film. Each can featured a strip of masking tape upon which someone had hand-written the title: Creature from the Black Lagoon. Leo slid the box over to Shep. There you go. Load it up.
Roger,
said Shep, the Strand’s projectionist as well as its sign maker, floor sweeper, and usher. Do you want me to call you when it’s ready for screening? I think it’s going to be cool.
Got enough scary stuff in my real life. I don’t need to look for it in the movies.
With that, Leo picked up the last of his mail and headed up to his office on the second floor.
What did he mean by that?
Shep asked Rosemary, who was watching after her dad with obvious concern.
I don’t know,
she answered, stepping behind the counter and starting to shelve boxes of candy.
Well, I think this one’s going to be a hit. Come up to the projection booth when you get a minute, and we’ll do some smooching and screaming together.
She smiled wanly as Shep put the box of film under his arm and headed upstairs to the projection booth.
Shep’s sausage-like fingers were serious obstacles in his training to be a projectionist. The delicate task of sliding the film through the camera’s sockets and then looping it around to the pick-up reel was not meant for someone with blacksmith’s hands. Days of lots of trial and error on the arduous learning curve almost convinced Leo D’Aleo not to hire the then 18-year old Shep. And if Shep couldn’t handle the projectionist’s job, Leo couldn’t afford him to be the theater’s Jack-of-all-trades either. More pressingly, Shep was Rosemary’s boyfriend of two years already, and Leo had promised her he’d hire him full-time after high school graduation. So Shep became the Strand’s projectionist, though he’d never win any ribbons at the job and even though his hands still shook and he broke into a sweat every time he had to thread a film. As excited as he was about Creature from the Black Lagoon, it was no exception. As soon as he unfurled enough film to slide it into the camera sockets, he started sweating.
But this time something inexplicably amazing happened. As soon as he brought the edge of the film close to the sprockets, it threaded itself…like a trained seal looping itself through a pool full of inner tubes…and when it slipped ever so smoothly around the pick-up reel, it came to a stop at exactly the point a professional projectionist would’ve stopped it. Shep had to step back and look on it in total astonishment. Then he gingerly moved his index finger toward the off/on switch and flicked it up, allowing just enough playing time to see that it worked right…but not enough time for the color that briefly flashed on the screen to register with him as anything other than a ghostly shadow.
In the theater manager’s office, Leo was staring glumly at a piece of mail that had arrived with the Creature from the Black Lagoon when his daughter walked in.
Pop,
she said, "we’re out of Good & Plenty and have less than a box of