Touring Guitarist Handbook: 101 Secrets to Survive, Thrive, and Succeed as a Traveling Guitarist Who Plays Live Music on the Road
By HowExpert
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About this ebook
This book highlights tips and tricks learned over two decades of real-world experience as a touring guitarist. For bands and musicians who are not signed, don’t have managers or agents, but are willing to do the hard work and pay their dues to take their show on the road. From advice on how to properly pack a trailer, to the various ways to place a microphone in front of an amplifier, this book includes a wide range of topics, and is sure to have something for musicians of all experience levels. Major topics addressed include, but are not limited to:
• Planning the tour – from how to choose which cities to visit, to how to pack your trailer or van.
• Promoting the tour – from how to write a press release, to how to maximize your social media use.
• Gear and supplies – from how to set up your guitar and which effects work best live, to where to place the mic in front of your amp.
• Life on the road – from the best gas stations and how to deal with boredom to winter driving tips.
• Putting on a great show – from how to fine tune your tone to a room to how to get along with your bandmates for optimum teamwork.
• Merchandise and revenue – from how to get creative when it comes to choosing your merch, to crowdfunding techniques, to tips on making sure you get paid by the venue.
• Connecting with fans – from using social media marketing creatively to general tips on in-person interactions with fans at the show.
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Touring Guitarist Handbook - HowExpert
Touring Guitarist Handbook
101 Secrets to Survive, Thrive, and Succeed as a Traveling Guitarist Who Plays Live Music on the Road
HowExpert with Brandon Humphreys
Copyright HowExpert™
http://www.HowExpert.com
For more tips related to this topic, visit www.HowExpert.com/travel.
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Table of Contents
Recommended Resources
Introduction
Chapter 1: Planning the Tour
Accommodations
Tip #1: Lodging Needs
Tip #2: Get Creative
Don’t Forget Your Sense of Adventure!
Booking
Tip #3: Agents and Unions
Dealing With Promoters and Club-Owners
Tip #4: Contracts - What To Look For
Riders
Scheduling The Tour
Tip #5: Give Yourself Enough Time
Schedule Changes
Tip #6: Types of Shows
Charity Benefits
Competitions and Talent Shows
Festival Shows
Opening Spots
Outdoor Shows
Wineries and Breweries
Tip #7: Tour Support
Managers
Roadies
Guitar Technicians
Tip #8: Dos and Don’ts
Dos
Don’ts
Chapter 2: Promoting Your Tour
Writing a Press Release
Tip #9: Why Write A Press Release
Tip #10: Formatting and Content
Tip #11: Where to Submit
Social Media Engagement
Tip #12: Facebook Events and Groups
Tip #13: Instagram, Periscope, and Tweets From The Road
Tip #14: E-mail and RSS Feeds
Tip #15: Reddit, Craigslist, and Other Potentially Local Forums
Tip #16: YouTube
Radio Promotion
Tip #17: Getting Air Time
Tip #18: Interviews
Tip #19: Local Periodicals
Photo Shoots
Posters and Flyers
Tip #20: Printing Tips
Tip #21: Street Teams
Chapter 3: Gear and Supplies
Acoustic Guitars
Tip #22: Amplification Options
A Note About Wood and Tone
Spruce vs. Cedar
Amplifiers
Tip #23: Tube vs. Solid State/Modeling
Tip #24: Combo vs. Head & Cabinet
Tip #25: Microphone Placement vs. Line Out
Tip #26: Common Settings
Tip #27: Troubleshooting and Maintenance
Tip #28: Cables
Distance and Impedance
Tip #29: Capos
Tip #30: Direct Boxes
Effects
Tip #31: Signal Chain
Tip #32: Compression, Wah, and Pitch Shift
Tip #33: Distortion, Fuzz, and Overdrive
Tip #34: Modulation Effects
Chorus
Phaser
Rotary
Uni-Vibe
Tremolo
Vibrato
Filters
Tip #35: Delay, Echo, and Reverb
Delay
Echo
Reverb
Tip #36: Effects Loops
Footswitches
Tip #37: Grounding
Tip #38: Guitar Care on the Road
Proper Cases
Temperature Control
Neck Issues (Guitars)
Tip #39: New Strings
Polish
Tip #40: Pots and Jacks
Tip #41: Strap Buttons and Strap Locks
Tip #42: Other Gear Care
Pedalboards
Tip #43: Designing a Pedalboard
Pedals vs. Processors
Tip #44: Pickups
Single-Coil Pickups
Humbucking Pickups
P-90s
Pickup Position
Buffers and Shielding
Power
Tip #45: How to Power Your Gear
Choosing the Right Power Supply
Power Conditioners
Tip #46: Stands, Straps, and Strings
Stands
Straps
Strings
Tip #47: Tuners
Chapter 4: Life on the Road
Safe Driving Tips
Tip #48: Inspect Your Vehicle
Tip #49: Make a Driving Schedule
Tip #50: Pack Well
Tip #51: Winter Driving
Tip #52: Things to Avoid
Tip #53: Gas Stations
Best Options
Truck Stops and Travel Plazas
Convenience Food
Credit Cards and Rewards Programs
Fun Times
Tip #54: Joking Around on the Road
Making the Most of the Miles
Tip #55: Neck Issues (People)
Tip #56: Tacos (After-Show Care)
Chapter 5: Putting On a Great Show
Acoustics
Tip #57: General Principles
Tune the Room
Tip #58: Basic Audio Principles
Levels
Microphone Placement
Tip #59: Mix
Tip #60: Monitors
Tip #61: Quiet! Avoiding Noise
RF Interference
Unplugging
Tip #62: The Audience
Who is your audience?
Dealing with Drunks and Hecklers
Tip #63: How to Connect with Your Audience
Performance
Tip #64: Nerves
Tip #65: Writing a Set List
Tip #66: Stage Plots and Blocking
Tip #67: Blocking
Tip #68: Basic Stagecraft
Tip #69: On-Stage Behavior
Tip #70: Beginnings and Endings
Tip #71: Opening the Show
Tip #72: A note on interacting with headliners:
Tip #73: The P Word
Tip #74: Maintain a Professional Attitude
Tip #75: Work Hard in order to Play Hard
Tip #76: Knowing Your Place/Checking Your Ego
Recording the Show
Tip #77: Board Recordings
Tip #78: Portable Recorders
Tip #79: Recording Video
Working as a Team
Tip #80: Maybe it’s You
Tip #81: Know Your Bandmates
Tip #82: Bass Players
Tip #83: Drummers
Tip #84: Keyboardists
Tip #85: Vocalists
Tip #86: Sound Technicians
Tip #87: Playing with Visiting Musicians
Chapter 6: Merchandise and Revenue
Merchandise
Tip #88: Common Types of Merch
Tip #89: Logistics
Tip #90: Sales and Marketing
Crowdfunding
Tip #91: Types of Crowdfunding Sites
Tip #92: Perks and Rewards
Payment
Tip #93: Getting Paid
Tip #94: Managing Band Finances
Chapter 7: Connecting with Fans and other Bands
Zombies!?! No, Wait. Those Are Your Fans.
Tip #95: How to Keep the Crowd Engaged
Tip #96: Connecting with Fans After the Show
Tip #97: Retaining Fans After the Show
Working with Other Bands on the Road
Tip #98: Show-Swapping
Tip #99: Cross-Promotion
Tip #100: Cost-Sharing
Tip #101: A Final Thought on Connecting
Epilogue
About the Expert
Recommended Resources
Introduction
We woke up, and the world had changed. Everything was white. There was snow all over the ground in Portland, OR, and the feeling of menace was palpable in the air. It was already 9:30 am, and we’d hoped to be on the road by 9:00. I gathered my clothes and tidied up my little area of our guest apartment before making my way down to the van to put my things back in their carefully arranged spot.
The van was a rented Kia Sedona, and we were pulling a U-Haul trailer full of a our gear plus a backline of amplifiers and other gear for the headliners. There were four of us riding in it, and not a square inch of space to spare. The back of the van was filled with guitars, overnight bags, and accessory bags, and the rest of the cabin was scattered with backpacks, jackets, and other belongings. When I’d positioned myself into the rear seat, we set off. The short tour was over, and it was time to head back home.
As soon as we’d pulled out of the place we were staying, it was apparent that this was not going to be a normal drive home. Portland is a coastal city, and though it’s a part of the Pacific Northwest, the city is much more accustomed to rain in the wintertime than snow. There was only about an inch and a half of accumulation, but it had brought the city to its knees.
We drove through the city streets at a snail’s pace. Cars were sliding all over the roadway, and we couldn’t believe what we were seeing. We knew it was going to be bad getting out of the city, but we had no idea what we were really in for. After about a half-hour and not much progress toward the highway, we decided to stop for some breakfast - maybe the weather would get a little better in an hour.
Of course, it didn’t. As I sat at the counter of a charming downtown Portland diner sipping coffee and eating biscuits and gravy with my bandmates, I thought to myself, "It’s